Author: George SandPublisher:
ISBN:
Category : French fiction
Languages : en
Pages : 96
Book Description
The Last Aldini
Author: George SandPublisher:
ISBN:
Category : French fiction
Languages : en
Pages : 96
Book Description
The Last Aldini
Author: George SandThe Last Aldini
Author: George SandWorks
Author: George SandPeople's & Howitt's Journal
Author: Masterpieces: The Piccinino. The last of the Aldinis
Author: George SandThe works of George Sand [tr.] by M. M. Hays [and others].
![The works of George Sand [tr.] by M. M. Hays [and others]. PDF](https://books.google.com/books/content/images/frontcover/oRYEAAAAQAAJ?fife=w80-h100)
Author: Amandine Lucile A. DudevantPublisher:
ISBN:
Category :
Languages : en
Pages : 704
Book Description
Encyclopedia of the Novel
Author: Paul SchellingerPublisher: Routledge
ISBN: 1135918260
Category : Literary Criticism
Languages : en
Pages : 838
Book Description
The Encyclopedia of the Novel is the first reference book that focuses on the development of the novel throughout the world. Entries on individual writers assess the place of that writer within the development of the novel form, explaining why and in exactly what ways that writer is importnant. Similarly, an entry on an individual novel discusses the importance of that novel not only form, analyzing the particular innovations that novel has introduced and the ways in which it has influenced the subsequent course of the genre. A wide range of topic entries explore the history, criticism, theory, production, dissemination and reception of the novel. A very important component of the Encyclopedia of the Novel is its long surveys of development of the novel in various regions of the world.
The Westminster Review
Author: International Bohemia
Author: Daniel CottomPublisher: University of Pennsylvania Press
ISBN: 0812208072
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
How did this vagabond word, bohemia, migrate across national borderlines over the course of the nineteenth century, and what happened to it as it traveled? In International Bohemia, Daniel Cottom studies how various individuals and groups appropriated this word to serve the identities, passions, cultural forms, politics, and histories they sought to animate. Beginning with the invention of bohemianism's modern sense in Paris during the 1830s and 1840s, Cottom traces the twists and turns of this phenomenon through the rest of the nineteenth century and into the early years of the twentieth century in the United States, England, Italy, Spain, and Germany. Even when they traveled under the banner of l'art pour l'art, the bohemians of this era generally saw little reason to observe borderlines between their lives and their art. On the contrary, they were eager to mix up the one with the other, despite the fact that their critics often reproached them on this account by claiming that bohemians were all talk—do-nothings frittering away their lives in cafés and taverns. Cottom's study of bohemianism draws from the biographies of notable and influential figures of the time, including Thomas Chatterton, George Sand, George Eliot, Henry Murger, Alexandre Privat d'Anglemont, Walt Whitman, Ada Clare, Iginio Ugo Tarchetti, and Arthur Conan Doyle. Through a wide range of novels, memoirs, essays, plays, poems, letters, and articles, International Bohemia explores the many manifestations of this transnational counterculture, addressing topics such as anti-Semitism, the intersections of race and class, the representation of women, the politics of art and masquerade, the nature of community, and the value of nostalgia.