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Author: Angelo Cantoni Publisher: Georg Olms Verlag ISBN: 3487151189 Category : Music Languages : en Pages : 506
Book Description
Ein neuer methodischer Zugriff charakterisiert Angelo Cantonis mehr als 40 Jahre nach Stravinskijs Tod entstandene Schrift The Language of Stravinsky. Darin geht es sowohl um die einzelnen Werke als auch um die Entwicklung von Stravinskijs Tonsprache während der gesamten Schaffenszeit. Hauptziele der Arbeit sind die Gesamtanalyse von Kompositionen sowie der Nachweis einer die verschiedenen Schaffensphasen, die Stilvielfalt, die wechselnden Besetzungen und den Wandel musiktheatralischer Gattungen übergreifenden Kohärenz seiner Musik. Obwohl Stravinskijs Werk oftmals in drei verschiedene Stilperioden – die russische, die neoklassizistische und die serielle – untergliedert wird, zeichnet es sich durch gemeinsame Konstruktionsprinzipien einer ureigenen Tonsprache aus. Die Analysen legen deren grundlegende Elemente und ihre Grammatik offen. Jedes der acht Kapitel des Buches ist auf einen Aspekt der Tonsprache Stravinskijs fokussiert, jeweils in der Abfolge der Chronologie der Werke. Aus diesem Grund werden dieselben Kompositionen in mehreren Kapiteln unter verschiedener Perspektive untersucht. Auf diese Weise ergeben sich ganz wesentliche neue Einsichten zum Gesamtschaffen Stravinskijs. The Language of Stravinsky proposes new methods of looking at Stravinsky’s work, more than 40 years after his death. It considers both his individual compositions and the evolution of his work over his lifetime. The main purpose of the book is to analyse and clarify the inner coherence of Stravinsky’s music, despite the wide variety of styles, instrumental combinations and theatrical modes with which he worked. Though his career is often seen as falling into three distinct periods – Russian, Neoclassical and Serial – his work as a whole is threaded through with a language unique to himself as a composer. The analysis presented in this account identifies the basic elements and grammar of this underlying musical language. Each of the eight chapters of the book focuses on one aspect of Stravinsky’s musical language, followed chronologically within that chapter. The same works are therefore often studied in different chapters, looked at from a different musical perspective. This analysis of Stravinsky’s music over time provides major new insights into his work.
Author: Angelo Cantoni Publisher: Georg Olms Verlag ISBN: 3487151189 Category : Music Languages : en Pages : 506
Book Description
Ein neuer methodischer Zugriff charakterisiert Angelo Cantonis mehr als 40 Jahre nach Stravinskijs Tod entstandene Schrift The Language of Stravinsky. Darin geht es sowohl um die einzelnen Werke als auch um die Entwicklung von Stravinskijs Tonsprache während der gesamten Schaffenszeit. Hauptziele der Arbeit sind die Gesamtanalyse von Kompositionen sowie der Nachweis einer die verschiedenen Schaffensphasen, die Stilvielfalt, die wechselnden Besetzungen und den Wandel musiktheatralischer Gattungen übergreifenden Kohärenz seiner Musik. Obwohl Stravinskijs Werk oftmals in drei verschiedene Stilperioden – die russische, die neoklassizistische und die serielle – untergliedert wird, zeichnet es sich durch gemeinsame Konstruktionsprinzipien einer ureigenen Tonsprache aus. Die Analysen legen deren grundlegende Elemente und ihre Grammatik offen. Jedes der acht Kapitel des Buches ist auf einen Aspekt der Tonsprache Stravinskijs fokussiert, jeweils in der Abfolge der Chronologie der Werke. Aus diesem Grund werden dieselben Kompositionen in mehreren Kapiteln unter verschiedener Perspektive untersucht. Auf diese Weise ergeben sich ganz wesentliche neue Einsichten zum Gesamtschaffen Stravinskijs. The Language of Stravinsky proposes new methods of looking at Stravinsky’s work, more than 40 years after his death. It considers both his individual compositions and the evolution of his work over his lifetime. The main purpose of the book is to analyse and clarify the inner coherence of Stravinsky’s music, despite the wide variety of styles, instrumental combinations and theatrical modes with which he worked. Though his career is often seen as falling into three distinct periods – Russian, Neoclassical and Serial – his work as a whole is threaded through with a language unique to himself as a composer. The analysis presented in this account identifies the basic elements and grammar of this underlying musical language. Each of the eight chapters of the book focuses on one aspect of Stravinsky’s musical language, followed chronologically within that chapter. The same works are therefore often studied in different chapters, looked at from a different musical perspective. This analysis of Stravinsky’s music over time provides major new insights into his work.
Author: Robert Craft Publisher: ISBN: 9780826512857 Category : Composers Languages : en Pages : 0
Book Description
For the last twenty-three years of Igor Stravinsky's incredibly full life, the noted musician, conductor, and writer Robert Craft was his closest colleague and friend, a trusted member of the Stravinsky household, and an important participant in virtually all of the composer's worldwide activities. Throughout these years, Craft kept a detailed diary, impressive in its powers of observation and characterization. This diary forms the basis for Stravinsky: Chronicle of a Friendship, now released in this substantially revised and enlarged edition.
Author: Lauren Stringer Publisher: Houghton Mifflin Harcourt ISBN: 0547907257 Category : Juvenile Nonfiction Languages : en Pages : 37
Book Description
Composer Igor Stravinsky and choreographer Vaslav Nijinsky, Russian comrades, worked together to bring a very different and new ballet to a Parisian audienceN"The Rite of Spring"Nand rioting filled the streets! Full color.
Author: Charles M. Joseph Publisher: ISBN: Category : Music Languages : en Pages : 472
Book Description
¿7FA study of the musical collaboration of Igor Stravinsky and George Balanchine, who created the music and movement for many ballet masterpieces. Drawing on extensive new research, Joseph discusses the Stravinsky-Balanchine ballets against a rich contextual backdrop."
Author: Richard Taruskin Publisher: Univ of California Press ISBN: 0520293487 Category : Music Languages : en Pages : 992
Book Description
This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑPetrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.
Author: Eric Walter White Publisher: Univ of California Press ISBN: 9780520039858 Category : Biography & Autobiography Languages : en Pages : 664
Book Description
In the second edition of the definitive account of Igor Stravinsky's life and work, arranged in two separate sections, Eric Walter White revised the whole book, completing the biographical section by taking it up to Stravinsky's death in 1971. To the list of works, the author added some early pieces that have recently come to light, as well as the late compositions, including the Requiem Canticles and The Owl and the Pussycat. Four more of Stravinsky's own writings appear in the Appendices, and there are several important additions to the bibliography.
Author: Eric Walter White Publisher: Courier Corporation ISBN: 9780486297552 Category : Music Languages : en Pages : 212
Book Description
Fascinating critical and biographical portrait of famed 20th-century composer includes commentary on the evolution of such masterworks as The Firebird, Petrouchka, Le Sacre du Printemps, Pulcinella, and Histoire du Soldat.
Author: Angelo Cantoni
Author: Angelo Cantoni
Author: Robert Craft
Author: Lauren Stringer
Author: Charles M. Joseph
Author: Pieter C. Van den Toorn
Author: Richard Taruskin
Author: Eric Walter White
Author: Pieter C. Van den Toorn
Author: Pieter C. van den Toorn
Author: Eric Walter White