The Language of Protest PDF Download

Author: Mary Lynne Gasaway Hill
Publisher: Springer
ISBN: 3319774190
Category : Language Arts & Disciplines
Languages : en
Pages : 328

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Book Description
Rooted in the performative of Speech Act Theory, this interdisciplinary study crafts a new model to compare the work we do with words when we protest: across genres, from different geographies and languages. Rich with illustrative examples from Turkey, U.S., West Germany, Romania, Guatemala, Great Britain, and Northern Ireland, it examines the language of protest (chants, songs, poetry and prose) with an innovative use of analytical tools that will advance current theory. Operating at the intersection of linguistic pragmatics and critical discourse analysis this book provides fresh insights on interdisciplinary topics including power, identity, legitimacy and the Social Contract. In doing so it will appeal to students and scholars of sociolinguistics, pragmatics and critical discourse analysis, in addition to researchers working in sociology, political science, discourse, cultural and communication studies.

Author: Stephen D'Arcy
Publisher: Between the Lines
ISBN: 1771131071
Category : Social Science
Languages : en
Pages : 298

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Book Description
What we must see, Martin Luther King once insisted, is that a riot is the language of the unheard. In this new era of global protest and popular revolt, Languages of the Unheard draws on King's insight to address a timely and controversial topic: the ethics and politics of militant resistance. Using vivid examples from the history of militancy including—armed actions by Weatherman and the Red Brigades, the LA Riots, the Zapatista uprising, the Mohawk land defence at Kanesatake, the Black Blocs at summit protests, the occupations of Tahrir Square and Zuccotti Park, the Indigenous occupation of Alcatraz, the Quebec Student Strike, and many more—this book will be of interest to democratic theorists and moral philosophers, and practically useful for protest militants attempting to grapple with the moral ambiguities and political dilemmas unique to their distinctive position.

Author: Camille Benda
Publisher: Chronicle Books
ISBN: 1648960847
Category : Design
Languages : en
Pages : 217

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Book Description
Dressing the Resistance is a celebration of how we use clothing, fashion, and costume to ignite activism and spur social change. Weaving together historical and current protest movements across the globe, Dressing the Resistance explores how everyday people and the societies they live in harness the visual power of dress to fight for radical change. American suffragettes made and wore dresses from old newspapers printed with voting slogans. Male farmers in rural India wore their wives' saris while staging sit-ins on railroad tracks against government neglect. Costume designer and dress historian Camille Benda analyzes cultural movements and the clothes that defined them through nearly 200 archival images, photographs, and paintings that bring each event to life, from ancient Roman rebellions to the #MeToo movement, from twentieth century punk subcultures to Black Lives Matter marches.

Author: Frank Lowenstein
Publisher: Black Dog & Leventhal Pub
ISBN: 9781579125851
Category : History
Languages : en
Pages : 560

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Book Description
'Voices of Protest' contains a collection of documents of protest, including more than 500 essays, letters, articles, court decisions, song lyrics, press photographs, cartoons & more, that explores the history & undeniable power of social, political & religious dissent worldwide & throughout history.

Author: Kathrin Fahlenbrach
Publisher: Berghahn Books
ISBN: 1785331493
Category : Social Science
Languages : en
Pages : 568

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Book Description
Protest is a ubiquitous and richly varied social phenomenon, one that finds expression not only in modern social movements and political organizations but also in grassroots initiatives, individual action, and creative works. It constitutes a distinct cultural domain, one whose symbolic content is regularly deployed by media and advertisers, among other actors. Yet within social movement scholarship, such cultural considerations have been comparatively neglected. Protest Cultures: A Companion dramatically expands the analytical perspective on protest beyond its political and sociological aspects. It combines cutting-edge synthetic essays with concise, accessible case studies on a remarkable array of protest cultures, outlining key literature and future lines of inquiry.

Author: Luisa Martín Rojo
Publisher: John Benjamins Publishing Company
ISBN: 9027266999
Category : Language Arts & Disciplines
Languages : en
Pages : 190

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Book Description
Large-scale protest movements have recently transformed urban common spaces into sites of resistance. The Arab Spring, the European Summer, the American Fall in 2011, the revolts in India and South Africa and, more recently, in Istanbul, in several cities in Brazil, and in Hong Kong, are part of a common wave of protests which reclaims squares and urban places, monumentally designed as political and economic centres, as places for discussion and decision-making, for increasing participation and intervention in the governance of the community. Through banners and signs, open assemblies, and other communicative practices in the encampments and interconnecting physical and virtual spaces, participants permanently reconfigure their lived spaces discursively. The attempt to account for on-going social phenomena from the moment they first happen, and with an international perspective, undoubtedly represents a theoretical and methodological challenge. This book is a successful and innovative attempt to address this challenge, capturing the complex interplay between social, spatial, and communicative practices, drawing on complementary and alternative methods. Originally published in Journal of Language and Politics issue 13:4 (2014).

Author: L.A. Kauffman
Publisher: Univ of California Press
ISBN: 0520972201
Category : History
Languages : en
Pages : 153

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Book Description
"Explores protesting as an act of faith . . . How to Read a Protest argues that the women's marches of 2017 didn't just help shape and fuel a moment—they actually created one."—Masha Gessen, The New Yorker O, the Oprah Magazine’s “14 Best Political Books to Read Before the 2018 Midterm Election” "A fascinating and detailed history of American mass demonstrations."—Publishers Weekly When millions of people took to the streets for the 2017 Women’s Marches, there was an unmistakable air of uprising, a sense that these marches were launching a powerful new movement to resist a dangerous presidency. But the work that protests do often can’t be seen in the moment. It feels empowering to march, and record numbers of Americans have joined anti-Trump demonstrations, but when and why does marching matter? What exactly do protests do, and how do they help movements win? In this original and richly illustrated account, organizer and journalist L.A. Kauffman delves into the history of America’s major demonstrations, beginning with the legendary 1963 March on Washington, to reveal the ways protests work and how their character has shifted over time. Using the signs that demonstrators carry as clues to how protests are organized, Kauffman explores the nuanced relationship between the way movements are made and the impact they have. How to Read a Protest sheds new light on the catalytic power of collective action and the decentralized, bottom-up, women-led model for organizing that has transformed what movements look like and what they can accomplish.

Author: T. V. Reed
Publisher: U of Minnesota Press
ISBN: 1452958653
Category : Art
Languages : en
Pages : 578

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Book Description
A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistance The Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.

Author: Micah White
Publisher: Knopf Canada
ISBN: 034581004X
Category : Political Science
Languages : en
Pages : 338

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Book Description
Is protest broken? Micah White, co-creator of Occupy Wall Street, thinks so. Disruptive tactics have failed to halt the rise of Donald Trump. Movements ranging from Black Lives Matter to environmentalism are leaving activists frustrated. Meanwhile, recent years have witnessed the largest protests in human history. Yet these mass mobilizations no longer change society. Now activism is at a crossroads: innovation or irrelevance. In The End of Protest Micah White heralds the future of activism. Drawing on his unique experience with Occupy Wall Street, a contagious protest that spread to eighty-two countries, White articulates a unified theory of revolution and eight principles of tactical innovation that are destined to catalyze the next generation of social movements. Despite global challenges—catastrophic climate change, economic collapse and the decline of democracy—White finds reason for optimism: the end of protest inaugurates a new era of social change. On the horizon are increasingly sophisticated movements that will emerge in a bid to challenge elections, govern cities and reorient the way we live. Activists will reshape society by forming a global political party capable of winning elections worldwide. In this provocative playbook, White offers three bold, revolutionary scenarios for harnessing the creativity of people from across the political spectrum. He also shows how social movements are created and how they spread, how materialism limits contemporary activism, and why we must re-conceive protest in timelines of centuries, not days. Rigorous, original and compelling, The End of Protest is an exhilarating vision of an all-encompassing revolution of revolution.

Author: Tali Hatuka
Publisher: University of Texas Press
ISBN: 1477315764
Category : Architecture
Languages : en
Pages : 353

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Book Description
Public protests are a vital tool for asserting grievances and creating temporary, yet tangible, communities as the world becomes more democratic and urban in the twenty-first century. While the political and social aspects of protest have been extensively studied, little attention has been paid to the physical spaces in which protests happen. Yet place is a crucial aspect of protests, influencing the dynamics and engagement patterns among participants. In The Design of Protest, Tali Hatuka offers the first extensive discussion of the act of protest as a design: that is, a planned event in a space whose physical geometry and symbolic meaning are used and appropriated by its organizers, who aim to challenge socio-spatial distance between political institutions and the people they should serve. Presenting case studies from around the world, including Tiananmen Square in Beijing; the National Mall in Washington, DC; Rabin Square in Tel Aviv; and the Plaza de Mayo in Buenos Aires, Hatuka identifies three major dimensions of public protests: the process of planning the protest in a particular place; the choice of spatial choreography of the event, including the value and meaning of specific tactics; and the challenges of performing contemporary protests in public space in a fragmented, complex, and conflicted world. Numerous photographs, detailed diagrams, and plans complement the case studies, which draw upon interviews with city officials, urban planners, and protesters themselves.