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Author: Chaucer Geoffrey Publisher: Legare Street Press ISBN: 9781016195515 Category : Languages : en Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Chaucer Geoffrey Publisher: Legare Street Press ISBN: 9781016195515 Category : Languages : en Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Geoffrey Chaucer Publisher: Cambridge University Press ISBN: 1316615588 Category : Juvenile Nonfiction Languages : en Pages : 257
Book Description
The classic respected series in a stunning new design. This edition of The Knight's Tale from the highly-respected Selected Tales series includes the full, complete text in the original Middle English, along with an in-depth introduction by A. C. Spearing, detailed notes and a comprehensive glossary.
Author: Patience Agbabi Publisher: Canongate Books ISBN: 1782111565 Category : Poetry Languages : en Pages : 96
Book Description
SHORTLISTED FOR THE TED HUGHES PRIZE 2015 Tabard Inn to Canterb'ry Cathedral, Poet pilgrims competing for free picks, Chaucer Tales, track by track, it's the remix From below-the-belt base to the topnotch; I won't stop all the clocks with a stopwatch when the tales overrun, run offensive, or run clean out of steam, they're authentic and we're keeping it real, reminisce this: Chaucer Tales were an unfinished business. In Telling Tales award-winning poet Patience Agbabi presents an inspired 21st-Century remix of Chaucer's Canterbury Tales retelling all of the stories, from the Miller's Tale to the Wife of Bath's in her own critically acclaimed poetic style. Celebrating Chaucer's Middle-English masterwork for its performance element as well as its poetry and pilgrims, Agbabi's newest collection is utterly unique. Boisterous, funky, foul-mouthed, sublimely lyrical and bursting at the seams, Telling Tales takes one of Britain's most significant works of literature and gives it thrilling new life.
Author: Charles Abraham Owen Publisher: Boydell & Brewer ISBN: 9780859913348 Category : Literary Collections Languages : en Pages : 150
Book Description
Owen investigates what the manuscripts of the Canterbury Tales reveal about the way they came into being. [see revs] This study of the manuscripts of the Canterbury Talescalls into question previous efforts to explain the complexities, the different orderings of the tales and the extraordinary shifts in textual affiliations within the manuscripts. Owen sees the manuscripts that survive, most of them collections of all or almost all the tales, as derived from the large number of single tales and small collections that circulated after Chaucer's death. This theory takes issue with all modern editions of the Canterbury Tales, which in Owen's view reflect the effort of medieval scribes and supervisors to make a satisfactory book of the collection of fragments Chaucer left behind. It is this collection of fragments, the authentic Tales of Canterbury by Geoffrey Chaucer, which reflects the different stages of the plan that was still evolving at his death. CHARLES A. OWEN Jr is former Professor of English and Chairman of Medieval Studies at the University of Conneticut.
Author: Geoffrey Chaucer Publisher: Prabhat Prakashan ISBN: Category : Poetry Languages : en Pages : 896
Book Description
Join Geoffrey Chaucer on a literary pilgrimage through medieval England with The Canterbury Tales And Other Poems. This collection invites you to experience a vibrant tapestry of tales told by colorful characters, each with their own unique story to share. As you immerse yourself in Chaucer's rich narratives, you'll ask: What truths about human nature and society are revealed through these timeless tales? Each story unfolds with wit and wisdom, exploring themes of love, morality, and the human condition. Chaucer's masterful use of verse captures the essence of the characters and their journeys, making every page a delightful exploration. Are you ready to uncover the lessons hidden within these poetic tales? Take a step back in time and savor the insights of a bygone era. Purchase The Canterbury Tales And Other Poems today, and let the journey through history and humanity inspire you.
Author: M J Trow Publisher: Severn House Publishers Ltd ISBN: 1448305403 Category : Fiction Languages : en Pages : 210
Book Description
Introducing 14th century poet Geoffrey Chaucer as a memorable new amateur sleuth in the first of an ingeniously-conceived medieval mystery series. April, 1380. About to set off on his annual pilgrimage, Comptroller of the King’s Woollens and court poet Geoffrey Chaucer is forced to abandon his plans following an appeal for help from an old friend. The Duke of Clarence, Chaucer’s former guardian, has been found dead in his bed at his Suffolk castle, his bedroom door locked and bolted from the inside. The man who found him, Sir Richard Glanville, suspects foul play and has asked Chaucer to investigate. On arrival at Clare Castle, Chaucer finds his childhood home rife with bitter rivalries, ill-advised love affairs and dangerous secrets. As he questions the castle’s inhabitants, it becomes clear that more than one member of the Duke’s household had reason to wish him ill. But who among them is a cold-hearted killer? It’s up to Chaucer, with his sharp wits and eye for detail, to root out the evil within.
Author: Geoffrey Chaucer Publisher: Stephen F. Austin University Press ISBN: Category : Art Languages : en Pages : 148
Book Description
Knight's Tale breaks boundaries. It uncovers the dark heart of chivalric idealism, injects the political seriousness of epic into the timeless summer of romance, insists on a pagan outlook within a Christian culture, and draws compassion for female suffering from a man's world. Along with the exquisite anonymous poem Sir Gawain and the Green Knight, the Knight's Tale is the most intricately structured and stylistically pleasing of medieval English romances. For these reasons, it is worthy of its own edition, but what makes it particularly suitable to an illustrated edition is how its narration works by condensing actions and their effects into powerful images and figures. The Knight's Tale has, in fact, been illustrated many times, but never so thoroughly as in the current edition. Moreover, past illustrations have tended to romanticize or sentimentalize the story, eschewing its most violent and disturbing images. The illustrations in this edition attempt to recapture Chaucer's mature vision of the noble life, which refuses to deny the tragic aspects of the chivalric equation of love with war and war with honor. Past illustrations have also tended to adopt a Gothic idiom. The illustrations in our edition adopt a Classical Greek idiom drawn from the Parthenon frieze, Attic black- and red-figure pottery, and ancient Greek sculpture--an idiom suitable to the setting of the tale in legendary Athens and Thebes as well as to Chaucer's humanist impusle. The If considering Theseus's prosecution of war as a civilizing force, one can point to the fact that he puts an end to Creon's "tirannye" (941), restoring the bodies of the desecrated dead to the Argive widows. However, if his objective in attacking Thebes is to avenge the widows on Creon, why does he destroy the city after he has already killed him and routed the Theban army, tearing down "wall, and sparre and rafter" (line 990)? The motive is hardly humanitarian, nor even strategic in the military sense since the Theban forces have already been defeated. Its only objective is pillage--to pay off the Athenian troops--and, of course, it is while ransacking the dead that they find Palamon and Arcite still alive among a pile of corpses, a detail unique to Chaucer's text. While such a practice was endemic to chivalric warfare, it was difficult to contain once started, and it would inevitably produce results inimical to Theseus's stated purpose for going to war against Thebes, which was to right a wrong done to a group of helpless women. As Maurice Keen writes, the trouble with the practice of looting-as-pay was that to pay off soldiers in this way was not the same as to disband them. They had to be left at large, still armed with equipment that was their own, beyond control; and so whole provinces were subjected to the indiscriminate pillaging of soldiery that sought to claim a share in chivalry but whose manner of living was the antithesis of what chivalry stood for, the protection of the poor, the fatherless and the widow. Knight's Tale poses the pivotal question about war: Is there such a thing as civilized warfare, as war fought for a just cause in a controlled manner as a means of restoring order to society, or do all wars inevitably lead to acts of savagery and excess that make a mockery of policy?35 Ancient Thebes is the story of a sustained, sordid, brutal, and self-indulgent lust for power and pleasure eventuating in spectacular violence--Cadmus and the dragon-tooth warriors, Oedipus's primal crimes against nature, Eteocles and Polynices' impiety and fratricidal warfare, Creon's desecration of his nephew's corpse and subsequent murder of his niece Antigone. The idea of a moderate use of force to serve the common good is alien to the Theban legend. Statius considers the possibility of a good war by inserting the Athenian warlord Theseus into the myth of Thebes. Theseus brings peace to Thebes and, in Statius's version of events, saves Antigone, but only after an unforgettable orgy of death has occurred. As discussed above, Chaucer returned to Statius's brooding treatment of the Theban material in order to foreground it. He rereads the Teseida through the lens of the Thebaid, turning it from a conventional love story into a philosophical reflection on the nature of love, war, and governance--both earthly and cosmic. Indeed, it becomes a kind of theodicy, asking why humans must suffer so much and whether there is a benevolent order that transcends the individual ills of human experience, providing an origin for temporal governance. In this vein, Chaucer presents the stadium Theseus builds to hold the tournament as a theatrum mundi, a microcosmic space in which Theseus will try to civilize the unruly dispute between Palamon and Arcite, itself symbolic of the dynastic rivalry between Polynices and Eteocles. 36 Ominously, there is nothing to stop Theseus's men from just such rapine, as he "dide with al the contree as hym leste" (line 1004). For Chaucer, it seems it is not justice but fortune that decides the outcome of war. The eldest Argive widow reminds Theseus of the role of "Fortune" in war, and Chaucer returns to the idea of the uncertainty of military ventures in the temple of Mars murals, where an enthroned "Conquest" (line 2028) is depicted with the sharp sword of Damocles hanging over his head by the thinnest of threads. Perhaps Theseus learns this lesson, as he moves steadily away from militarism in Chaucer's narrative, changing the rules of the tournament to prevent mortal combat and ending the strife with Thebes through the diplomacy of the parliament. Yet, even in the mock battle of the tournament, death cannot be prevented, despite his best efforts. Is Chaucer suggesting that the prospect of limited warfare for some greater purpose (in this case the eventual pacification of Thebes) is human folly? Chaucer's
Author: Chaucer Geoffrey
Author: Chaucer Geoffrey
Author: Geoffrey Chaucer
Author: John Dryden
Author: Geoffrey Chaucer
Author: Patience Agbabi
Author: Charles Abraham Owen
Author: Geoffrey Chaucer
Author: Geoffrey Chaucer
Author: M J Trow
Author: Geoffrey Chaucer