Author: Michael Baumgartner
Publisher: Hatje Cantz
ISBN: 9783775737630
Category : Art, Modern
Languages : en
Pages : 0
Book Description
"The one-hundredth anniversary of the legendary journey to Tunisia taken by three artists Paul Klee, August Macke, and Louis Moilliet arrives in April 2014. The Zentrum Paul Klee is taking this opportunity to once again relive one of the greatest moments in modern art history.
The Journey to Tunisia, 1914
Author: Michael Baumgartner
Publisher: Hatje Cantz
ISBN: 9783775737630
Category : Art, Modern
Languages : en
Pages : 0
Book Description
"The one-hundredth anniversary of the legendary journey to Tunisia taken by three artists Paul Klee, August Macke, and Louis Moilliet arrives in April 2014. The Zentrum Paul Klee is taking this opportunity to once again relive one of the greatest moments in modern art history.
Publisher: Hatje Cantz
ISBN: 9783775737630
Category : Art, Modern
Languages : en
Pages : 0
Book Description
"The one-hundredth anniversary of the legendary journey to Tunisia taken by three artists Paul Klee, August Macke, and Louis Moilliet arrives in April 2014. The Zentrum Paul Klee is taking this opportunity to once again relive one of the greatest moments in modern art history.
Kandinsky and Klee in Tunisia
Author: Roger Benjamin
Publisher: Univ of California Press
ISBN: 0520283651
Category : Art
Languages : en
Pages : 246
Book Description
Paul Klee experienced his 1914 trip to Tunisia as a major breakthrough for his art: ÒColor and I are one,Ó he famously wrote. ÒI am a painter.Ó Kandinsky and Klee in Tunisia sets the scene for KleeÕs breakthrough with a close study of the parallel voyage undertaken in 1904Ð5 by Wassily Kandinsky and Gabriele MŸnter, who would later become Klee's friends. This artist couple, then at an early stage in their celebrated careers, produced a rich body of painting and photography known only to specialists. Paul KleeÕs 1914 trip with August Macke and Louis Moilliet, in contrast, is a vaunted convergence of cubism and the exotic. Roger Benjamin refigures these two seminal voyages in terms of colonial culture and politics, the fabric of ancient Tunisian cities, visual ethnography, and the tourist photograph. The book looks closely at the cities of Tunis, Sousse, Hammamet, and Kairouan to flesh out a profound confrontation between European high modernism and the wealth of Islamic lifeways and architecture. Kandinsky and Klee in Tunisia offers a new understanding of how the European avant-garde was formed in dialogue with cultural difference.
Publisher: Univ of California Press
ISBN: 0520283651
Category : Art
Languages : en
Pages : 246
Book Description
Paul Klee experienced his 1914 trip to Tunisia as a major breakthrough for his art: ÒColor and I are one,Ó he famously wrote. ÒI am a painter.Ó Kandinsky and Klee in Tunisia sets the scene for KleeÕs breakthrough with a close study of the parallel voyage undertaken in 1904Ð5 by Wassily Kandinsky and Gabriele MŸnter, who would later become Klee's friends. This artist couple, then at an early stage in their celebrated careers, produced a rich body of painting and photography known only to specialists. Paul KleeÕs 1914 trip with August Macke and Louis Moilliet, in contrast, is a vaunted convergence of cubism and the exotic. Roger Benjamin refigures these two seminal voyages in terms of colonial culture and politics, the fabric of ancient Tunisian cities, visual ethnography, and the tourist photograph. The book looks closely at the cities of Tunis, Sousse, Hammamet, and Kairouan to flesh out a profound confrontation between European high modernism and the wealth of Islamic lifeways and architecture. Kandinsky and Klee in Tunisia offers a new understanding of how the European avant-garde was formed in dialogue with cultural difference.
Kairouan
Author: Wilhelm Hausenstein
Publisher: Hirmer Verlag GmbH
ISBN: 9783777435572
Category : Art
Languages : en
Pages : 176
Book Description
Kairouan. The impressions gathered in 1914 on a visit to Tunis, and to the city of Kairouan in particular, were of profound significance to Paul Klee: "The paint and I are one. I am a painter.
Publisher: Hirmer Verlag GmbH
ISBN: 9783777435572
Category : Art
Languages : en
Pages : 176
Book Description
Kairouan. The impressions gathered in 1914 on a visit to Tunis, and to the city of Kairouan in particular, were of profound significance to Paul Klee: "The paint and I are one. I am a painter.
Klee 1879-1940
Author: Susanna Partsch
Publisher: Taschen
ISBN: 9783822859810
Category : Art
Languages : en
Pages : 106
Book Description
The entertaining companion novel to the best-selling The Sweet Second Life of Darrell Kincaid. Michelle Lawrence's perfect life has been just as she's designed it. But then her husband, Chad, ruins everything by taking a job in San Francisco, about as far from their comfortable family home as it's possible to get without actually emigrating. Up until now, Chad's primary focus has been keeping her happy, and Michelle can see no good reason why this should change. But change it has, and Michelle now has to deal with Chad's increasing detachment, while building a new life with her two small children in a place filled with cat-eating coyotes. On top of that, Michelle's oldest friend is turning against marriage while her newest is a little too obsessed with clean taps. And down the redwood-lined street, there's Aishe Herne, a woman who could pick a fight with a silent order of nuns. Aishe has designed her own kind of perfect life, in which there's room for her, her teenage son and no one else. But when cousin Patrick lands in town like a Cockney nemesis, both Aishe and Michelle must begin determined campaigns to regain their grip on the steering wheel of their lives. The Catherine Robertson Trilogy Book 1: The Sweet Second Life of Darrell Kincaid Book 2: The Not So Perfect Life of Mo Lawrence Book 3: The Misplaced Affections of Charlotte Forbes
Publisher: Taschen
ISBN: 9783822859810
Category : Art
Languages : en
Pages : 106
Book Description
The entertaining companion novel to the best-selling The Sweet Second Life of Darrell Kincaid. Michelle Lawrence's perfect life has been just as she's designed it. But then her husband, Chad, ruins everything by taking a job in San Francisco, about as far from their comfortable family home as it's possible to get without actually emigrating. Up until now, Chad's primary focus has been keeping her happy, and Michelle can see no good reason why this should change. But change it has, and Michelle now has to deal with Chad's increasing detachment, while building a new life with her two small children in a place filled with cat-eating coyotes. On top of that, Michelle's oldest friend is turning against marriage while her newest is a little too obsessed with clean taps. And down the redwood-lined street, there's Aishe Herne, a woman who could pick a fight with a silent order of nuns. Aishe has designed her own kind of perfect life, in which there's room for her, her teenage son and no one else. But when cousin Patrick lands in town like a Cockney nemesis, both Aishe and Michelle must begin determined campaigns to regain their grip on the steering wheel of their lives. The Catherine Robertson Trilogy Book 1: The Sweet Second Life of Darrell Kincaid Book 2: The Not So Perfect Life of Mo Lawrence Book 3: The Misplaced Affections of Charlotte Forbes
The First World War from Tripoli to Addis Ababa (1911-1924)
Author: Collectif
Publisher: Centre français des études éthiopiennes
ISBN:
Category : History
Languages : en
Pages : 382
Book Description
For a long time now it has been common understanding that Africa played only a marginal role in the First World War. Its reduced theatre of operations appeared irrelevant to the strategic balance of the major powers. This volume is a contribution to the growing body of historical literature that explores the global and social history of the First World War. It questions the supposedly marginal role of Africa during the Great War with a special focus on Northeast Africa. In fact, between 1911 and 1924 a series of influential political and social upheavals took place in the vast expanse between Tripoli and Addis Ababa. The First World War was to profoundly change the local balance of power. This volume consists of fifteen chapters divided into three sections. The essays examine the social, political and operational course of the war and assess its consequences in a region straddling Africa and the Middle East. The relationship between local events and global processes is explored, together with the regional protagonists and their agency. Contrary to the myth still prevailing, the First World War did have both immediate and long-term effects on the region. This book highlights some of the significant aspects associated with it.
Publisher: Centre français des études éthiopiennes
ISBN:
Category : History
Languages : en
Pages : 382
Book Description
For a long time now it has been common understanding that Africa played only a marginal role in the First World War. Its reduced theatre of operations appeared irrelevant to the strategic balance of the major powers. This volume is a contribution to the growing body of historical literature that explores the global and social history of the First World War. It questions the supposedly marginal role of Africa during the Great War with a special focus on Northeast Africa. In fact, between 1911 and 1924 a series of influential political and social upheavals took place in the vast expanse between Tripoli and Addis Ababa. The First World War was to profoundly change the local balance of power. This volume consists of fifteen chapters divided into three sections. The essays examine the social, political and operational course of the war and assess its consequences in a region straddling Africa and the Middle East. The relationship between local events and global processes is explored, together with the regional protagonists and their agency. Contrary to the myth still prevailing, the First World War did have both immediate and long-term effects on the region. This book highlights some of the significant aspects associated with it.
Qayrawān
Author: William Gallois
Publisher: Penn State Press
ISBN: 0271096160
Category : Art
Languages : en
Pages : 209
Book Description
In the last years of the nineteenth century, the Tunisian city of Qayrawān suddenly found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why. Using visual archaeological methods, William Gallois reconstructs the visual history of these works and vividly brings them back to life. He locates pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera. In Qayrawān, he identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing—which lay exclusively within the domains of women—onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa. Based on extensive archival research, this study is both a record of a unique moment in the history of art and a challenge to rethink the spiritual force and agency of a group of anonymous female artists whose paintings aspired to help save the world at a time of great peril. It will be welcomed by scholars of art history, Islamic studies, Middle East studies, and the history of magic.
Publisher: Penn State Press
ISBN: 0271096160
Category : Art
Languages : en
Pages : 209
Book Description
In the last years of the nineteenth century, the Tunisian city of Qayrawān suddenly found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why. Using visual archaeological methods, William Gallois reconstructs the visual history of these works and vividly brings them back to life. He locates pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera. In Qayrawān, he identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing—which lay exclusively within the domains of women—onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa. Based on extensive archival research, this study is both a record of a unique moment in the history of art and a challenge to rethink the spiritual force and agency of a group of anonymous female artists whose paintings aspired to help save the world at a time of great peril. It will be welcomed by scholars of art history, Islamic studies, Middle East studies, and the history of magic.
A Slave Between Empires
Author: M'hamed Oualdi
Publisher: Columbia University Press
ISBN: 0231549555
Category : History
Languages : en
Pages : 370
Book Description
In June 1887, a man known as General Husayn, a manumitted slave turned dignitary in the Ottoman province of Tunis, passed away in Florence after a life crossing empires. As a youth, Husayn was brought from Circassia to Turkey, where he was sold as a slave. In Tunis, he ascended to the rank of general before French conquest forced his exile to the northern shores of the Mediterranean. His death was followed by wrangling over his estate that spanned a surprising array of actors: Ottoman Sultan Abdülhamid II and his viziers; the Tunisian, French, and Italian governments; and representatives of Muslim and Jewish diasporic communities. A Slave Between Empires investigates Husayn’s transimperial life and the posthumous battle over his fortune to recover the transnational dimensions of North African history. M’hamed Oualdi places Husayn within the international context of the struggle between Ottoman and French forces for control of the Mediterranean amid social and intellectual ferment that crossed empires. Oualdi considers this part of the world not as a colonial borderland but as a central space where overlapping imperial ambitions transformed dynamic societies. He explores how the transition between Ottoman rule and European colonial domination was felt in the daily lives of North African Muslims, Christians, and Jews and how North Africans conceived of and acted upon this shift. Drawing on a wide range of Arabic, French, Italian, and English sources, A Slave Between Empires is a groundbreaking transimperial microhistory that demands a major analytical shift in the conceptualization of North African history.
Publisher: Columbia University Press
ISBN: 0231549555
Category : History
Languages : en
Pages : 370
Book Description
In June 1887, a man known as General Husayn, a manumitted slave turned dignitary in the Ottoman province of Tunis, passed away in Florence after a life crossing empires. As a youth, Husayn was brought from Circassia to Turkey, where he was sold as a slave. In Tunis, he ascended to the rank of general before French conquest forced his exile to the northern shores of the Mediterranean. His death was followed by wrangling over his estate that spanned a surprising array of actors: Ottoman Sultan Abdülhamid II and his viziers; the Tunisian, French, and Italian governments; and representatives of Muslim and Jewish diasporic communities. A Slave Between Empires investigates Husayn’s transimperial life and the posthumous battle over his fortune to recover the transnational dimensions of North African history. M’hamed Oualdi places Husayn within the international context of the struggle between Ottoman and French forces for control of the Mediterranean amid social and intellectual ferment that crossed empires. Oualdi considers this part of the world not as a colonial borderland but as a central space where overlapping imperial ambitions transformed dynamic societies. He explores how the transition between Ottoman rule and European colonial domination was felt in the daily lives of North African Muslims, Christians, and Jews and how North Africans conceived of and acted upon this shift. Drawing on a wide range of Arabic, French, Italian, and English sources, A Slave Between Empires is a groundbreaking transimperial microhistory that demands a major analytical shift in the conceptualization of North African history.
The Artist's Journey
Author: Travis Elborough
Publisher: White Lion Publishing
ISBN: 0711268711
Category : Art
Languages : en
Pages : 226
Book Description
Follow in the footsteps of some of the world’s most famous painters in this fascinating work from the Journeys of Note series. Some truly remarkable works of art have been inspired by artists spending time away from their typical surroundings. From epic road trips and arduous treks into remote territories to cultural tours and sojourns in the finest hotels, this book explores 30 influential journeys taken by artistic greats and reveals the repercussions of those travels on the painters’ personal lives and the broader cultural landscape. Award-winning author Travis Elborough brings each of these trips to life with fascinating insights into the stories behind the creation of some of the world’s most famous paintings, including Henri Matisse’s vivid paintings of Morocco, Katsushika Hokusai’s woodblock prints of Mount Fuji in Japan, Marianne North’s paintings of India and David Hockney’s California pool paintings.
Publisher: White Lion Publishing
ISBN: 0711268711
Category : Art
Languages : en
Pages : 226
Book Description
Follow in the footsteps of some of the world’s most famous painters in this fascinating work from the Journeys of Note series. Some truly remarkable works of art have been inspired by artists spending time away from their typical surroundings. From epic road trips and arduous treks into remote territories to cultural tours and sojourns in the finest hotels, this book explores 30 influential journeys taken by artistic greats and reveals the repercussions of those travels on the painters’ personal lives and the broader cultural landscape. Award-winning author Travis Elborough brings each of these trips to life with fascinating insights into the stories behind the creation of some of the world’s most famous paintings, including Henri Matisse’s vivid paintings of Morocco, Katsushika Hokusai’s woodblock prints of Mount Fuji in Japan, Marianne North’s paintings of India and David Hockney’s California pool paintings.
Becoming the ‘Abid
Author: Marta Scaglioni
Publisher: Ledizioni
ISBN: 8855261991
Category : Social Science
Languages : en
Pages : 206
Book Description
In 2011, after the popular uprising overthrew former President Zine el-Abidine Ben Ali, in Tunisia several issues came to the fore: among them, racism targeting “black” individuals. Few black rights associations emerged, and their struggle culminated in the promulgation of a law punishing racist acts and words in October 2019. The step is historical, and stems from Tunisia’s foreseeing policy concerning human and civil rights. In 1846, Tunisia was the first country to abolish slavery and the slave trade in the Ottoman Empire and in the Middle Eastern world. Becoming the ‘Abid addresses the issue of the legacy of slavery in a southern Tunisian governorate, where racism towards “black” individuals is still a painful experience and takes the form of professional, educational, and marital discrimination. Referring to the concept of “structural inequality”, the book goes beyond the simplistic idea that race is only related to phenotype, taking distance from the Western racial concepts, and highlights how processes of racialization are contextual, processual, and changing constructions.
Publisher: Ledizioni
ISBN: 8855261991
Category : Social Science
Languages : en
Pages : 206
Book Description
In 2011, after the popular uprising overthrew former President Zine el-Abidine Ben Ali, in Tunisia several issues came to the fore: among them, racism targeting “black” individuals. Few black rights associations emerged, and their struggle culminated in the promulgation of a law punishing racist acts and words in October 2019. The step is historical, and stems from Tunisia’s foreseeing policy concerning human and civil rights. In 1846, Tunisia was the first country to abolish slavery and the slave trade in the Ottoman Empire and in the Middle Eastern world. Becoming the ‘Abid addresses the issue of the legacy of slavery in a southern Tunisian governorate, where racism towards “black” individuals is still a painful experience and takes the form of professional, educational, and marital discrimination. Referring to the concept of “structural inequality”, the book goes beyond the simplistic idea that race is only related to phenotype, taking distance from the Western racial concepts, and highlights how processes of racialization are contextual, processual, and changing constructions.
Macke
Author: Anna Meseure
Publisher: Taschen
ISBN: 9783822858592
Category : Art
Languages : en
Pages : 104
Book Description
A style of his own: The colorful work of a truly avant-garde painter In the course of his short life, German painter August Macke (1887-1914) combined inspirations from extremely different sources into a unique and personal style. Macke was engaged with the world, closely following the development of abstract art and at the same time feeling tied to the Blauer Reiter movement of Munich. Macke developed a "flat" yet ornamental style, but always remained true to objective representation. His cheerful scenes of parks, zoos, and promenades with shop windows are filled with bold yet harmonious colors. Their brilliance reached its zenith in 1914 when he traveled with Klee and Moilliet to Tunis and became acquainted with the light of the African sun. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
Publisher: Taschen
ISBN: 9783822858592
Category : Art
Languages : en
Pages : 104
Book Description
A style of his own: The colorful work of a truly avant-garde painter In the course of his short life, German painter August Macke (1887-1914) combined inspirations from extremely different sources into a unique and personal style. Macke was engaged with the world, closely following the development of abstract art and at the same time feeling tied to the Blauer Reiter movement of Munich. Macke developed a "flat" yet ornamental style, but always remained true to objective representation. His cheerful scenes of parks, zoos, and promenades with shop windows are filled with bold yet harmonious colors. Their brilliance reached its zenith in 1914 when he traveled with Klee and Moilliet to Tunis and became acquainted with the light of the African sun. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions