Author: Alfreda Murck
Publisher: Metropolitan Museum of Art
ISBN: 0870996045
Category : Calligraphy, Chinese
Languages : en
Pages : 615
Book Description
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
Words and Images
Author: Alfreda Murck
Publisher: Metropolitan Museum of Art
ISBN: 0870996045
Category : Calligraphy, Chinese
Languages : en
Pages : 615
Book Description
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
Publisher: Metropolitan Museum of Art
ISBN: 0870996045
Category : Calligraphy, Chinese
Languages : en
Pages : 615
Book Description
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
The John M. Crawford, Jr., Collection of Chinese Calligraphy and Painting in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 64
Book Description
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 64
Book Description
Publications of the Metropolitan Museum of Art, 1964-2005
Author: Metropolitan Museum of Art
Publisher: Metropolitan Museum of Art
ISBN: 0300193203
Category :
Languages : en
Pages : 172
Book Description
The present volume, Publications of The Metropolitan Museum of Art, 1964-2005, is a successor to a volume published by the Museum in 1965 entitled Publications of The Metropolitan Museum of Art, 1870-1964. These two bibliographic volumes endeavor to list all the known books, pamphlets, and serial publications bearing the Museum's imprint, and issued by the institution during the first 135 years of its existence (through June 2005). The first volume was compiled by Albert TenEyck Gardner, at the time an Associate Curator of American Paintings and Sculpture, and the present volume has been compiled from the Annual Reports issued by the Museum during the relevant years. Together the two volumes testify to the tremendous contributions made to knowledge by the curators and conservators of the Metropolitan and by the many other experts who have contributed to the Museum's exhibition catalogues. Various issues of the Bulletin emphasize the great sweep of the Museum's acquisitions during these years, and the exhibition catalogues--a number of them Alfred H. Barr Jr., Award or the George Wittenborn Award--testify to the continuity of the institution's dedicated program to enrich people's lives through knowledge of art. (This title was originally published in 2006.)
Publisher: Metropolitan Museum of Art
ISBN: 0300193203
Category :
Languages : en
Pages : 172
Book Description
The present volume, Publications of The Metropolitan Museum of Art, 1964-2005, is a successor to a volume published by the Museum in 1965 entitled Publications of The Metropolitan Museum of Art, 1870-1964. These two bibliographic volumes endeavor to list all the known books, pamphlets, and serial publications bearing the Museum's imprint, and issued by the institution during the first 135 years of its existence (through June 2005). The first volume was compiled by Albert TenEyck Gardner, at the time an Associate Curator of American Paintings and Sculpture, and the present volume has been compiled from the Annual Reports issued by the Museum during the relevant years. Together the two volumes testify to the tremendous contributions made to knowledge by the curators and conservators of the Metropolitan and by the many other experts who have contributed to the Museum's exhibition catalogues. Various issues of the Bulletin emphasize the great sweep of the Museum's acquisitions during these years, and the exhibition catalogues--a number of them Alfred H. Barr Jr., Award or the George Wittenborn Award--testify to the continuity of the institution's dedicated program to enrich people's lives through knowledge of art. (This title was originally published in 2006.)
Chinese Calligraphy and Painting in the Collection of John M. Crawford, Jr
Author: John M. Crawford
Publisher:
ISBN:
Category : Calligraphy, Chinese
Languages : en
Pages : 362
Book Description
Publisher:
ISBN:
Category : Calligraphy, Chinese
Languages : en
Pages : 362
Book Description
The Crawford Bequest
Author: Rhode Island School of Design. Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
Book Description
Recent Acquisitions: A Selection, 1987–1988
Author: Joan Holt
Publisher: Metropolitan Museum of Art
ISBN: 0008896585
Category :
Languages : en
Pages : 96
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0008896585
Category :
Languages : en
Pages : 96
Book Description
Huai-su and the Beginnings of Wild Cursive Script in Chinese Calligraphy
Author: Adele Schlombs
Publisher: Franz Steiner Verlag
ISBN: 9783515071727
Category : Art
Languages : en
Pages : 320
Book Description
Der M�nchskalligraph Huai-su (ca. 725-ca. 782) gilt als einer der Begruender der "Wilden Konzeptschrift" (k'uang-ts'ao), die den exzentrischen Stil innerhalb der chinesischen Kalligraphiegeschichte pr�gte und zur Herausbildung einer vom klassischen Ideal der Wang-Schule abweichenden Traditionslinie fuehrte. Die vorliegende Studie gibt erstmals Einblick in die Prim�rquellen: neben Briefen und anderen Zeugnissen des Huai-su zahlreiche Lobgedichte von Beamten und Gelehrten. Alles deutet darauf hin, da� es sich bei seinem Hauptwerk, der sog. Autobiographie, um ein Empfehlungsschreiben in eigener Sache handelt. Neben einer annotierten �bersetzung der Autobiographie und s�mtlicher Kollophone, die einen �berblick ueber das Schicksal der Querrolle im Laufe der Jahrhunderte vermitteln, bietet die Studie eine Untersuchung der �sthetischen Kriterien, welche die chinesische Kunsttheorie zur Beurteilung der "wilden Konzeptschrift" entwickelte, und stellt neue Methoden der formalen Analyse vor. Die Frage der Authentizit�t der im Palastmuseum Taipei befindlichen Querrolle wird eingehend geprueft; der Beweis, da� es sich nicht um ein Original aus der Hand des Huai-su, sondern um eine dem Original sehr nahe gepauste Kopie des 12.-13. Jhs. handelt, wird erbracht. Auch die uebrigen, seinem Oeuvre zugerechneten Werke werden vorgestellt und einer kritischen Analyse unterzogen.
Publisher: Franz Steiner Verlag
ISBN: 9783515071727
Category : Art
Languages : en
Pages : 320
Book Description
Der M�nchskalligraph Huai-su (ca. 725-ca. 782) gilt als einer der Begruender der "Wilden Konzeptschrift" (k'uang-ts'ao), die den exzentrischen Stil innerhalb der chinesischen Kalligraphiegeschichte pr�gte und zur Herausbildung einer vom klassischen Ideal der Wang-Schule abweichenden Traditionslinie fuehrte. Die vorliegende Studie gibt erstmals Einblick in die Prim�rquellen: neben Briefen und anderen Zeugnissen des Huai-su zahlreiche Lobgedichte von Beamten und Gelehrten. Alles deutet darauf hin, da� es sich bei seinem Hauptwerk, der sog. Autobiographie, um ein Empfehlungsschreiben in eigener Sache handelt. Neben einer annotierten �bersetzung der Autobiographie und s�mtlicher Kollophone, die einen �berblick ueber das Schicksal der Querrolle im Laufe der Jahrhunderte vermitteln, bietet die Studie eine Untersuchung der �sthetischen Kriterien, welche die chinesische Kunsttheorie zur Beurteilung der "wilden Konzeptschrift" entwickelte, und stellt neue Methoden der formalen Analyse vor. Die Frage der Authentizit�t der im Palastmuseum Taipei befindlichen Querrolle wird eingehend geprueft; der Beweis, da� es sich nicht um ein Original aus der Hand des Huai-su, sondern um eine dem Original sehr nahe gepauste Kopie des 12.-13. Jhs. handelt, wird erbracht. Auch die uebrigen, seinem Oeuvre zugerechneten Werke werden vorgestellt und einer kritischen Analyse unterzogen.
Landscapes Clear and Radiant
Author: Wen Fong
Publisher: Metropolitan Museum of Art
ISBN: 1588392910
Category : Landscape in art
Languages : en
Pages : 250
Book Description
"Wang Hui, the most celebrated painter of late-seventeenth-century China, played a key role both in reinvigorating past traditions of landscape painting and in establishing the stylistic foundations for the imperially sponsored art of the Qing court. Drawing upon his protean talent and immense ambition, Wang developed an all-embracing synthesis of historical landscape styles that constituted one of the greatest artistic innovations of late imperial China." "This comprehensive study of the painter, the first published in English, features three essays that together consider his life and career, his artistic achievements, and his masterwork - the series of twelve monumental scrolls depicting the Kangxi emperor's Southern Inspection Tour of 1689. The first essay, by Wen C. Fong, closely examines Wang Hui's genius for "repossessing the past," his ability to engage in an inventive dialogue with previous masters and to absorb their stylistic personae while making works that were distinctly his own. Chin-Sung Chang next traces the entire trajectory of Wang's development as an artist, from his precocious youth in the village of Yushan, through growing local and national fame - first as a copyist, then as the creator of groundbreaking panoramic landscapes - to the ultimate confirmation of his stature with the commission to direct the Southern Inspection Tour project. Focusing on this extraordinary eight-year-long effort, Maxwell K. Hearn's essay discusses the contemporary sources for the scrolls, the working methods of Wang and his assistants (comparing drafts with finished versions), and the artistic innovations reflected in these imposing works, the extant examples of which measure more than two feet high and from forty-six to eighty-six feet long." "This publication accompanies the exhibition "Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717)," held at The Metropolitan Museum of Art, New York, from September 9, 2008, through January 4, 2009."--BOOK JACKET.
Publisher: Metropolitan Museum of Art
ISBN: 1588392910
Category : Landscape in art
Languages : en
Pages : 250
Book Description
"Wang Hui, the most celebrated painter of late-seventeenth-century China, played a key role both in reinvigorating past traditions of landscape painting and in establishing the stylistic foundations for the imperially sponsored art of the Qing court. Drawing upon his protean talent and immense ambition, Wang developed an all-embracing synthesis of historical landscape styles that constituted one of the greatest artistic innovations of late imperial China." "This comprehensive study of the painter, the first published in English, features three essays that together consider his life and career, his artistic achievements, and his masterwork - the series of twelve monumental scrolls depicting the Kangxi emperor's Southern Inspection Tour of 1689. The first essay, by Wen C. Fong, closely examines Wang Hui's genius for "repossessing the past," his ability to engage in an inventive dialogue with previous masters and to absorb their stylistic personae while making works that were distinctly his own. Chin-Sung Chang next traces the entire trajectory of Wang's development as an artist, from his precocious youth in the village of Yushan, through growing local and national fame - first as a copyist, then as the creator of groundbreaking panoramic landscapes - to the ultimate confirmation of his stature with the commission to direct the Southern Inspection Tour project. Focusing on this extraordinary eight-year-long effort, Maxwell K. Hearn's essay discusses the contemporary sources for the scrolls, the working methods of Wang and his assistants (comparing drafts with finished versions), and the artistic innovations reflected in these imposing works, the extant examples of which measure more than two feet high and from forty-six to eighty-six feet long." "This publication accompanies the exhibition "Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717)," held at The Metropolitan Museum of Art, New York, from September 9, 2008, through January 4, 2009."--BOOK JACKET.
Museum Notes
Author: Rhode Island School of Design. Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 74
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 74
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher: Boston, Mass. : G.K. Hall
ISBN:
Category : Art
Languages : en
Pages : 688
Book Description
Publisher: Boston, Mass. : G.K. Hall
ISBN:
Category : Art
Languages : en
Pages : 688
Book Description