Author: Russell Sturgis
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 124
Book Description
Manual of the Jarves Collection of Early Italian Pictures
Author: Russell Sturgis
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 124
Book Description
The Dial
The Last Amateur
Author: Stephen L. Dyson
Publisher: SUNY Press
ISBN: 1438452616
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
The authoritative biography of a nineteenth-century polymath. This fascinating biography tells the story of William J. Stillman (18281901), a nineteenth-century polymath. Born and raised in Schenectady, New York, Stillman attended Union College and began his career as a Hudson River School painter after an apprenticeship with Frederic Edwin Church. In the 1850s, he was editor of The Crayon, the most important journal of art criticism in antebellum America. Later, after a stint as an explorer-promoter of the Adirondacks, he became the American consul in Rome during the Civil War. When his diplomatic career brought him to Crete, he developed an interest in archaeology and later produced photographs of the Acropolis, for which he is best known today. In yet another career switch, Stillman became a journalist, serving as a correspondent for The Times of London in Rome and the Balkans. In 1871, he married his second wife, Marie Spartali, a Pre-Raphaelite painter, and continued to write about history and art until his death. One of the later products of the American Enlightenment, he lived a life that intersected with many strands of American and European culture. Stillman can indeed be called the last amateur. The Last Amateur is a meticulously researched and highly nuanced portrait of William J. Stillman, an important journalist, artist, and critic of mid-nineteenth-century America. Stephen L. Dyson provides outstanding context and a convincing case as to why Stillman deserves to be better known due to his keen intellect, prodigious output, and insightful views on art and culture. Its refreshing to see an academic who blends deep scholarship with an ability to write in a readable style that will satisfy both the scholar and the general readers. The result is a timeless classic. Paul Grondahl, author of Mayor Corning: Albany Icon, Albany Enigma The Last Amateur is a complex and intriguing life history of a personality very much within the circles of the intellectual debates of the mid- and late nineteenth century on art, aesthetics, archaeology, geopolitics (especially in the eastern Mediterranean), and the development of photography. Stillman was sort of a Zelig character, and although he had an important influence on many of these areas of culture and society, he has been relatively little studied. The book is an important step in shedding light on the character and importance of Stillman. Harvey K. Flad, coauthor of Main Street to Mainframes: Landscape and Social Change in Poughkeepsie
Publisher: SUNY Press
ISBN: 1438452616
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
The authoritative biography of a nineteenth-century polymath. This fascinating biography tells the story of William J. Stillman (18281901), a nineteenth-century polymath. Born and raised in Schenectady, New York, Stillman attended Union College and began his career as a Hudson River School painter after an apprenticeship with Frederic Edwin Church. In the 1850s, he was editor of The Crayon, the most important journal of art criticism in antebellum America. Later, after a stint as an explorer-promoter of the Adirondacks, he became the American consul in Rome during the Civil War. When his diplomatic career brought him to Crete, he developed an interest in archaeology and later produced photographs of the Acropolis, for which he is best known today. In yet another career switch, Stillman became a journalist, serving as a correspondent for The Times of London in Rome and the Balkans. In 1871, he married his second wife, Marie Spartali, a Pre-Raphaelite painter, and continued to write about history and art until his death. One of the later products of the American Enlightenment, he lived a life that intersected with many strands of American and European culture. Stillman can indeed be called the last amateur. The Last Amateur is a meticulously researched and highly nuanced portrait of William J. Stillman, an important journalist, artist, and critic of mid-nineteenth-century America. Stephen L. Dyson provides outstanding context and a convincing case as to why Stillman deserves to be better known due to his keen intellect, prodigious output, and insightful views on art and culture. Its refreshing to see an academic who blends deep scholarship with an ability to write in a readable style that will satisfy both the scholar and the general readers. The result is a timeless classic. Paul Grondahl, author of Mayor Corning: Albany Icon, Albany Enigma The Last Amateur is a complex and intriguing life history of a personality very much within the circles of the intellectual debates of the mid- and late nineteenth century on art, aesthetics, archaeology, geopolitics (especially in the eastern Mediterranean), and the development of photography. Stillman was sort of a Zelig character, and although he had an important influence on many of these areas of culture and society, he has been relatively little studied. The book is an important step in shedding light on the character and importance of Stillman. Harvey K. Flad, coauthor of Main Street to Mainframes: Landscape and Social Change in Poughkeepsie
Scribner's Magazine
Author: Edward Livermore Burlingame
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 812
Book Description
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 812
Book Description
Scribner's Magazine
The Robert Lehman Collection
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994794
Category : Art
Languages : en
Pages : 350
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870994794
Category : Art
Languages : en
Pages : 350
Book Description
The Literary Digest
American Journal of Archaeology
The American Journal of Archaeology and of the History of the Fine Arts
The Spanish Craze
Author: Richard L. Kagan
Publisher: U of Nebraska Press
ISBN: 1496211138
Category : History
Languages : en
Pages : 509
Book Description
The Spanish Craze is the compelling story of the centuries-long U.S. fascination with the history, literature, art, culture, and architecture of Spain. Richard L. Kagan offers a stunningly revisionist understanding of the origins of hispanidad in America, tracing its origins from the early republic to the New Deal. As Spanish power and influence waned in the Atlantic World by the eighteenth century, her rivals created the "Black Legend," which promoted an image of Spain as a dead and lost civilization rife with innate cruelty and cultural and religious backwardness. The Black Legend and its ambivalences influenced Americans throughout the nineteenth century, reaching a high pitch in the Spanish-American War of 1898. However, the Black Legend retreated soon thereafter, and Spanish culture and heritage became attractive to Americans for its perceived authenticity and antimodernism. Although the Spanish craze infected regions where the Spanish New World presence was most felt--California, the American Southwest, Texas, and Florida--there were also early, quite serious flare-ups of the craze in Chicago, New York, and New England. Kagan revisits early interest in Hispanism among elites such as the Boston book dealer Obadiah Rich, a specialist in the early history of the Americas, and the writers Washington Irving and Henry Wadsworth Longfellow. He also considers later enthusiasts such as Angeleno Charles Lummis and the many writers, artists, and architects of the modern Spanish Colonial Revival in the United States in the late nineteenth and early twentieth centuries. Spain's political and cultural elites understood that the promotion of Spanish culture in the United States and the Western Hemisphere in general would help overcome imperial defeats while uniting Spaniards and those of Spanish descent into a singular raza whose shared characteristics and interests transcended national boundaries. With elegant prose and verve, The Spanish Craze spans centuries and provides a captivating glimpse into distinct facets of Hispanism in monuments, buildings, and private homes; the visual, performing, and cinematic arts; and the literature, travel journals, and letters of its enthusiasts in the United States.
Publisher: U of Nebraska Press
ISBN: 1496211138
Category : History
Languages : en
Pages : 509
Book Description
The Spanish Craze is the compelling story of the centuries-long U.S. fascination with the history, literature, art, culture, and architecture of Spain. Richard L. Kagan offers a stunningly revisionist understanding of the origins of hispanidad in America, tracing its origins from the early republic to the New Deal. As Spanish power and influence waned in the Atlantic World by the eighteenth century, her rivals created the "Black Legend," which promoted an image of Spain as a dead and lost civilization rife with innate cruelty and cultural and religious backwardness. The Black Legend and its ambivalences influenced Americans throughout the nineteenth century, reaching a high pitch in the Spanish-American War of 1898. However, the Black Legend retreated soon thereafter, and Spanish culture and heritage became attractive to Americans for its perceived authenticity and antimodernism. Although the Spanish craze infected regions where the Spanish New World presence was most felt--California, the American Southwest, Texas, and Florida--there were also early, quite serious flare-ups of the craze in Chicago, New York, and New England. Kagan revisits early interest in Hispanism among elites such as the Boston book dealer Obadiah Rich, a specialist in the early history of the Americas, and the writers Washington Irving and Henry Wadsworth Longfellow. He also considers later enthusiasts such as Angeleno Charles Lummis and the many writers, artists, and architects of the modern Spanish Colonial Revival in the United States in the late nineteenth and early twentieth centuries. Spain's political and cultural elites understood that the promotion of Spanish culture in the United States and the Western Hemisphere in general would help overcome imperial defeats while uniting Spaniards and those of Spanish descent into a singular raza whose shared characteristics and interests transcended national boundaries. With elegant prose and verve, The Spanish Craze spans centuries and provides a captivating glimpse into distinct facets of Hispanism in monuments, buildings, and private homes; the visual, performing, and cinematic arts; and the literature, travel journals, and letters of its enthusiasts in the United States.