The International Experiment of Tangier PDF Download

Author: Cristóbal del Castillo (D.)
Publisher:
ISBN:
Category : Morocco
Languages : en
Pages : 44

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Author: Cian O'Callaghan
Publisher: Policy Press
ISBN: 1447356888
Category :
Languages : en
Pages : 276

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This book provides an innovative perspective to consider contemporary urban challenges through the lens of urban vacancy. Centering urban vacancy as a core feature of urbanization, the contributors coalesce new empirical insights on the impacts of recent contestations over the re-use of vacant spaces in post-crisis cities across the globe. Using international case studies from the Global North and Global South, it sheds important new light on the complexity of forces and processes shaping urban vacancy and its re-use, exploring these areas as both lived spaces and sites of political antagonism. It explores what has and hasn't worked in re-purposing vacant sites and provides sustainable blueprints for future development.

Author: Brian Edwards
Publisher: Duke University Press
ISBN: 0822387123
Category : Literary Criticism
Languages : en
Pages : 384

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Until attention shifted to the Middle East in the early 1970s, Americans turned most often toward the Maghreb—Morocco, Algeria, Tunisia, and the Sahara—for their understanding of “the Arab.” In Morocco Bound, Brian T. Edwards examines American representations of the Maghreb during three pivotal decades—from 1942, when the United States entered the North African campaign of World War II, through 1973. He reveals how American film and literary, historical, journalistic, and anthropological accounts of the region imagined the role of the United States in a world it seemed to dominate at the same time that they displaced domestic social concerns—particularly about race relations—onto an “exotic” North Africa. Edwards reads a broad range of texts to recuperate the disorienting possibilities for rethinking American empire. Examining work by William Burroughs, Jane Bowles, Ernie Pyle, A. J. Liebling, Jane Kramer, Alfred Hitchcock, Clifford Geertz, James Michener, Ornette Coleman, General George S. Patton, and others, he puts American texts in conversation with an archive of Maghrebi responses. Whether considering Warner Brothers’ marketing of the movie Casablanca in 1942, journalistic representations of Tangier as a city of excess and queerness, Paul Bowles’s collaboration with the Moroccan artist Mohammed Mrabet, the hippie communities in and around Marrakech in the 1960s and early 1970s, or the writings of young American anthropologists working nearby at the same time, Edwards illuminates the circulation of American texts, their relationship to Maghrebi history, and the ways they might be read so as to reimagine the role of American culture in the world.

Author: Francis Bowes Sayre
Publisher:
ISBN:
Category : Arbitration (International law)
Languages : en
Pages : 244

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Author: Fleur Johns
Publisher: Routledge
ISBN: 135156224X
Category : History
Languages : en
Pages : 553

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Who or what is entitled to act on the international plane? Where should responsibility for violations of international law lie? What sort of entities are capable of possessing international legal rights? What is the status of individuals, minority groups, non-governmental bodies, international organisations and animals in the international legal order and how has their status shifted over time? International Legal Personality contains fourteen articles that address these and related questions. In historical and contemporary writings, international lawyers grapple with the nature of legal identity, and confront global distributions of authority and responsibility, as they explore who or what is a 'person' in the international legal order. These essays document the emergence of an international legal order increasingly conceived in terms of patterns and probabilities, rather than as the stagecraft of a small company of permanent players.

Author: Edwin C. Hoyt
Publisher: Springer Science & Business Media
ISBN: 9401195668
Category : Law
Languages : en
Pages : 274

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In international law the authority of the writers has been great and the Statute of the International Court of Justice still takes cognizance of them as subsidiary sources. Yet it has been widely recognized that on many points writers, even of the most respecta ble authority, have merely repeated the statements of their predecessors, sometimes with the result that error or some indivi dual dogma or predilection has been perpetuated. The three-mile limit of territorial waters, for example, was long identified with the range of cannon and with the famous dictum of Galiani until modern historical research revealed more accurately its historical origin in the practice of states. The very definition of internation al law as a law of which only states were subjects impelled to somewhat far-fetched inclusions of certain political entities as "states," and has had at last to yield at least to the concept that an international organization may also be a subject of inter national law. The long repetition of the essential attributes ot states - sovereignty, independence, equality - has not altered the realities of the very great differences between states in respect of each of these attributes. As Cardozo said of definitions, if our preconceived notions of international law do not accord with the facts of international life, so much the worse for those old no tions; they must be revised to be brought into line with reality.

Author: Peter Limbrick
Publisher: University of California Press
ISBN: 0520330579
Category : Performing Arts
Languages : en
Pages : 301

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Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or “Arab Renaissance” of the nineteenth and early twentieth century—when Arab writers and artists reenergized Arab culture by engaging with other languages and societies—Peter Limbrick argues that Smihi’s films take up the spirit of the Nahda for a new age. Examining Smihi’s oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.

Author: David Hatcher Childress
Publisher: SCB Distributors
ISBN: 1948803747
Category : Body, Mind & Spirit
Languages : en
Pages : 265

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David Childress, popular author and star of the History Channel show Ancient Aliens, brings us the amazing story of the so-called Philadelphia Experiment and the many curious events that happened in its aftermath. The Philadelphia Experiment was an event claimed to have been witnessed by an ex-merchant mariner named Carl M. Allen at the United States Navy’s Philadelphia Naval Shipyard on October 28, 1943. Allen described an experiment called Project Rainbow where the US Navy attempted to make a destroyer class ship, the USS Eldridge, disappear and the bizarre results that followed. The story of the “Philadelphia Experiment” originated in late 1955 when Carl M. Allen sent an anonymous package marked “Happy Easter” containing a copy of Morris K. Jessup’s book The Case for the UFO: Unidentified Flying Objects to the US Office of Naval Research. The book was filled with handwritten notes in its margins, written with three different shades of blue ink, appearing to detail a debate among three individuals, only one of whom is given a name: “Jemi.” They commented on Jessup’s ideas about the propulsion for flying saucers, discussed alien races, discussed Project Rainbow and expressed concern that Jessup was too close to discovering their technology. He also sent letters to Jessup. Jessup was then discovered in Florida dead in his car with a hose wired to his exhaust pipe to bring the toxic fumes into the vehicle. It was ruled a suicide. Was Jessup murdered as many people believe? Was he part of Project Rainbow—an effort to teleport a battleship through time and space? Did the Defense Industrial Security Command (DISC), headed by Wernher von Braun, have something to do with his death? Why did the US Navy want a special annotated edition of Jessup’s book published called the Varo Edition?

Author: Hoover Institution on War, Revolution, and Peace
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 740

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Author: Youssef Mejdoub
Publisher: Springer Nature
ISBN: 3031704118
Category :
Languages : en
Pages : 442

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