The Influence of the Court of Louis XIV on the French Theatre of the Seventeenth Century PDF Download

Author: Elizabeth G. Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 242

View

Book Description

Author: Julia Pardoe
Publisher:
ISBN:
Category :
Languages : en
Pages : 484

View

Book Description

Author: J. Prest
Publisher: Springer
ISBN: 0230600921
Category : Performing Arts
Languages : en
Pages : 200

View

Book Description
This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre. Although professional acting troupes under Louis XIV were mixed, cross-casting remained an important feature of French court ballet (in which the King himself performed a number of women's roles) and an occasional feature of spoken comedy and tragic opera. Cross-casting also persisted out of necessity in the school drama of the period. This book fills an important gap in the history of French theatre and provides new insight into wider theoretical questions of gender and theatricality. The inclusion of chapters on ballet and opera (as well as spoken drama) opens up the richness of French theatre under Louis XIV in a way that has not been achieved before.

Author: Karl Mantzius
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 338

View

Book Description

Author: Rebecca Harris-Warrick
Publisher: Cambridge University Press
ISBN: 9780521020220
Category : Biography & Autobiography
Languages : en
Pages : 364

View

Book Description
Le Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance to the study of French Baroque dance. This facsimile reproduction of the entire manuscript is accompanied by a comprehensive study of the work itself and the context in which it was created and performed. Dated 1688, it provides a wealth of new and detailed information on numerous aspects of theatrical dance. It differs from the known choreographic sources in many respects, the two most important being the completeness of all its components--choreography, music, and text--and the use of a previously unknown dance notation system.

Author: Thomas Edward Lawrenson
Publisher: Manchester University Press
ISBN:
Category : Theater
Languages : en
Pages : 294

View

Book Description

Author: Karl Mantzius
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 344

View

Book Description

Author: John Lough
Publisher: Oxford : Clarendon Press ; New York : Oxford University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 144

View

Book Description

Author: John Lough
Publisher: London : Oxford University Press
ISBN:
Category : French drama
Languages : en
Pages : 322

View

Book Description

Author: Katherine Ibbett
Publisher: Routledge
ISBN: 1351881418
Category : Literary Criticism
Languages : en
Pages : 289

View

Book Description
Engaging with recent thinking about performance, political theory and canon formation, this study addresses the significance of the formal changes in seventeenth-century French theater. Each chapter takes up a particularity of seventeenth-century theatrical style and staging”for example, the clearing of violence from the stage”and shows how the conceptualization of these French stylistic shifts appropriates a rich body of Italian political writing on questions of action, temporality, and law. The theater's appropriation of political concerns and vocabularies, the author argues, proffers an astute reflection on the practices of government that draws attention to questions obscured in reason of state, such as the instrumentalization of women's bodies. In a new reading of tragedies about government, the author shows how the canonical figure of Pierre Corneille is formally engaged with the political strategizing he often appears to repudiate, and in so doing challenges a literary history that has read neoclassicism largely as a display of pure French style.