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Author: Alexander M. Ross Publisher: Wilfrid Laurier Univ. Press ISBN: 0889206260 Category : Literary Criticism Languages : en Pages : 220
Book Description
"Despite the negative criticism directed at its sentiment, its heartlessness, its superficiality, the picturesque remained in both art and fiction of Victorian England a mode of seeing that even the greatest of the artists and novelists relied upon from time to time so that their viewers and readers could rejoice in the instant recognition of place and character distinctly limned and sometimes subtly enough to elicit sympathy" (Preface). After briefly tracing the development of the theory of the picturesque in the eighteenth-century writings of William Gilpin, Sir Uvedale Price, and Richard Payne Knight and examining how nineteenth-century novelists accommodated aesthetic theory to the practice of fiction, Ross focuses on the use of the picturesque in the works of Sir Walter Scott, Charlotte Bronte, Charles Dickens, George Eliot, and Thomas Hardy. The persistence of the picturesque through novels ranging from Waverley to Jude the Obscure and in writers like Dickens and Eliot, who had little respect for its conventions, attests to its strength and attraction in nineteenth-century literature.
Author: Alexander M. Ross Publisher: Wilfrid Laurier Univ. Press ISBN: 0889206260 Category : Literary Criticism Languages : en Pages : 220
Book Description
"Despite the negative criticism directed at its sentiment, its heartlessness, its superficiality, the picturesque remained in both art and fiction of Victorian England a mode of seeing that even the greatest of the artists and novelists relied upon from time to time so that their viewers and readers could rejoice in the instant recognition of place and character distinctly limned and sometimes subtly enough to elicit sympathy" (Preface). After briefly tracing the development of the theory of the picturesque in the eighteenth-century writings of William Gilpin, Sir Uvedale Price, and Richard Payne Knight and examining how nineteenth-century novelists accommodated aesthetic theory to the practice of fiction, Ross focuses on the use of the picturesque in the works of Sir Walter Scott, Charlotte Bronte, Charles Dickens, George Eliot, and Thomas Hardy. The persistence of the picturesque through novels ranging from Waverley to Jude the Obscure and in writers like Dickens and Eliot, who had little respect for its conventions, attests to its strength and attraction in nineteenth-century literature.
Author: Anna Burton Publisher: Routledge ISBN: 1000367614 Category : Literary Criticism Languages : en Pages : 231
Book Description
This is a book about a longstanding network of writers and writings that celebrate the aesthetic, socio-political, scientific, ecological, geographical, and historical value of trees and tree spaces in the landscape; and it is a study of the effect of this tree-writing upon the novel form in the long nineteenth century. Trees in Nineteenth-Century English Fiction: The Silvicultural Novel identifies the picturesque thinker William Gilpin as a significant influence in this literary and environmental tradition. Remarks on Forest Scenery (1791) is formed by Gilpin’s own observations of trees, forests, and his New Forest home specifically; but it is also the product of tree-stories collected from ‘travellers and historians’ that came before him. This study tracks the impact of this accumulating arboreal discourse upon nineteenth-century environmental writers such as John Claudius Loudon, Jacob George Strutt, William Howitt, and Mary Roberts, and its influence on varied dialogues surrounding natural history, agriculture, landscaping, deforestation, and public health. Building upon this concept of an ongoing silvicultural discussion, the monograph examines how novelists in the realist mode engage with this discourse and use their understanding of arboreal space and its cultural worth in order to transform their own fictional environments. Through their novelistic framing of single trees, clumps, forests, ancient woodlands, and man-made plantations, Jane Austen, Elizabeth Gaskell, and Thomas Hardy feature as authors of particular interest. Collectively, in their environmental representations, these novelists engage with a broad range of silvicultural conversation in their writing of space at the beginning, middle, and end of the nineteenth century. This book will be of great interest to students, researchers, and academics working in the environmental humanities, long nineteenth-century literature, nature writing and environmental literature, environmental history, ecocriticism, and literature and science scholarship.
Author: Rosemary Mitchell Publisher: OUP Oxford ISBN: 0191543225 Category : History Languages : en Pages : 330
Book Description
This monograph is a wide-ranging and sophisticated analysis of representations in text and image of the English past between 1830 and 1870. It consists of a series of inter-related case-studies of illustrated history books, ranging from editions of David Humes History of England to W. H. Ainsworths The Tower of London (1840). It contributes to present debates on nationalism, highlighting the complex and variable nature of cultural constructions of identity. Simultaneously, if offers an overall interpretation of historiographical change in early and mid-Victorian Britain, focusing in particular on the transition from picturesque reconstructions of the English past to the scientific approaches of the professional historian. Genuinely interdisciplinary, Picturing the Past presents new perspectives on traditional studies of Victorian historiography, literature, and illustration. It explores relationships between text and image, author, illustrator, and publisher, in the production of illustrated historical texts, often drawing on neglected material in publishers archives. The tendency to analyse text and image, fiction and non-fiction, popular and elite publications in isolation from each other is challenged in the interests of a more complex and nuanced portrait of the middle-class Victorian historical consciousness.
Author: Maria Sachiko Cecire Publisher: Routledge ISBN: 1317052021 Category : Literary Criticism Languages : en Pages : 308
Book Description
Focusing on questions of space and locale in children’s literature, this collection explores how metaphorical and physical space can create landscapes of power, knowledge, and identity in texts from the early nineteenth century to the present. The collection is comprised of four sections that take up the space between children and adults, the representation of 'real world' places, fantasy travel and locales, and the physical space of the children’s book-as-object. In their essays, the contributors analyze works from a range of sources and traditions by authors such as Sylvia Plath, Maria Edgeworth, Gloria Anzaldúa, Jenny Robson, C.S. Lewis, Elizabeth Knox, and Claude Ponti. While maintaining a focus on how location and spatiality aid in defining the child’s relationship to the world, the essays also address themes of borders, displacement, diaspora, exile, fantasy, gender, history, home-leaving and homecoming, hybridity, mapping, and metatextuality. With an epilogue by Philip Pullman in which he discusses his own relationship to image and locale, this collection is also a valuable resource for understanding the work of this celebrated author of children’s literature.
Author: Sir George Back Publisher: McGill-Queen's Press - MQUP ISBN: 9780773511811 Category : Art Languages : en Pages : 444
Book Description
Arctic Artist is the liveliest and most complete account of Sir John Franklin's tragic first expedition to the Arctic. George Back's prose captures the drama of the journey, while his superb watercolour sketches reveal the beauty and wonder of this northern land. Published for the first time, this is the complete text of Back's journal. Arctic Artist completes Stuart Houston's trilogy of the journals of Franklin's officers.
Author: Patricia Jasen Publisher: University of Toronto Press ISBN: 0802076386 Category : Business & Economics Languages : en Pages : 241
Book Description
Europeans in the nineteenth century were fascinated with the wild and the primitive. So compelling was the craving for a first-hand experience of wilderness that it provided a lasting foundation for tourism as a consumer industry. In this book, Patricia Jasen shows how the region now known as Ontario held special appeal for tourists seeking to indulge a passion for wild country or act out their fantasies of primitive life. Niagara Falls, the Thousand Islands, Muskoka, and the far reaches of Lake Superior all offered the experiences tourists valued most: the tranquil pleasures of the picturesque, the excitement of the sublime, and the sensations of nostalgia associated with Canada's disappearing wilderness. Jasen situates her work within the context of recent writings about tourism history and the semiotics of tourism, about landscape perception and images of `wildness' and `wilderness, ' and about the travel narrative as a literary genre. She explores a number of major themes, including the imperialistic appropriation and commercialization of landscape into tourist images, services, and souvenirs. In a study of class, gender, and race, Jasen finds that by the end of the century, most workers still had little opportunity for travel, while the middle classes had come to regard holidays as a right and a duty in light of Social Darwinist concerns about preserving the health of the `race.' Women travellers have been disregarded or marginalized in many studies of the history of tourism, but this book makes their presence known and analyses their experience. It also examines, against the backdrop of nineteenth-century racism and expansionism, the major role played by Native people in the tourist industry. The first book to explore the cultural foundations of tourism in Ontario, Wild Things also makes a major contribution to the literature on the wilderness ideal in North America.
Author: Jane Turner Publisher: Macmillan ISBN: 9780312229757 Category : Art Languages : en Pages : 438
Book Description
"From the Renaissance and Mannerism to impressionism and Post-Impressionism, from the Gothic Revival to the Arts and Crafts Movement, and Art Nouveau, the history of Western Art is here narrated through more than 180 articles on its most significant styles and movements. Covering all forms of the visual arts - architecture and decorative arts as well as painting and sculpture, each survey discusses the origins, characteristics, leading players, and influence of the most important movements in European. North American, and Latin American art. With articles written in clear, straightforward language and with selective bibliographies, this extensive guide is an essential introduction for anyone with an interest in art and the arts in general."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Alexander M. Ross
Author: Alexander M. Ross
Author: Anna Burton
Author: Stephen Copley
Author: Rosemary Mitchell
Author: Maria Sachiko Cecire
Author: Sir George Back
Author: K. P. Van Anglen
Author: Patricia Jasen
Author: Olivia Ferguson
Author: Jane Turner