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The Impact of Censorship During World War II on the Average American

The Impact of Censorship During World War II on the Average American PDF Author: Cordula Zwanzig
Publisher: GRIN Verlag
ISBN: 3656583358
Category : History
Languages : en
Pages : 16

Book Description
Essay from the year 2013 in the subject History - America, grade: 66points > 1,9, University of Warwick (Dept. of History), course: North America: Themes and Problems, language: English, abstract: “The war came as a great relief, like a reverse earthquake, that in one terrible jerk shook everything disjointed, distorted, askew back into place. Japanese bombs had finally brought national unity to the U.S.”. All nations participating in the Second World War used one or another strategy to commit their countries to war. Government-conducted manipulation of informing a people can be differentiated into an active channel, propaganda, and a non-active one, censorship. Even though, propaganda and censorship usually cohere, this essay shall only throw a light on how US-American censorship shaped the average citizen’s perception before, while, and after World War II.

The Impact of Censorship During World War II on the Average American

The Impact of Censorship During World War II on the Average American PDF Author: Cordula Zwanzig
Publisher: GRIN Verlag
ISBN: 3656583358
Category : History
Languages : en
Pages : 16

Book Description
Essay from the year 2013 in the subject History - America, grade: 66points > 1,9, University of Warwick (Dept. of History), course: North America: Themes and Problems, language: English, abstract: “The war came as a great relief, like a reverse earthquake, that in one terrible jerk shook everything disjointed, distorted, askew back into place. Japanese bombs had finally brought national unity to the U.S.”. All nations participating in the Second World War used one or another strategy to commit their countries to war. Government-conducted manipulation of informing a people can be differentiated into an active channel, propaganda, and a non-active one, censorship. Even though, propaganda and censorship usually cohere, this essay shall only throw a light on how US-American censorship shaped the average citizen’s perception before, while, and after World War II.

Censorship in the american press in World War II and the 'Code of Wartime Practices'

Censorship in the american press in World War II and the 'Code of Wartime Practices' PDF Author: Ludwig Andert
Publisher: GRIN Verlag
ISBN: 3638034208
Category : Language Arts & Disciplines
Languages : en
Pages : 24

Book Description
Seminar paper from the year 2007 in the subject Communications - Media and Politics, Politic Communications, grade: 1,3, University of Siegen, course: Censorship - Concept & Case Studies, language: English, abstract: On June 25th, 1943, American press editors received a confidential note, the contents an purpose of which was hard to understand even for those who were familiar with the technical terms. It said: “[...] you are asked not to publish or broadcast any information whatever regarding war experiments involving: Production or utilization of atom smashing, atomic energy, atomic fission, atomic splitting, or any of their equivalents. The use for military purposes of radium or radioactive materials, heavy water, high voltage discharge equipment, cyclotrons. The following elements or any of their compounds: polonium, uranium, ytterbium, hafnium, protactinium, radium, rhenium, thorium, deuterium.” What sounded “like Greek” to the selected adressees of the request, in retrospective can be identified even by an amateur as the attempt to hide evidence that the US government was doing research on a nuclear device. It was about to play a decisive role in the ending of the Pacific War. Since the United States' entry in World War II, domestic censorship had to draw a line very carefully: On the one hand, the First Amendment to the Constitution grands the freedom of speech and the press; on the other hand, sensitive information, if revealed to the public, could fall into the hands of enemy agents. To handle this task, the government set in effect a voluntary censorship, building up on every journalist's patriotic instinct not to publish anything that might be a threat to the war effort. How was censorship organized? What kind of information was censored? Is there an actual difference between voluntary and mandatory censorship? These are questions the following research paper will elaborate on. A brief overview of the practices of censorship in times of war will accompany the analysis. Finally, the text makes an attempt to answer the question how the United States “survived” the censorship period and how it affected further censorship strategies. An important source for this paper is the book “Secrets of Victory. The Office of Censorship and the American Press and Radio in World War II” by Michael S. Sweeney, that has been published in 2001. Censorship of the press during war is common to many countries and has been used for strategic ends in many periods of time. A characteristic for modern wars in particular is a “difference of interest”, with journalists torn between their task to report “as truthfully as possible” and a responsibility not to help the enemy.

Censorship in the American Press in World War II and the 'Code of Wartime Practices'

Censorship in the American Press in World War II and the 'Code of Wartime Practices' PDF Author: Ludwig Andert
Publisher: GRIN Verlag
ISBN: 3638932788
Category : Language Arts & Disciplines
Languages : en
Pages : 29

Book Description
Seminar paper from the year 2007 in the subject Communications - Media and Politics, Politic Communications, grade: 1,3, University of Siegen, course: Censorship - Concept & Case Studies, 12 entries in the bibliography, language: English, abstract: On June 25th, 1943, American press editors received a confidential note, the contents an purpose of which was hard to understand even for those who were familiar with the technical terms. It said: " ...] you are asked not to publish or broadcast any information whatever regarding war experiments involving: Production or utilization of atom smashing, atomic energy, atomic fission, atomic splitting, or any of their equivalents. The use for military purposes of radium or radioactive materials, heavy water, high voltage discharge equipment, cyclotrons. The following elements or any of their compounds: polonium, uranium, ytterbium, hafnium, protactinium, radium, rhenium, thorium, deuterium." What sounded "like Greek" to the selected adressees of the request, in retrospective can be identified even by an amateur as the attempt to hide evidence that the US government was doing research on a nuclear device. It was about to play a decisive role in the ending of the Pacific War. Since the United States' entry in World War II, domestic censorship had to draw a line very carefully: On the one hand, the First Amendment to the Constitution grands the freedom of speech and the press; on the other hand, sensitive information, if revealed to the public, could fall into the hands of enemy agents. To handle this task, the government set in effect a voluntary censorship, building up on every journalist's patriotic instinct not to publish anything that might be a threat to the war effort. How was censorship organized? What kind of information was censored? Is there an actual difference between voluntary and mandatory censorship? These are questions the following research paper will elaborate on. A brief overview of the practices

Censored War

Censored War PDF Author: George H. Roeder
Publisher:
ISBN:
Category :
Languages : en
Pages : 224

Book Description


The Censored War

The Censored War PDF Author: George H. Roeder
Publisher:
ISBN: 9780300057232
Category : History
Languages : en
Pages : 189

Book Description
Examines the ways in which visual imagery was used to control perceptions of the war

Imprisoned Apart

Imprisoned Apart PDF Author: Louis Fiset
Publisher: University of Washington Press
ISBN: 0295801360
Category : Social Science
Languages : en
Pages : 322

Book Description
“Please don’t cry,” wrote Iwao Matsushita to his wife Hanaye, telling her he was to be interned for the duration of the war. He was imprisoned in Fort Missoula, Montana, and she was incarcerated at the Minidoka Relocation Center in southwestern Idaho. Their separation would continue for more than two years. Imprisoned Apart is the poignant story of a young teacher and his bride who came to Seattle from Japan in 1919 so that he might study English language and literature, and who stayed to make a home. On the night of December 7, 1941, the FBI knocked at the Matsushitas’ door and took Iwao away, first to jail at the Seattle Immigration Stateion and then, by special train, windows sealed and guards at the doors, to Montana. He was considered an enemy alien, “potentially dangerous to public safety,” because of his Japanese birth and professional associations. The story of Iwao Matsushita’s determination to clear his name and be reunited with his wife, and of Hanaye Matsushita’s growing confusion and despair, unfolds in their correspondence, presented here in full. Their cards and letters, most written in Japanese, some in English when censors insisted, provided us with the first look at life inside Fort Missoula, one of the Justice Department’s wartime camp for enemy aliens. Because Iwao was fluent in both English and Japanese, his communications are always articulate, even lyrical, if restrained. Hanaye communicated briefly and awkwardly in English, more fully and openly in Japanese. Fiset presents a most affecting human story and helps us to read between the lines, to understand what was happening to this gentle, sensitive pair. Hanaye suffered the emotional torment of disruption and displacement from everything safe and familiar. Iwao, a scholarly man who, despite his imprisonment, did not falter in his committment to his adopted country, suffered the ignominity of suspicion of being disloyal. After the war, he worked as a subject specialist at the University of Washington’s Far Eastern Library and served as principal of Seattle’s Japanese Language School, faithful to the Japanese American community until his death in 1979.

Public Affairs

Public Affairs PDF Author: William M. Hammond
Publisher: Government Printing Office
ISBN: 9780160016738
Category : Armed Forces and mass media
Languages : en
Pages : 436

Book Description
United States Army in Vietnam. CMH Pub. 91-13. Draws upon previously unavailable Army and Defense Department records to interpret the part the press played during the Vietnam War. Discusses the roles of the following in the creation of information policy: Military Assistance Command's Office of Information in Saigon; White House; State Department; Defense Department; and the United States Embassy in Saigon.

The Unwomanly Face of War

The Unwomanly Face of War PDF Author: Svetlana Alexievich
Publisher: Random House
ISBN: 0399588736
Category : History
Languages : en
Pages : 385

Book Description
A long-awaited English translation of the groundbreaking oral history of women in World War II across Europe and Russia—from the winner of the Nobel Prize in Literature NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • The Guardian • NPR • The Economist • Milwaukee Journal Sentinel • Kirkus Reviews For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women—more than a million in total—were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten. Alexievich traveled thousands of miles and visited more than a hundred towns to record these women’s stories. Together, this symphony of voices reveals a different aspect of the war—the everyday details of life in combat left out of the official histories. Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. THE WINNER OF THE NOBEL PRIZE IN LITERATURE “for her polyphonic writings, a monument to suffering and courage in our time.” “A landmark.”—Timothy Snyder, author of On Tyranny: Twenty Lessons from the Twentieth Century “An astonishing book, harrowing and life-affirming . . . It deserves the widest possible readership.”—Paula Hawkins, author of The Girl on the Train “Alexievich has gained probably the world’s deepest, most eloquent understanding of the post-Soviet condition. . . . [She] has consistently chronicled that which has been intentionally forgotten.”—Masha Gessen, National Book Award–winning author of The Future Is History

Living the World War

Living the World War PDF Author: Donald N. Zillman
Publisher: Vandeplas Pub.
ISBN: 9781600422959
Category : History
Languages : en
Pages : 632

Book Description
A century ago Americans entered and fought 'a war to end all wars.' In Living the World War: A Weekly Exploration of the American Experience in World War I we use the Congressional Record and the New York Times to see how an American citizen of that era would have experienced the World War without knowing what would come next. In addition to the War, Americans living during the weeks of October 1, 1916 to December 31, 1917 also debated women's suffrage, race relations, Prohibition, the rights of organized labor, reconciliation of North and South, and coal and fuel shortages. That experience of war, and the emerging national issues, profoundly shape America in the 21st century.

Hollywood Goes to War

Hollywood Goes to War PDF Author: Clayton R. Koppes
Publisher: Univ of California Press
ISBN: 9780520071612
Category : History
Languages : en
Pages : 404

Book Description
The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.