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Author: John D. Baskerville Publisher: Edwin Mellen Press ISBN: Category : Music Languages : en Pages : 206
Book Description
The purpose of this monograph is threefold: to explore the development of modern black nationalist thought of the 1960s and 1970s and locate it within the tradition of modern black nationalism and cultural revitalization that emerged during the early decades of the 20th century; to demonstrate how a group of musicians operating in the style of American jazz music referred to as the New Black Music embraced the various tenets of modern black nationalism and attempted to put these ideas into practice in the production of their music; and to demonstrate how the study of music can be utilized effectively to enhance our understanding of cultural, political and social phenomena in American society.
Author: John D. Baskerville Publisher: Edwin Mellen Press ISBN: Category : Music Languages : en Pages : 206
Book Description
The purpose of this monograph is threefold: to explore the development of modern black nationalist thought of the 1960s and 1970s and locate it within the tradition of modern black nationalism and cultural revitalization that emerged during the early decades of the 20th century; to demonstrate how a group of musicians operating in the style of American jazz music referred to as the New Black Music embraced the various tenets of modern black nationalism and attempted to put these ideas into practice in the production of their music; and to demonstrate how the study of music can be utilized effectively to enhance our understanding of cultural, political and social phenomena in American society.
Author: Sandra Hollin Flowers Publisher: Routledge ISBN: 1317731352 Category : History Languages : en Pages : 177
Book Description
Bringing together political theory and literary works, this study recreates the political climate which made the 1960s an unforgettable era for young black Americans. A chapter on "The Many Shades of Black Nationalism," for instance, explains: why black nationalism is known by more than a dozen different names; how events in Africa influenced black nationalism in America; why Malcolm X's death had a greater impact on nationalism than did his life; and how the United States government unwittingly became nationalism's ally. Another chapter explores the bitter feud between the dominant factions of the 1960s-cultural and revolutionary nationalists. This feud erupted in both verbal and armed warfare and generated an abundance of political theory and literary works, much of which is out of circulation but is examined in the study. Nationalist poetry, theater, and fiction are each treated in separate chapters which exemplify the aesthetic and political concerns of this memorable period in American history and letters. Aside from its unique combination of artistic and political works, what makes this book important is the current revival of nationalist sentiment in African American life and arts. Though this revival is closely identified with the nationalism of the 1960s, it lacks the focus of that period. This study explains what gave the nationalism of the 1960s its focus, how that focus was expressed in art forms, and why 1960s nationalism continues to influence the African American identity and will probably do so well into the twenty-first century.
Author: Joan Cartwright, M.A. Publisher: Lulu.com ISBN: 0557060109 Category : History Languages : en Pages : 158
Book Description
Three essays and interviews with photographs by author and musician Joan Cartwright about the creation of blues in America by Africans captured for servitude on Euro-American plantations over a span of 400 years. This book should be read by music students and enthusiasts, alike.
Author: Jean-Philippe Marcoux Publisher: Lexington Books ISBN: 0739166743 Category : Social Science Languages : en Pages : 244
Book Description
This study is about how four representative African American poets in the 1960s, Langston Hughes, Umbra’s David Henderson, and the Black Arts Movement’s Sonia Sanchez, and Amiri Baraka engage, in the tradition of African griots, in poetic dialogues with aesthetics, music, politics, and Black History, and in so doing narrate, using jazz as meta-language, genealogies, etymologies, cultural legacies, and Black (hi)stories. In intersecting and complementary ways, Hughes, Henderson, Sanchez, and Baraka fashioned their griotism from theorizations of artistry as political engagement, and, in turn, formulated a Black aesthetic based on jazz performativity –a series of jazz-infused iterations that form a complex pattern of literary, musical, historical, and political moments in constant cross-fertilizing dialogues with one another. This form of poetic call-and-response is essential for it allows the possibility of intergenerational dialogues between poets and musicians as well as dialogical potential between song and politics, between Africa and Black America, within the poems. More importantly, these jazz dialogisms underline the construction of the Black Aesthetic as conceptualized respectively by the griotism of Hughes, of Henderson, and of Sanchez and Baraka.
Author: Elena Kramer Publisher: GRIN Verlag ISBN: 3640411765 Category : Biography & Autobiography Languages : en Pages : 61
Book Description
Seminar paper from the year 2008 in the subject American Studies - Literature, grade: 1,3, University of Kassel, language: English, abstract: The first reading of Toni Morrison's novel made me wonder why the author chose the title Jazz. It describes the difficulties various African Americans have in integrating themselves into the urban context of the North. The origin of this dilemma lies in unsolved problems, unprocessed experiences and in an incomplete reappraisal of the past. Identity, as it seems, needs to reconcile history and present. Blacks in northern cities at the beginning of the 20th century still suffered from the reverberations of slavery; the Great Migration out of the Old South and into the industrialized North with its promising opportunities had not settled these problems. In this paper, I want to examine jazz music and its function within the thematic frame of the story. Since history is of great importance in the novel, it is necessary to comprehensively outline the historical background of the story, which reaches from the late years of slavery up to the artistic blossom during the Harlem Renaissance. The development of the jazz culture then serves as a starting point for the analysis of musical elements in the novel. This embraces structural as well as stylistic parallels and also comments on the function of the unconventional narrator. The focus then turns to the main characters of the story, Joe and Violet Trace, to the problems they have with themselves and their marriage and the solution the author offers. Toni Morrison suggests that the problems of alienation and loss of identity result from a missing connection of past and present. A stable identity must be rooted in history, so the denial of one's origin is a dangerous violation of the self. Many studies dealing with Jazz have concentrated on the way Morrison transfers musical elements into a stylistic concept, but I want to show the connection between this narrative technique and th
Author: Charley Gerard Publisher: Greenwood Press ISBN: 9780313305818 Category : African Americans Languages : en Pages : 202
Book Description
Is jazz a universal idiom or is it an art form belonging exclusively to African Americans? Although whites have been playing jazz almost since it first developed, the history of jazz has been forged by a series of African-American artists whose styles electrified their musical generation - masters such as Louis Armstrong, Duke Ellington, John Coltrane and Charlie Parker. The issue of racial identity in jazz music is the focus of this personal look at the world of jazz music. It is examined in the context of nearly a century of African-American music, its unforgettably talented musicians, and the phenomena - from slavery, to black nationalism, to the Nation of Islam - that have shaped the African-American community as a whole.
Author: Paul Vierkant Publisher: GRIN Verlag ISBN: 3638667650 Category : Biography & Autobiography Languages : en Pages : 84
Book Description
Seminar paper from the year 2005 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Free University of Berlin (John F. Kennedy-Institut für Nordamerikastudien), course: The Sixties and the U.S., language: English, abstract: "The Godfather of soul", "the hardest working man in show business" or "Soul Brother Number One", are the various different images of a persona who made a very important contribution to the Black Power Movement. James Brown reached his audience in concert halls and via radio and television. As a musician, performer, and role model, he touched the soul of nearly every black American at a time when Afro-Americans sought to re-define themselves. The time had come to create a black Aesthetic that would reshape the Western cultural sphere. Beside James Brown, Black America saw the rise of other cultural heroes like Muhammad Ali and Shaft. They all contributed in their own way to the black liberation struggle. However, the Black Power Movement did not only consist of a cultural branch but also of political and religious organizations. Figures like Malcolm X and Martin Luther King jr. were charismatic leaders whose importance can not be overstressed. Still, the basis of the Black Power Movement (hereafter BPM) was the individual, the group and the community. The black experience, together with black everyday life was the origin and source of the black struggle. Since James Brown grew up in a southern American black community and knew what this experience meant, he was able to authentically convey this on stage. Beyond his career as a musician, he was also interested in the fate of his people. He was in his own way an active political figure, using his popularity to change the social circumstances for black communities. Furthermore, Brown was one of the first black American musicians to enter the white-dominated world of economics. Although he had never been close to black nationalists, he lived - consciously or unconsciously
Author: John D. Baskerville
Author: John D. Baskerville
Author: John Douglas Baskerville
Author: Sandra Hollin Flowers
Author: Jon Seebart Panish
Author: Frank Kofsky
Author: Joan Cartwright, M.A.
Author: Jean-Philippe Marcoux
Author: Elena Kramer
Author: Charley Gerard
Author: Paul Vierkant