Author: Esther PasztoryPublisher: Dumbarton Oaks
ISBN: 9780884020592
Category : Art
Languages : en
Pages : 28
Book Description
The Iconography of the Teotihuacan Tlaloc
Author: Esther PasztoryPublisher: Dumbarton Oaks
ISBN: 9780884020592
Category : Art
Languages : en
Pages : 28
Book Description
Iconography of the art of teotihuacan
Author: George KublerTlaloc
Author: Ernest NovatoPublisher:
ISBN: 9781693219252
Category :
Languages : en
Pages : 114
Book Description
*Includes pictures *Includes a bibliography for further reading Gilgamesh, Hercules, Aeneas, and Lancelot are instantly recognized as mythological heroes in the West, evoking visions of Persian monsters, ghastly labors, and the founding and glorification of cities, but the name Quetzalcoatl is as mysterious as its spelling. Even those who have come across his name when learning about the history of Mesoamerica - particularly the Aztec and the god's role in the Spanish conquest of their empire - are often unaware that the Mesoamerican deity has tales that equal any of those in the repertoire of the mythological figures mentioned above, and the tale of his transmission into modern times is no less fascinating. As archaeologists quickly learned, there are numerous temples dedicated to gods all across Mesoamerica, from the Olmec and Toltec to the Aztec and Maya. Furthermore, thousands of people still gather in the ruins of Mesoamerican cities, even as researchers learn more about the civilizations that continue to generate interest among modern societies. Gods and myths reflect the societies that created them. The lustrous Garden of Eden was dreamed up by those for whom such verdant plenty could only be magical when compared with their usually arid environment. Peoples who endured harsh winters sang of eternal hearth fires and those who were threatened by dangerous animals told stories of humans who could tame them. Of course, these deities also often reflected the nuanced difficulties their creators experienced in their daily lives, and this is the case with the Aztec god Tlaloc. As the great scholar of Mesoamerican history and religion Kay Almere Read put it, "Rain and water deities constitute perhaps the largest, one of the oldest, most pervasive and complex group of gods and goddesses in Mesoamerica." The Valley of Mexico is the central elevated basin that contains Mexico City at its heart today. Surrounded by mountains and volcanoes, the Valley's lowest point is actually some 2200 meters above sea level and just like the plains of Mesopotamia or the Nile Delta, it is one of humanity's great birthplaces of civilization. Inhabited for over 12,000 years, it was the home to such creative cultures as the Teotihuacan, the Toltec, and the Aztec. These cultures built vast empires and colored them with sophisticated art and architecture, which is invaluable for scholars who study the groups today, and symbols of Tlaloc have been pervasive across their ruins. One of the reasons for the prevalence of Tlaloc in the Valley of Mexico is that in the semi-arid climate, water was a powerful daily symbol. Although there were no naturally occurring water connections to the sea, the high altitude of the mountains and volcanoes that surrounded it caught the rain water well and formed five important lakes: Xochimilco, Xaltocan, Zumpango, Chalco and Texcoco. As the largest, Texcoco was where the Aztecs eventually built their capital city Tenochtitlan. Since this was not a desert culture, their god Tlaloc was not just a reflection of an opposite extreme they desired; instead, he was a complex god that reflected the duality of water as both a boon and a force for destruction. From his home in Tlalocan, Tlaloc was able to send good and bad waters to the people of the Valley of Mexico and beyond. He was the lord of the chthonic powers of Mexico even as far south as the Maya, who called him Chaac and connected him with warfare and agriculture much the same way the Aztec did. The Aztec tell the story of Tlaloc blessing their rise to regional dominance by sending a famine to the Toltec, and his duality of good waters vs. bad waters was a product of the largely two-season system in Mexico. Tlaloc: The History of the Aztec God of Rain and Giver of Life examines the origins of the deity and his place in the pantheon of gods.
Anthropomorphic Imagery in the Mesoamerican Highlands
Author: Brigitte FaugèrePublisher: University Press of Colorado
ISBN: 1607329956
Category : Social Science
Languages : en
Pages : 419
Book Description
In Anthropomorphic Imagery in the Mesoamerican Highlands, Latin American, North American, and European researchers explore the meanings and functions of two- and three-dimensional human representations in the Precolumbian communities of the Mexican highlands. Reading these anthropomorphic representations from an ontological perspective, the contributors demonstrate the rich potential of anthropomorphic imagery to elucidate personhood, conceptions of the body, and the relationship of human beings to other entities, nature, and the cosmos. Using case studies covering a broad span of highlands prehistory—Classic Teotihuacan divine iconography, ceramic figures in Late Formative West Mexico, Epiclassic Puebla-Tlaxcala costumed figurines, earth sculptures in Prehispanic Oaxaca, Early Postclassic Tula symbolic burials, Late Postclassic representations of Aztec Kings, and more—contributors examine both Mesoamerican representations of the body in changing social, political, and economic conditions and the multivalent emic meanings of these representations. They explore the technology of artifact production, the body’s place in social structures and rituals, the language of the body as expressed in postures and gestures, hybrid and transformative combinations of human and animal bodies, bodily representations of social categories, body modification, and the significance of portable and fixed representations. Anthropomorphic Imagery in the Mesoamerican Highlands provides a wide range of insights into Mesoamerican concepts of personhood and identity, the constitution of the human body, and human relationships with gods and ancestors. It will be of great value to students and scholars of the archaeology and art history of Mexico. Contributors: Claire Billard, Danièle Dehouve, Cynthia Kristan-Graham, Melissa Logan, Sylvie Peperstraete, Patricia Plunket, Mari Carmen Serra Puche, Juliette Testard, Andrew Turner, Gabriela Uruñuela, Marcus Winter
Art, Ideology, and the City of Teotihuacan
Author: Janet Catherine BerloPublisher: Dumbarton Oaks
ISBN: 9780884022053
Category : Art
Languages : en
Pages : 462
Book Description
Teotihuacan
Author: Esther PasztoryPublisher: University of Oklahoma Press
ISBN: 9780806128474
Category : History
Languages : en
Pages : 318
Book Description
This book is the first comprehensive study and reinterpretation of the unique arts of Teotihuacan, including architecture, sculpture, mural painting, and ceramics. Comparing the arts of Teotihuacan - not previously judged "artistic" - with those of other ancient civilizations, Ester Pasztory demonstrates how they created and reflected the community’s ideals. Most people associate the pyramids of central Mexico with the Aztecs, but these colossal constructions antedate the Aztecs by more than a thousand years. The people of Teotihuacan, who built the pyramids as part of a city of unprecedented size, remain a mystery.
The Teotihuacan Trinity
Author: Annabeth HeadrickPublisher: University of Texas Press
ISBN: 0292749872
Category : Social Science
Languages : en
Pages : 415
Book Description
Northeast of modern-day Mexico City stand the remnants of one of the world's largest preindustrial cities, Teotihuacan. Monumental in scale, Teotihuacan is organized along a three-mile-long thoroughfare, the Avenue of the Dead, that leads up to the massive Pyramid of the Moon. Lining the avenue are numerous plazas and temples, which indicate that the city once housed a large population that engaged in complex rituals and ceremonies. Although scholars have studied Teotihuacan for over a century, the precise nature of its religious and political life has remained unclear, in part because no one has yet deciphered the glyphs that may explain much about the city's organization and belief systems. In this groundbreaking book, Annabeth Headrick analyzes Teotihuacan's art and architecture, in the light of archaeological data and Mesoamerican ethnography, to propose a new model for the city's social and political organization. Challenging the view that Teotihuacan was a peaceful city in which disparate groups united in an ideology of solidarity, Headrick instead identifies three social groups that competed for political power—rulers, kin-based groups led by influential lineage heads, and military orders that each had their own animal insignia. Her findings provide the most complete evidence to date that Teotihuacan had powerful rulers who allied with the military to maintain their authority in the face of challenges by the lineage heads. Headrick's analysis also underscores the importance of warfare in Teotihuacan society and clarifies significant aspects of its ritual life, including shamanism and an annual tree-raising ceremony that commemorated the Mesoamerican creation story.
The Iconography of Temple 16
Author: Jorge Humberto Ramos GomezPublisher:
ISBN:
Category : Copán (Honduras : Department)
Languages : en
Pages : 1090
Book Description
Masks of the Spirit
Author: Peter T. MarkmanPublisher: Univ of California Press
ISBN: 9780520064188
Category : Social Science
Languages : en
Pages : 304
Book Description
Drawing on secondary works in archaeology, art history, folklore, ethnohistory, ethnography, and literature, the authors maintain that the mask is the central metaphor for the Mesoamerican concept of spiritual reality. Covers the long history of the use of the ritual mask by the peoples who created and developed the mythological tradition of Mesoamerica. Chapters: (1) the metaphor of the mask in Pre-Columbian Mesoamerica: the mask as the God, in ritual, and as metaphor; (II) metaphoric reflections of the cosmic order; and (III) the metaphor of the mask after the conquest: syncretism; the Pre-Columbian survivals; the syncretic compromise; and today's masks. Over 100 color and black-&-white photos.
Iconographic Method in New World Prehistory
Author: Vernon J. KnightPublisher: Cambridge University Press
ISBN: 1107022630
Category : Art
Languages : en
Pages : 221
Book Description
This book offers an overview of iconographic methods and their application to archaeological analysis. It offers a truly interdisciplinary approach that draws equally from art history and anthropology. Vernon James Knight, Jr., begins with a historigraphical overview, addressing the methodologies and theories that underpin both archaeology and art history. He then demonstrates how iconographic methods can be integrated with the scientific methods that are at the core of much archaeological inquiry. Focusing on artifacts from the pre-Columbian civilizations of North and Meso-American sites, Knight shows how the use of iconographic analysis yields new insights into these objects and civilizations.