Author: Charles Sanford Terry
Publisher:
ISBN:
Category : Chorale
Languages : en
Pages : 392
Book Description
The hymns and hymn melodies of the organ works
Author: Charles Sanford Terry
Publisher:
ISBN:
Category : Chorale
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : Chorale
Languages : en
Pages : 392
Book Description
100 All-Time Favorite Hymns
Author: Rollin Smith
Publisher: Courier Corporation
ISBN: 0486261018
Category : Music
Languages : en
Pages : 114
Book Description
Specially arranged for organ but playable on any keyboard instrument, this collection features such beloved hymns as A Mighty Fortress Is Our God, Amazing Grace, and more. Features lay-flat sewn binding.
Publisher: Courier Corporation
ISBN: 0486261018
Category : Music
Languages : en
Pages : 114
Book Description
Specially arranged for organ but playable on any keyboard instrument, this collection features such beloved hymns as A Mighty Fortress Is Our God, Amazing Grace, and more. Features lay-flat sewn binding.
The hymns and hymn melodies of the organ works
Author: Charles Sanford Terry
Publisher:
ISBN:
Category : Chorale
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category : Chorale
Languages : en
Pages : 388
Book Description
Bach's Chorals
Author: Charles Sanford 1864-1936 Terry
Publisher: Legare Street Press
ISBN: 9781013916816
Category :
Languages : en
Pages : 392
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781013916816
Category :
Languages : en
Pages : 392
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ancient and Modern Organ Edition
Author: Tim Ruffer
Publisher: Canterbury Press Norwich
ISBN: 9781848257030
Category :
Languages : en
Pages : 0
Book Description
The world's most famous hymn book has been completely revised and now offers the broadest ever range of traditional hymns and modern compositions, from the Psalms to John Bell, Bernadette Farrell and Stuart Townend. Its 847 items have been specially selected for their singability, theological richness and relevance. Organ edition. 2 volume set.
Publisher: Canterbury Press Norwich
ISBN: 9781848257030
Category :
Languages : en
Pages : 0
Book Description
The world's most famous hymn book has been completely revised and now offers the broadest ever range of traditional hymns and modern compositions, from the Psalms to John Bell, Bernadette Farrell and Stuart Townend. Its 847 items have been specially selected for their singability, theological richness and relevance. Organ edition. 2 volume set.
First 50 Songs You Should Play on the Organ
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1540059618
Category : Music
Languages : en
Pages : 353
Book Description
(Organ Folio). This one-of-a-kind collection features 50 accessible organ arrangements of must-know songs: Abide with Me * Battle Hymn of the Republic * City of Stars * Eleanor Rigby * Green Onions * Hallelujah Chorus * It's a Small World * Love Me Tender * Memory * On My Own * The Phantom of the Opera * Sunrise, Sunset * Trumpet Voluntary * Wedding Processional * You Raise Me Up * and more.
Publisher: Hal Leonard Corporation
ISBN: 1540059618
Category : Music
Languages : en
Pages : 353
Book Description
(Organ Folio). This one-of-a-kind collection features 50 accessible organ arrangements of must-know songs: Abide with Me * Battle Hymn of the Republic * City of Stars * Eleanor Rigby * Green Onions * Hallelujah Chorus * It's a Small World * Love Me Tender * Memory * On My Own * The Phantom of the Opera * Sunrise, Sunset * Trumpet Voluntary * Wedding Processional * You Raise Me Up * and more.
Hymn Settings for Organ, Volume 6: Beginner
Author: Neil Harmon
Publisher:
ISBN: 9781639017959
Category :
Languages : en
Pages :
Book Description
Hymn arrangements for organ geared toward the beginning organist.
Publisher:
ISBN: 9781639017959
Category :
Languages : en
Pages :
Book Description
Hymn arrangements for organ geared toward the beginning organist.
The hymns and hymn melodies of the cantatas and motetts
Author: Charles Sanford Terry
Publisher:
ISBN:
Category : Chorale
Languages : en
Pages : 640
Book Description
Publisher:
ISBN:
Category : Chorale
Languages : en
Pages : 640
Book Description
A Catholic Book of Hymns
Author: George Orillo Baclay
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 336
Book Description
"Music and silence-how I detest them both!"Screwtape, under-secretary to the devil, The Screwtape Letters by C. S. LewisIt's easy to see why the enemies of mankind would hate and fear both sacred silence and sacred music. Both bring joy, spur contemplation, and draw the soul nearer to the Lord. Both have been part of our private prayer as well as our communal liturgy for thousands of years.The Psalms-biblical songs of praise, supplication, and wonder-have been sung for three thousand years. Naturally, Jesus, His disciples, and later the early Christian community also sang hymns (from the Greek word meaning "songs of praise"), as The New Testament makes clear. We sing because we love, and sung praise elevates our words, takes them out of the realm of the commonplace, and increases our joy. The holy pleasure of singing to God involves the entire person-spirit, heart, mind, and body-and unites us not only with the Divine but also with one another as a worshiping community.This collection of hymns for the singing Catholic congregation exemplifies the best of the genre. These songs are religiously orthodox, beautiful, sacred, and-for the most part-familiar. But here you will also find worthy hymn tunes and texts that are new to you.We present this book to propose not that hymns replace the proper chants for that days Mass* but live happily alongside them. In most instances the proper chants for processions are the prerogative of cantors and choirs and, as they change very day as part of the Mass aren't practical to be sung by the congregation. Hymns, on the other hand, belong to all the faithful and serve as a key means of the "active participation" spoken of in Vatican II's Constitution on the Sacred Liturgy. Hymns have been sung as an important part of the Liturgy of the Hours for century upon century, so they are nothing new, new only to be sung at Mass. "To promote active participation, the people should be encouraged to take part by means of acclamations, responses, psalmody, antiphons, and songs, as well as by actions, gestures, and bodily attitudes. And at the proper times all should observe a reverent silence."Sacrosanctum Concilium (Constitution on the Sacred Liturgy, Vatican II, 1963), Paragraph 30In a parish where the scriptures are sung, the introit will accompany the procession of the ministers and the cross. Clergy, choir, and people can then sing a congregational hymn. The same is true at offertory and Communion: hymns can follow the proper chants. And at the conclusion of Mass, a suitable hymn can send the people forth with the praise of Almighty God on their lips.May this book bring joy to all who sing from it! What is the source of the Sung Antiphons for the Roman liturgy Mass?The proper texts of the Antiphons of the Roman liturgy may be found in: Graduale Romanum; English translations of these texts are also widely available. The antiphons from the Roman Missal, third edition, may also serve as proper texts. For more information see: Sacrosanctum Concilium (Constitution on the Sacred Liturgy, Vatican II, 1963), Musicam Sacram (Instruction on Music in the Liturgy, 1967)The General Instruction of the Roman Missal, 2010.
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 336
Book Description
"Music and silence-how I detest them both!"Screwtape, under-secretary to the devil, The Screwtape Letters by C. S. LewisIt's easy to see why the enemies of mankind would hate and fear both sacred silence and sacred music. Both bring joy, spur contemplation, and draw the soul nearer to the Lord. Both have been part of our private prayer as well as our communal liturgy for thousands of years.The Psalms-biblical songs of praise, supplication, and wonder-have been sung for three thousand years. Naturally, Jesus, His disciples, and later the early Christian community also sang hymns (from the Greek word meaning "songs of praise"), as The New Testament makes clear. We sing because we love, and sung praise elevates our words, takes them out of the realm of the commonplace, and increases our joy. The holy pleasure of singing to God involves the entire person-spirit, heart, mind, and body-and unites us not only with the Divine but also with one another as a worshiping community.This collection of hymns for the singing Catholic congregation exemplifies the best of the genre. These songs are religiously orthodox, beautiful, sacred, and-for the most part-familiar. But here you will also find worthy hymn tunes and texts that are new to you.We present this book to propose not that hymns replace the proper chants for that days Mass* but live happily alongside them. In most instances the proper chants for processions are the prerogative of cantors and choirs and, as they change very day as part of the Mass aren't practical to be sung by the congregation. Hymns, on the other hand, belong to all the faithful and serve as a key means of the "active participation" spoken of in Vatican II's Constitution on the Sacred Liturgy. Hymns have been sung as an important part of the Liturgy of the Hours for century upon century, so they are nothing new, new only to be sung at Mass. "To promote active participation, the people should be encouraged to take part by means of acclamations, responses, psalmody, antiphons, and songs, as well as by actions, gestures, and bodily attitudes. And at the proper times all should observe a reverent silence."Sacrosanctum Concilium (Constitution on the Sacred Liturgy, Vatican II, 1963), Paragraph 30In a parish where the scriptures are sung, the introit will accompany the procession of the ministers and the cross. Clergy, choir, and people can then sing a congregational hymn. The same is true at offertory and Communion: hymns can follow the proper chants. And at the conclusion of Mass, a suitable hymn can send the people forth with the praise of Almighty God on their lips.May this book bring joy to all who sing from it! What is the source of the Sung Antiphons for the Roman liturgy Mass?The proper texts of the Antiphons of the Roman liturgy may be found in: Graduale Romanum; English translations of these texts are also widely available. The antiphons from the Roman Missal, third edition, may also serve as proper texts. For more information see: Sacrosanctum Concilium (Constitution on the Sacred Liturgy, Vatican II, 1963), Musicam Sacram (Instruction on Music in the Liturgy, 1967)The General Instruction of the Roman Missal, 2010.
The Organ Music of J. S. Bach: Volume 2
Author: Peter Williams
Publisher: CUP Archive
ISBN: 9780521317009
Category : Music
Languages : en
Pages : 372
Book Description
Bach's organ works--the best-known of all music ever written for the instrument--have been the subject of a great variety of interpretations, all too often based on subjective opinion and conjecture. What the author does in this piece-by-piece commentary is to combine a performer's insight and experience with the fruits of scholarly research. He is concerned throughout to reconstruct for the modern performer and listener the original context of the work: its sources and history; its place in the composer's development; the implications of contemporary instruments and performing practice, and of the musical and aesthetic theories of the time; and the background which shaped Bach's view of the original chorale melodies. Each of the collections of organ chorales is examined as an entity in a preliminary essay. Then for each piece the author discusses the important sources and their relationship; quotes the underlying chorale melody and one or more verses of the text (with a literal translation) and describes its importance in the life of Bach's church; and analyses the form and style of the organ setting, with many musical examples and frequent allusions to the views of other commentators.
Publisher: CUP Archive
ISBN: 9780521317009
Category : Music
Languages : en
Pages : 372
Book Description
Bach's organ works--the best-known of all music ever written for the instrument--have been the subject of a great variety of interpretations, all too often based on subjective opinion and conjecture. What the author does in this piece-by-piece commentary is to combine a performer's insight and experience with the fruits of scholarly research. He is concerned throughout to reconstruct for the modern performer and listener the original context of the work: its sources and history; its place in the composer's development; the implications of contemporary instruments and performing practice, and of the musical and aesthetic theories of the time; and the background which shaped Bach's view of the original chorale melodies. Each of the collections of organ chorales is examined as an entity in a preliminary essay. Then for each piece the author discusses the important sources and their relationship; quotes the underlying chorale melody and one or more verses of the text (with a literal translation) and describes its importance in the life of Bach's church; and analyses the form and style of the organ setting, with many musical examples and frequent allusions to the views of other commentators.