Author: Charlotte Perkins Gilman
Publisher: Rowman Altamira
ISBN: 9780759103061
Category : Family & Relationships
Languages : en
Pages : 374
Book Description
Reprint of 1903 edition of Gilman's classic indictment of domestic life, offering a program of domestic reform that inspired women at the beginning of what became a century-long struggle.
The Home
Author: Charlotte Perkins Gilman
Publisher: Rowman Altamira
ISBN: 9780759103061
Category : Family & Relationships
Languages : en
Pages : 374
Book Description
Reprint of 1903 edition of Gilman's classic indictment of domestic life, offering a program of domestic reform that inspired women at the beginning of what became a century-long struggle.
Publisher: Rowman Altamira
ISBN: 9780759103061
Category : Family & Relationships
Languages : en
Pages : 374
Book Description
Reprint of 1903 edition of Gilman's classic indictment of domestic life, offering a program of domestic reform that inspired women at the beginning of what became a century-long struggle.
The Yellow Wall-Paper
Author: Charlotte Perkins Gilman
Publisher: Modernista
ISBN: 9180946518
Category :
Languages : en
Pages : 18
Book Description
She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.
Publisher: Modernista
ISBN: 9180946518
Category :
Languages : en
Pages : 18
Book Description
She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.
The Yellow Wallpaper Illustrated
Author: Charlotte Perkins Gilman
Publisher:
ISBN:
Category :
Languages : en
Pages : 31
Book Description
"""The Yellow Wallpaper"" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a ""temporary nervous depression - a slight hysterical tendency"", a diagnosis common to women during that period"
Publisher:
ISBN:
Category :
Languages : en
Pages : 31
Book Description
"""The Yellow Wallpaper"" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a ""temporary nervous depression - a slight hysterical tendency"", a diagnosis common to women during that period"
His Religion and Hers
Author: Charlotte Perkins Gilman
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 320
Book Description
Women and Economics Illustrated
Author: Charlotte Perkins Gilman
Publisher:
ISBN:
Category :
Languages : en
Pages : 250
Book Description
Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, [1] and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: "the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement."[2]The 1890s were a period of intense political debate and economic challenges, with the Women's Movement seeking the vote and other reforms. Women were "entering the work force in swelling numbers, seeking new opportunities, and shaping new definitions of themselves."[3] It was near the end of this tumultuous decade that Gilman's very popular book emerged
Publisher:
ISBN:
Category :
Languages : en
Pages : 250
Book Description
Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, [1] and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: "the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement."[2]The 1890s were a period of intense political debate and economic challenges, with the Women's Movement seeking the vote and other reforms. Women were "entering the work force in swelling numbers, seeking new opportunities, and shaping new definitions of themselves."[3] It was near the end of this tumultuous decade that Gilman's very popular book emerged
The Home
Author: Charlotte Perkins Gilman
Publisher: Createspace Independent Publishing Platform
ISBN:
Category : History
Languages : en
Pages : 380
Book Description
I hear a deep voice through uneasy dreaming, A deep, soft, tender, soul-beguiling voice; A lulling voice that bids the dreams remain, That calms my restlessness and dulls my pain, That thrills and fills and holds me till in seeming There is no other sound on earth-no choice. "Home!" says the deep voice, "Home!" and softly singing Brings me a sense of safety unsurpassed; So old! so old! The piles above the wave- The shelter of the stone-blocked, shadowy cave- Security of sun-kissed treetops swinging- Safety and Home at last! "Home" says the sweet voice, and warm Comfort rises, Holding my soul with velvet-fingered hands; Comfort of leafy lair and lapping fur, Soft couches, cushions, curtains, and the stir Of easy pleasures that the body prizes, Of soft, swift feet to serve the least commands. I shrink-half rise-and then it murmurs "Duty!" Again the past rolls out-a scroll unfurled; Allegiance and long labor due my lord- Allegiance in an idleness abhorred- I am the squaw-the slave-the harem beauty- I serve and serve, the handmaid of the world.
Publisher: Createspace Independent Publishing Platform
ISBN:
Category : History
Languages : en
Pages : 380
Book Description
I hear a deep voice through uneasy dreaming, A deep, soft, tender, soul-beguiling voice; A lulling voice that bids the dreams remain, That calms my restlessness and dulls my pain, That thrills and fills and holds me till in seeming There is no other sound on earth-no choice. "Home!" says the deep voice, "Home!" and softly singing Brings me a sense of safety unsurpassed; So old! so old! The piles above the wave- The shelter of the stone-blocked, shadowy cave- Security of sun-kissed treetops swinging- Safety and Home at last! "Home" says the sweet voice, and warm Comfort rises, Holding my soul with velvet-fingered hands; Comfort of leafy lair and lapping fur, Soft couches, cushions, curtains, and the stir Of easy pleasures that the body prizes, Of soft, swift feet to serve the least commands. I shrink-half rise-and then it murmurs "Duty!" Again the past rolls out-a scroll unfurled; Allegiance and long labor due my lord- Allegiance in an idleness abhorred- I am the squaw-the slave-the harem beauty- I serve and serve, the handmaid of the world.
The Home, Its Work and Influence
Author: Charlotte Gilman
Publisher: CreateSpace
ISBN: 9781508473527
Category :
Languages : en
Pages : 204
Book Description
The Home, Its Work and Influence By Charlotte Perkins Gilman A Critically Acclaimed Book In 1903 Charlotte wrote one of her most critically acclaimed books, The Home: Its Work and Influence, which expanded upon Women and Economics, proposing that women are oppressed in their home and that the environment in which they live needs to be modified in order to be healthy for their mental states. In between traveling and writing, her career as a literary figure was secured. From 1909 to 1916 Gilman single-handedly wrote and edited her own magazine, The Forerunner, in which much of her fiction appeared. By presenting material in her magazine that would "stimulate thought," "arouse hope, courage and impatience," and "express ideas which need a special medium," she aimed to go against the mainstream media which was overly sensational. Over seven years and two months the magazine produced eighty-six issues, each twenty eight pages long. The magazine had nearly 1,500 subscribers and featured such serialized works as What Diantha Did (1910), The Crux (1911), Moving the Mountain (1911), and Herland. The Forerunner has been cited as being "perhaps the greatest literary accomplishment of her long career." 30] After its seven years, she wrote hundreds of articles which were submitted to the Louisville Herald, The Baltimore Sun, and the Buffalo Evening News. Her autobiography, The Living of Charlotte Perkins Gilman, which she began to write in 1925, appeared posthumously in 1935.
Publisher: CreateSpace
ISBN: 9781508473527
Category :
Languages : en
Pages : 204
Book Description
The Home, Its Work and Influence By Charlotte Perkins Gilman A Critically Acclaimed Book In 1903 Charlotte wrote one of her most critically acclaimed books, The Home: Its Work and Influence, which expanded upon Women and Economics, proposing that women are oppressed in their home and that the environment in which they live needs to be modified in order to be healthy for their mental states. In between traveling and writing, her career as a literary figure was secured. From 1909 to 1916 Gilman single-handedly wrote and edited her own magazine, The Forerunner, in which much of her fiction appeared. By presenting material in her magazine that would "stimulate thought," "arouse hope, courage and impatience," and "express ideas which need a special medium," she aimed to go against the mainstream media which was overly sensational. Over seven years and two months the magazine produced eighty-six issues, each twenty eight pages long. The magazine had nearly 1,500 subscribers and featured such serialized works as What Diantha Did (1910), The Crux (1911), Moving the Mountain (1911), and Herland. The Forerunner has been cited as being "perhaps the greatest literary accomplishment of her long career." 30] After its seven years, she wrote hundreds of articles which were submitted to the Louisville Herald, The Baltimore Sun, and the Buffalo Evening News. Her autobiography, The Living of Charlotte Perkins Gilman, which she began to write in 1925, appeared posthumously in 1935.
Charlotte Perkins Gilman
Author: Jill Rudd
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
Known to her contemporaries as a fervent advocate of reform on social, economic, and religious fronts, designated an "optimist reformer" by William Dean Howells, Charlotte Perkins Gilman (1860-1935) today is celebrated more as a writer of novels and short stories, particularly Herland and The Yellow Wallpaper, than as the author of the many social and political essays that originally made her so prominent. The essayists in this spirited volume return to Gilman's primary focus by reminding us that the main purpose of her writing was reform. Charlotte Perkins Gilman: Optimist Reformer looks at Gilman's legacy for women at the end of the twentieth century; in doing so its contributors reassess both her reformist ideas and our own views on fin de siecle feminism. Gilman scholarship has indeed moved on from the much needed recovery of her work to more critical treatments that allow us to acknowledge elements now regarded as unacceptable. As a result, the essayists here reappraise Gilman and her writings in ways that directly address hithertofore overlooked points, such as her racism, her almost willful disregard of issues of class, and her broadly essentialist view of women. The effect of this collection is thus twofold: Gilman and her works are both reassessed in light of current feminist thought and presented in the context of her own time. A constant theme is the recognition of her unwavering belief that things could be changed for the better; it is this persistent optimism that made her such a forceful voice for reform. Thus the essayists demonstrate that engagement with Gilman's reformist views is still pertinent for feminist debate today.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
Known to her contemporaries as a fervent advocate of reform on social, economic, and religious fronts, designated an "optimist reformer" by William Dean Howells, Charlotte Perkins Gilman (1860-1935) today is celebrated more as a writer of novels and short stories, particularly Herland and The Yellow Wallpaper, than as the author of the many social and political essays that originally made her so prominent. The essayists in this spirited volume return to Gilman's primary focus by reminding us that the main purpose of her writing was reform. Charlotte Perkins Gilman: Optimist Reformer looks at Gilman's legacy for women at the end of the twentieth century; in doing so its contributors reassess both her reformist ideas and our own views on fin de siecle feminism. Gilman scholarship has indeed moved on from the much needed recovery of her work to more critical treatments that allow us to acknowledge elements now regarded as unacceptable. As a result, the essayists here reappraise Gilman and her writings in ways that directly address hithertofore overlooked points, such as her racism, her almost willful disregard of issues of class, and her broadly essentialist view of women. The effect of this collection is thus twofold: Gilman and her works are both reassessed in light of current feminist thought and presented in the context of her own time. A constant theme is the recognition of her unwavering belief that things could be changed for the better; it is this persistent optimism that made her such a forceful voice for reform. Thus the essayists demonstrate that engagement with Gilman's reformist views is still pertinent for feminist debate today.
Suffrage Songs and Verses
Author: Charlotte Perkins Gilman
Publisher: Lindhardt og Ringhof
ISBN: 8728103726
Category : Poetry
Languages : en
Pages : 47
Book Description
Suffrage Songs and Verses, by Charlotte Perkins Gilman, is a collection of 25 poems which advocates the suffragette movement and women’s rights. Published in 1911, the poetry anthology includes both famous and lesser-known works such as ‘Women of To-day’, ‘Boys Will Be Boys’ and ‘The Socialist and the Suffragist’, and is a clear inspiration for modern feminist writers and pro-women’s rights campaigners. Now seen as a classic selection of American female poetry and inspirational literature, this forward-thinking anthology examines the role of women in a pre-WW1 patriarchal society – and was one of many works to inspire the 2015 British historical drama film ‘Suffragette’ which starred Carey Mulligan, Meryl Streep, Helena Bonham Carter and Anne‐Marie Duff. A selection of Perkins’ work featured in this book were originally published in the book ‘In this our World’ in 1898. Charlotte Perkins Gilman’s best known work was her autobiographical-inspired short story ‘The Yellow Wallpaper’, written about her experience of severe postnatal depression, which was made into a 2011 gothic thriller film by Logan Thomas. Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was born on 3rd July 1860 in Connecticut, USA. Her early family life was troubled, with her father abandoning his wife and family; a move which strongly influenced her feminist political leanings and advocator of women’s rights. After jobs as a tutor and painter, Perkins – a self-declared humanist and ‘tom boy’ – began to work as a writer of short stories, novels, non-fiction pieces and poetry. Her best-known work is her semi-autobiographical short story, inspired by her post-natal depression, entitled ‘The Yellow Wallpaper’ which was published in 1892 and made into a film in 2011. A member of the American National Women's Hall of Fame, Charlotte Perkins Gilman was a strong believer that "the domestic environment oppressed women through the patriarchal beliefs upheld by society". A believer in euthanasia, she was diagnosed with incurable breast cancer in January 1932 and chose to take her own life in August 1935, writing in her suicide note that she "chose chloroform over cancer".
Publisher: Lindhardt og Ringhof
ISBN: 8728103726
Category : Poetry
Languages : en
Pages : 47
Book Description
Suffrage Songs and Verses, by Charlotte Perkins Gilman, is a collection of 25 poems which advocates the suffragette movement and women’s rights. Published in 1911, the poetry anthology includes both famous and lesser-known works such as ‘Women of To-day’, ‘Boys Will Be Boys’ and ‘The Socialist and the Suffragist’, and is a clear inspiration for modern feminist writers and pro-women’s rights campaigners. Now seen as a classic selection of American female poetry and inspirational literature, this forward-thinking anthology examines the role of women in a pre-WW1 patriarchal society – and was one of many works to inspire the 2015 British historical drama film ‘Suffragette’ which starred Carey Mulligan, Meryl Streep, Helena Bonham Carter and Anne‐Marie Duff. A selection of Perkins’ work featured in this book were originally published in the book ‘In this our World’ in 1898. Charlotte Perkins Gilman’s best known work was her autobiographical-inspired short story ‘The Yellow Wallpaper’, written about her experience of severe postnatal depression, which was made into a 2011 gothic thriller film by Logan Thomas. Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was born on 3rd July 1860 in Connecticut, USA. Her early family life was troubled, with her father abandoning his wife and family; a move which strongly influenced her feminist political leanings and advocator of women’s rights. After jobs as a tutor and painter, Perkins – a self-declared humanist and ‘tom boy’ – began to work as a writer of short stories, novels, non-fiction pieces and poetry. Her best-known work is her semi-autobiographical short story, inspired by her post-natal depression, entitled ‘The Yellow Wallpaper’ which was published in 1892 and made into a film in 2011. A member of the American National Women's Hall of Fame, Charlotte Perkins Gilman was a strong believer that "the domestic environment oppressed women through the patriarchal beliefs upheld by society". A believer in euthanasia, she was diagnosed with incurable breast cancer in January 1932 and chose to take her own life in August 1935, writing in her suicide note that she "chose chloroform over cancer".
Critical Essays on Charlotte Perkins Gilman
Author: Joanne B. Karpinski
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Collections
Languages : en
Pages : 296
Book Description
This volume, "Critical Essay on Charlotte Perkins Gilman", is the most comprehensive collection of essays ever published on this important writer, who has recently emerged as a subject for intense scholarly investigation. -- From general editor's note.
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Collections
Languages : en
Pages : 296
Book Description
This volume, "Critical Essay on Charlotte Perkins Gilman", is the most comprehensive collection of essays ever published on this important writer, who has recently emerged as a subject for intense scholarly investigation. -- From general editor's note.