Author: Herbert L. Kessler
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 422
Book Description
The Holy Face and the Paradox of Representation
Spiritual Seeing
Author: Herbert L. Kessler
Publisher: University of Pennsylvania Press
ISBN: 9780812235609
Category : Art
Languages : en
Pages : 300
Book Description
How and when, Herbert L. Kessler asks, was the Jewish prohibition against graven images transformed into a Christian imperative to picture God's invisibility once God had taken human form in the body of Jesus Christ?
Publisher: University of Pennsylvania Press
ISBN: 9780812235609
Category : Art
Languages : en
Pages : 300
Book Description
How and when, Herbert L. Kessler asks, was the Jewish prohibition against graven images transformed into a Christian imperative to picture God's invisibility once God had taken human form in the body of Jesus Christ?
Face to Face
Author: Robin Margaret Jensen
Publisher: Fortress Press
ISBN: 9781451417517
Category : Religion
Languages : en
Pages : 264
Book Description
Examining how God and eventually Christ are portrayed in early Christian art, Jensen explores questions of the relationship between art and theology, conflicts over idolatry and iconography, and how the Christological controversies affected the portrayals of Christ. Since much of this art comes from ancient Rome, she places her analysis in the context of the history of Roman portraiture. One hundred photographs enhance the discussion.
Publisher: Fortress Press
ISBN: 9781451417517
Category : Religion
Languages : en
Pages : 264
Book Description
Examining how God and eventually Christ are portrayed in early Christian art, Jensen explores questions of the relationship between art and theology, conflicts over idolatry and iconography, and how the Christological controversies affected the portrayals of Christ. Since much of this art comes from ancient Rome, she places her analysis in the context of the history of Roman portraiture. One hundred photographs enhance the discussion.
Patrons, Authors and Workshops
Author: Godfried Croenen
Publisher: Peeters Publishers
ISBN: 9789042917071
Category : Business & Economics
Languages : en
Pages : 580
Book Description
Patrons, Authors and Workshops invokes a cross-disciplinary approach to the study of late medieval books and book production in Paris, from the troubled years of the early fifteenth century onwards. It shows the extent to which such activity was able to flourish even against the backdrop of the endemic struggle between Burgundians and Armagnacs, or the subsequent English invasion which led to Agincourt and the regency of Bedford. Extensive coverage is given to the key role played by the libraire, to the author as scribe or copyist (Christine de Pisan, Jean Lebegue), and also to the development of commercial production under figures such as Jean Trepperel. A section on bibliophiles and their various commissions leads into a group of essays that focus on particular texts and authors, whilst a further section concentrates on what we can discover about the role of the scribe. The volume concludes with four essays offering insights into the work of particular artists and illuminators. The authors include scholars from the UK, France, Greece, Germany, Italy, Belgium, the Netherlands and the USA. Godfried Croenen is Lecturer in French at the University of Liverpool. Peter Ainsworth is Professor of French at the University of Sheffield.
Publisher: Peeters Publishers
ISBN: 9789042917071
Category : Business & Economics
Languages : en
Pages : 580
Book Description
Patrons, Authors and Workshops invokes a cross-disciplinary approach to the study of late medieval books and book production in Paris, from the troubled years of the early fifteenth century onwards. It shows the extent to which such activity was able to flourish even against the backdrop of the endemic struggle between Burgundians and Armagnacs, or the subsequent English invasion which led to Agincourt and the regency of Bedford. Extensive coverage is given to the key role played by the libraire, to the author as scribe or copyist (Christine de Pisan, Jean Lebegue), and also to the development of commercial production under figures such as Jean Trepperel. A section on bibliophiles and their various commissions leads into a group of essays that focus on particular texts and authors, whilst a further section concentrates on what we can discover about the role of the scribe. The volume concludes with four essays offering insights into the work of particular artists and illuminators. The authors include scholars from the UK, France, Greece, Germany, Italy, Belgium, the Netherlands and the USA. Godfried Croenen is Lecturer in French at the University of Liverpool. Peter Ainsworth is Professor of French at the University of Sheffield.
Potential Images
Author: Dario Gamboni
Publisher: Reaktion Books
ISBN: 9781861891495
Category : Art
Languages : en
Pages : 312
Book Description
In Potential Images Dario Gamboni explores ambiguity in modern art, considering images that rely to a great degree on a projected or imaginative response from viewers to achieve their effect. Ambiguity became increasingly important in late 19th- and early 20th-century aesthetics, as is evidenced in works by such artists as Redon, Cezanne, Gauguin, Ensor and the Nabis. Similarly, the Cubists subverted traditional representational conventions, requiring their viewers to decipher images to extract their full meanings. The same device was taken up in the various experiments leading to abstraction. For example, it was Kandinsky's intention that his work could be interpreted in both figurative and non-figurative ways, and Duchamp's Readymades suggested the radical conclusion that 'it is the beholder who makes the picture'. These invitations to viewers to participate in the process of artistic communication had social and political implications, as they accorded artist and beholder symmetrical, almost interchangeable, roles.
Publisher: Reaktion Books
ISBN: 9781861891495
Category : Art
Languages : en
Pages : 312
Book Description
In Potential Images Dario Gamboni explores ambiguity in modern art, considering images that rely to a great degree on a projected or imaginative response from viewers to achieve their effect. Ambiguity became increasingly important in late 19th- and early 20th-century aesthetics, as is evidenced in works by such artists as Redon, Cezanne, Gauguin, Ensor and the Nabis. Similarly, the Cubists subverted traditional representational conventions, requiring their viewers to decipher images to extract their full meanings. The same device was taken up in the various experiments leading to abstraction. For example, it was Kandinsky's intention that his work could be interpreted in both figurative and non-figurative ways, and Duchamp's Readymades suggested the radical conclusion that 'it is the beholder who makes the picture'. These invitations to viewers to participate in the process of artistic communication had social and political implications, as they accorded artist and beholder symmetrical, almost interchangeable, roles.
Presence
Author: Rupert Shepherd
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754634935
Category : Art
Languages : en
Pages : 348
Book Description
Presence reconsiders the notion of 'presence' in objects. The first book to address the issue directly, it contains a series of case studies covering a broad geographical and chronological range from ancient Greece and the Incas to industrial America and contemporary India, as well as examples from the canon of western European art. The studies reveal the widespread evidence for this striking form of response and allow readers to see how 'presence' is evoked and either embraced or repressed in differing historical and cultural contexts.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754634935
Category : Art
Languages : en
Pages : 348
Book Description
Presence reconsiders the notion of 'presence' in objects. The first book to address the issue directly, it contains a series of case studies covering a broad geographical and chronological range from ancient Greece and the Incas to industrial America and contemporary India, as well as examples from the canon of western European art. The studies reveal the widespread evidence for this striking form of response and allow readers to see how 'presence' is evoked and either embraced or repressed in differing historical and cultural contexts.
Vision, Devotion, and Self-Representation in Late Medieval Art
Author: Alexa Sand
Publisher: Cambridge University Press
ISBN: 1107032229
Category : Art
Languages : en
Pages : 433
Book Description
Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.
Publisher: Cambridge University Press
ISBN: 1107032229
Category : Art
Languages : en
Pages : 433
Book Description
Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.
Image and Relic
Author: Erik Thunø
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9788882652173
Category : Art
Languages : en
Pages : 302
Book Description
Revision of the author's thesis (Johns Hopkins University, 1999).
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9788882652173
Category : Art
Languages : en
Pages : 302
Book Description
Revision of the author's thesis (Johns Hopkins University, 1999).
New Testament Apocrypha, vol. 3
Author: Tony Burke
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467466840
Category : Religion
Languages : en
Pages : 751
Book Description
An expansive compilation of New Testament apocrypha in English translation, featuring fascinating but heretofore unpublished texts. New Testament Apocrypha, vol. 3, continues to unearth the vast diversity of Christian Scripture outside of the traditional canon. This new collection encompasses a broad range of languages—Greek, Church Slavic, Old English, Coptic, and more—and spans centuries, from the formation of the canonical New Testament to the high Middle Ages. The selections here represent some of the least studied apocryphal texts, many of which have not previously received an English translation or a critical edition. Notable newly edited and translated selections include The Martyrdom of Zechariah, The Decapitation of John the Forerunner, The Birth of John, The Revelation about the Lord’s Prayer, and The Dialogue of Mary and Christ on the Departure of the Soul. Each text is accompanied by a robust introduction, bibliography, and notes. Scholars of apocrypha, Scripture, and hagiography from a breadth of disciplines will find this an indispensable reference for their research and teaching. Contributors: Carson Bay, Mark Glen Bilby, Rick Brannan, Christian H. Bull, Slavomir Čéplö, Alexander D’Alisera, J. Gregory Given, Nathan J. Hardy, Brandon W. Hawk, Stephen C. E. Hopkins, Alexander Kocar, Brent Landau, Jacob A. Lollar, Christine Luckritz Marquis, Ivan Miroshnikov, Tobias Nicklas, Samuel Osborn, Stephen Pelle, Bradley Rice, Julia A. Snyder, Janet E. Spittler, James Toma, Péter Tóth, Sarah Veale, J. Edward Walters, Charles D. Wright, Lorne R. Zelyck
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467466840
Category : Religion
Languages : en
Pages : 751
Book Description
An expansive compilation of New Testament apocrypha in English translation, featuring fascinating but heretofore unpublished texts. New Testament Apocrypha, vol. 3, continues to unearth the vast diversity of Christian Scripture outside of the traditional canon. This new collection encompasses a broad range of languages—Greek, Church Slavic, Old English, Coptic, and more—and spans centuries, from the formation of the canonical New Testament to the high Middle Ages. The selections here represent some of the least studied apocryphal texts, many of which have not previously received an English translation or a critical edition. Notable newly edited and translated selections include The Martyrdom of Zechariah, The Decapitation of John the Forerunner, The Birth of John, The Revelation about the Lord’s Prayer, and The Dialogue of Mary and Christ on the Departure of the Soul. Each text is accompanied by a robust introduction, bibliography, and notes. Scholars of apocrypha, Scripture, and hagiography from a breadth of disciplines will find this an indispensable reference for their research and teaching. Contributors: Carson Bay, Mark Glen Bilby, Rick Brannan, Christian H. Bull, Slavomir Čéplö, Alexander D’Alisera, J. Gregory Given, Nathan J. Hardy, Brandon W. Hawk, Stephen C. E. Hopkins, Alexander Kocar, Brent Landau, Jacob A. Lollar, Christine Luckritz Marquis, Ivan Miroshnikov, Tobias Nicklas, Samuel Osborn, Stephen Pelle, Bradley Rice, Julia A. Snyder, Janet E. Spittler, James Toma, Péter Tóth, Sarah Veale, J. Edward Walters, Charles D. Wright, Lorne R. Zelyck
Roma Felix
Author: Éamonn Ó Carragáin
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754660965
Category : History
Languages : en
Pages : 388
Book Description
After the Roman empire fell, medieval Europe continued to be fascinated by Rome itself, 'the Chief of Cities', once the centre of the empire, including its history, its buildings, and above all its early Christian martyrs, and the papacy, central to the western Latin church. This book explores ways in which the city itself was preserved, envisioned, and transformed not only by its residents, but also by the many pilgrims who flocked to Rome, and by northern European cultures (in particular, the Irish and English) who imagined and imitated the city as they understood it.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754660965
Category : History
Languages : en
Pages : 388
Book Description
After the Roman empire fell, medieval Europe continued to be fascinated by Rome itself, 'the Chief of Cities', once the centre of the empire, including its history, its buildings, and above all its early Christian martyrs, and the papacy, central to the western Latin church. This book explores ways in which the city itself was preserved, envisioned, and transformed not only by its residents, but also by the many pilgrims who flocked to Rome, and by northern European cultures (in particular, the Irish and English) who imagined and imitated the city as they understood it.