The History of Orchestration PDF Download

Author: Adam Carse
Publisher: London : K. Paul, Trench, Trubner ; New York : E.P. Dutton
ISBN:
Category : Music
Languages : en
Pages : 376

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Author: Adam Von Ahn Carse
Publisher:
ISBN: 9780722252055
Category : Music
Languages : en
Pages : 348

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Book Description

Author: Adam CARSE
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Nikolay Rimsky-Korsakov
Publisher: e-artnow
ISBN:
Category : Music
Languages : en
Pages : 430

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Book Description
Principles of Orchestration, with Musical Examples Drawn from His Own Works is a book by a famous Russian composer Nikolai Rimsky-Korsakov, member of the group of composers known as The Five. The book presents a notable attempt to show all of the nuances of orchestration. The author describes everything one needs to know about arranging parts for a string or full orchestra. The book is concise, articulate and excels at being both a book of reference and a book of general knowledge.

Author: Cecil Forsyth
Publisher: Courier Corporation
ISBN: 0486319210
Category : Music
Languages : en
Pages : 594

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In what is probably the best general book on the subject, a noted English composer describes 57 orchestral instruments, tracing their origins, development, and status at the beginning of World War I.

Author: Adam Carse
Publisher:
ISBN:
Category : Instrumentation and orchestration
Languages : en
Pages : 348

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Book Description

Author: Colin James Lawson
Publisher: Cambridge University Press
ISBN: 9780521001328
Category : Music
Languages : en
Pages : 316

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Book Description
This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.

Author: Emily I. Dolan
Publisher: Cambridge University Press
ISBN: 1107028256
Category : Music
Languages : en
Pages : 305

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This book explores the relationship between the history of orchestration and the development of modern musical aesthetics in the Enlightenment. Using Haydn as a focal point, it examines how the consolidation of the modern orchestra radically altered how people listened to and thought about the expressive capacity of instruments.

Author: Paul Mathews
Publisher: Routledge
ISBN: 1135869359
Category : Music
Languages : en
Pages : 247

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Book Description
Orchestration: An Anthology of Writings is designed to be a primary or ancillary text for college-level music majors. Although there are several 'how to' textbooks aimed at this market, there is little available that traces the history of orchestration through the writings of composers themselves. By collecting writings from the ninenteenth century to today, Mathews illuminates how orchestration has grown and developed, as well as presenting a wide variety of theories that have been embraced by the leading practitioners in the field. The collection then traces the history of orchestration, beginning with Beethoven's Orchestra (with writings by Berlioz, Wagner, Gounod, Mahler, and others), the 19th century (Mahler, Gevaert, Strauss) the fin de siecle (on the edge of musical modernism; writings by Berlioz, Jadassohn, Delius, and Rimsky Korsakov), early modern (Busoni, Schoenberg, Stravinsky, Grainger, and others), and high modern (Carter, Feldman, Reich, Brant). Many of these pieces have never been translated into English before; some only appeared in small journals or the popular press and have never appeared in a book; and none have ever been collected in one place. The study of orchestration is a key part of all students of music theory and composition. Orchestration provides a much needed resource for these students, filling a gap in the literature.

Author: Paul Laird
Publisher: Routledge
ISBN: 0429662734
Category : Music
Languages : en
Pages : 184

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Book Description
In this ground-breaking study, Paul Laird examines the process and effect of orchestration in West Side Story and Gypsy, two musicals that were among the most significant Broadway shows of the 1950s, and remain important in the modern repertory. Drawing on extensive archival research with original manuscripts, Laird provides a detailed account of the process of orchestration for these musicals, and their context in the history of Broadway orchestration. He argues that the orchestration plays a vital role in the characterization and plot development in each major musical number, opening a new avenue for analysis that deepens our understanding of the musical as an art form. The orchestration of the score in Broadway musicals deeply shapes their final soundscapes, but only recently has it begun to receive real attention. Linked by a shared orchestrator, in other ways West Side Story and Gypsy offer a study in contrasts. Breaking down how the two composers, Leonard Bernstein and Jules Styne, collaborated with orchestrators Sid Ramin, Irwin Kostal, and Robert Ginzler, Laird’s study enables us to better understand both of these two iconic shows, and the importance of orchestration within musical theatre in general.