The Handbook of Kinematography PDF Download

Author: Colin Noël Bennett
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 398

View

Book Description

Author: Colin Noe l Bennett
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 280

View

Book Description

Author: Leslie J. Wheeler
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 424

View

Book Description

Author: Julie Brown
Publisher: Oxford University Press on Demand
ISBN: 0199797617
Category : History
Languages : en
Pages : 351

View

Book Description
Early cinemas were noisy places with pianos, organs, ensembles of all varieties and sometimes full orchestras accompanied films. Britain, a key cultural player in the entertainment world both at the time and now, has a different history than the USA of musical cultures and film production.

Author: Joshua Yumibe
Publisher: Rutgers University Press
ISBN: 0813552982
Category : Performing Arts
Languages : en
Pages : 215

View

Book Description
Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes—most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful. Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema—visually, emotionally, and physically.

Author: Tomlinson Holman
Publisher: Taylor & Francis US
ISBN: 9780240804538
Category : Music
Languages : en
Pages : 312

View

Book Description
Holman covers the broad field of sound accompanying pictures, from the basics through recording, editing and mixing for theatrical films, documentaries and television shows. In each area, theory is followed by practical sections.

Author: British Film Institute. Library
Publisher: Macmillan Reference USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 908

View

Book Description

Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 568

View

Book Description

Author: Joanne Bernardi
Publisher: Indiana University Press
ISBN: 0253053005
Category : Performing Arts
Languages : en
Pages : 431

View

Book Description
Remnants of early films often have a story to tell. As material artifacts, these film fragments are central to cinema history, perhaps more than ever in our digital age of easy copying and sharing. If a digital copy is previewed before preservation or is shared with a researcher outside the purview of a film archive, knowledge about how the artifact was collected, circulated, and repurposed threatens to become obscured. When the question of origin is overlooked, the story can be lost. Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, "How did these moving images get here for me to see them?" This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.

Author: Stephen Herbert
Publisher: Taylor & Francis
ISBN: 9780415211529
Category : Art
Languages : en
Pages : 448

View

Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.