The Graphic Translatability of Text PDF Download

Author: Patricia Norrish
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 116

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Author: Delia Chiaro
Publisher: John Benjamins Publishing
ISBN: 9027216878
Category : Language Arts & Disciplines
Languages : en
Pages : 304

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"This book sets out to establish the state of the art of screen translation and at the same time to underscore the work of scholars following new paths of investigation both in terms of innovative linguistic mediations being examined and pioneering experimental design." "The volume includes descriptions of sophisticated electronic databases and corpora of audiovisual products for the big and small screen, and the rationale behind them. Furthermore, Between Text and Image also includes a number of cutting edge studies in audience perception of audiovisual products." "Finally, the volume does not fail to ignore examples of original research carried out from both a traditional linguistic viewpoint and from a more cultural perspective."--P. [4] de la couv.

Author: J. C. van Vliet
Publisher: CUP Archive
ISBN: 9780521362948
Category : Electronic publishing
Languages : en
Pages : 312

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Author: Patricia Norrish
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Frances Cannon
Publisher: MIT Press
ISBN: 0262353571
Category : Philosophy
Languages : en
Pages : 183

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Book Description
An illuminated tour of Walter Benjamin's ideas; a graphic translation; an encyclopedia of fragments. Walter Benjamin was a man of letters, an art critic, an essayist, a translator, a philosopher, a collector, and an urban flâneur. In his writings, he ambles, samples, and explores. With Walter Benjamin Reimagined, Frances Cannon offers a visual and literary response to Benjamin's work. With detailed and dreamlike pen-and-ink drawings and hand-lettered text, Cannon gives readers an illuminated tour of Walter Benjamin's thoughts—a graphic translation, an encyclopedia of fragments. Cannon has not created a guide to Benjamin's greatest ideas—this is not an illustrated Walter Benjamin cheat sheet—but rather a beautifully rendered work of graphic literature. Cannon doesn't plod through thickets of minutiae; she strolls—a flâneuse herself—using Benjamin's words and her own drawings to construct a creative topography of Benjamin's writing. Phrases from “Unpacking My Library,” for example, are accompanied by images of flying papers, stray books, stacked books—books “not yet touched by the mild boredom of order”—and a bearded mage. Cannon takes the reader through different periods of Benjamin's writing: “Artifacts of Youth,” nostalgic musings on his childhood; “Fragments of a Critical Eye,” early writings, political observations, and cultural criticism; “Athenaeum of Imagination,” meditations on philosophy and psychology; “A Stroll through the Arcades,” Benjamin's unfinished magnum opus; and “A Collection of Dreams and Stories,” experimental and fantastical writings. With drawings and text, Cannon offers a phantasmagorical tribute to Benjamin's wandering eye.

Author: Clive Scott
Publisher: Routledge
ISBN: 1351538624
Category : Foreign Language Study
Languages : en
Pages : 375

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Book Description
Translation often proceeds as if languages already existed, as if the task of the translator were to make an appropriate selection from available resources. Clive Scott challenges this tacit assumption. If the translator is to do justice to himself/herself as a reader, if the translator is to become the creative writer of his/her reading, then the language of translation must be equal to the translators perceptual experience of, and bodily responses to, source texts. Each renewal of perceptual and physiological contact with a text involves a renewal of the ways we think language and use our expressive faculties (listening, speaking, writing). Phenomenology and particularly the phenomenology of Merleau-Ponty underpins this new approach to translation. The task of the translator is tirelessly to develop new translational languages, ever to move beyond the bilingual into the multilingual, and always to remember that language is as much an active instrument of perception as an object of perception. Clive Scott is Professor Emeritus of European Literature at the University of East Anglia, and a Fellow of the British Academy.

Author: Federico Zanettin
Publisher: Routledge
ISBN: 131763991X
Category : Language Arts & Disciplines
Languages : en
Pages : 353

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Comics are a pervasive art form and an intrinsic part of the cultural fabric of most countries. And yet, relatively little has been written on the translation of comics. Comics in Translation attempts to address this gap in the literature and to offer the first and most comprehensive account of various aspects of a diverse range of social practices subsumed under the label 'comics'. Focusing on the role played by translation in shaping graphic narratives that appear in various formats, different contributors examine various aspects of this popular phenomenon. Topics covered include the impact of globalization and localization processes on the ways in which translated comics are embedded in cultures; the import of editorial and publishing practices; textual strategies adopted in translating comics, including the translation of culture- and language-specific features; and the interplay between visual and verbal messages. Comics in translation examines comics that originate in different cultures, belong to quite different genres, and are aimed at readers of different age groups and cultural backgrounds, from Disney comics to Art Spiegelman's Maus, from Katsuhiro Ōtomo's Akira to Goscinny and Uderzo's Astérix. The contributions are based on first-hand research and exemplify a wide range of approaches. Languages covered include English, Italian, Spanish, Arabic, French, German, Japanese and Inuit. The volume features illustrations from the works discussed and an extensive annotated bibliography. Contributors include: Raffaella Baccolini, Nadine Celotti, Adele D'Arcangelo, Catherine Delesse, Elena Di Giovanni, Heike Elisabeth Jüngst, Valerio Rota, Carmen Valero-Garcés, Federico Zanettin and Jehan Zitawi.

Author: Rachel Weissbrod
Publisher: Routledge
ISBN: 1351694871
Category : Language Arts & Disciplines
Languages : en
Pages : 323

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Book Description
This book offers insights into the translation and adaptation of illustrated texts in an era in which visual texts are perceived as a dominant perceptual frame for interpreting social and cultural phenomena. Using source texts including illustrated books, comics, graphic novels and animated films, the authors analyze their translations and adaptations to address the works as multimodal entities, in which even the replacement of one component affects the entire whole. Interviews with the artists - writers, illustrators and animators - will shed more light on the observations. This volume’s unique focus on the visual mode and the impact of its replacement on the multimodal whole is a topic that has not attracted as much attention as the translation of the verbal component, and will appeal to students and researchers of translation and adaptation, popular culture, media and communication, and children’s literature alike.

Author: Anna Trosborg
Publisher: John Benjamins Publishing
ISBN: 9027216290
Category : Language Arts & Disciplines
Languages : en
Pages : 365

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Book Description
This book breaks new ground in translation theory and practice. The central question is: In what ways are translations affected by text types? The two main areas of investigation are: A. What are the advantages of focusing on text types when trying to understand the process of translation? How do translators tackle different text types in their daily practice? B. To what extent and in what areas are text types identical across languages and cultures? What similarities and dissimilarities can be observed in text types of original and translated texts?Part I deals with methodological aspects and offers a typology of translations both as product and as process. Part II is devoted to domain-specific texts in a cross-cultural perspective, while Part III is concerned with terminology and lexicon as well as the constraints of mode and medium involving dubbing and subtitling as translation methods. Sonnets, sagas, fairy tales, novels and feature films, sermons, political speeches, international treaties, instruction leaflets, business letters, academic lectures, academic articles, medical research articles, technical brochures and legal documents are but some of the texts under investigation.In sum, this volume provides a theoretical overview of major problems and possibilities as well as investigations into a variety of text types with practical suggestions that deserve to be weighted by anyone considering the relation between text typology and translation. The volume is indispensable for the translator in his/her efforts to become a "competent text-aware professional."

Author: Dinda L. Gorlée
Publisher: Rodopi
ISBN: 9789042016422
Category : Language Arts & Disciplines
Languages : en
Pages : 254

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Book Description
Translation produces meaningful versions of textual information. But what is a text? What is translation? What is meaning? And what is a translational version? This book On Translating Signs: Exploring Text and Semio-Translation responds to those and other eternal translation-theoretical questions from a semiotic point of view. Dinda L. Gorlée notes that in this world of interpretation and translation, surrounded by our semio-translational universe "perfused with signs," we can intuit whether or not an object in front of us (dis)qualifies as a text. This spontaneous understanding requires no formalized definition in order to "happen" in the receivers of text-signs. The author further observes that translated signs are not only intelligible for target audiences, but also work together as a "theatre of consciousness" or a "theatre of controversy" which the author views as powered by Charles S. Peirce's three categories of Firstness, Secondness, and Thirdness. This book presents the virtual community of translators as emotional, dynamical, intellectual but not infallible semioticians. They translate text-signs from one language and culture into another, thus creating an innovative sign-milieu packed with intuitive, dynamic, and changeable signs. Translators produce fleeting and fallible text-translations, with obvious errors caused by ignorance or misguided knowledge. Text-signs are translatable, yet there is no such thing as a perfect or "final" translation. And without the ongoing creating of translated signs of all kinds, there would be no novelty, no vagueness, no manipulation of texts and - for that matter - no semiosis.