Author: Niedersächsische Staats- und Universitätsbibliothek Göttingen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 112
Book Description
The Göttingen Model Book
Author: Niedersächsische Staats- und Universitätsbibliothek Göttingen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 112
Book Description
The Goettingen Model Book
Author: Hellmut Lehmann-Haupt
Publisher:
ISBN: 9780826201027
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780826201027
Category :
Languages : en
Pages :
Book Description
A Richer Picture of Mathematics
Author: David E. Rowe
Publisher: Springer
ISBN: 3319678191
Category : Mathematics
Languages : en
Pages : 448
Book Description
Historian David E. Rowe captures the rich tapestry of mathematical creativity in this collection of essays from the “Years Ago” column of The Mathematical Intelligencer. With topics ranging from ancient Greek mathematics to modern relativistic cosmology, this collection conveys the impetus and spirit of Rowe’s various and many-faceted contributions to the history of mathematics. Centered on the Göttingen mathematical tradition, these stories illuminate important facets of mathematical activity often overlooked in other accounts. Six sections place the essays in chronological and thematic order, beginning with new introductions that contextualize each section. The essays that follow recount episodes relating to the section’s overall theme. All of the essays in this collection, with the exception of two, appeared over the course of more than 30 years in The Mathematical Intelligencer. Based largely on archival and primary sources, these vignettes offer unusual insights into behind-the-scenes events. Taken together, they aim to show how Göttingen managed to attract an extraordinary array of talented individuals, several of whom contributed to the development of a new mathematical culture during the first decades of the twentieth century.
Publisher: Springer
ISBN: 3319678191
Category : Mathematics
Languages : en
Pages : 448
Book Description
Historian David E. Rowe captures the rich tapestry of mathematical creativity in this collection of essays from the “Years Ago” column of The Mathematical Intelligencer. With topics ranging from ancient Greek mathematics to modern relativistic cosmology, this collection conveys the impetus and spirit of Rowe’s various and many-faceted contributions to the history of mathematics. Centered on the Göttingen mathematical tradition, these stories illuminate important facets of mathematical activity often overlooked in other accounts. Six sections place the essays in chronological and thematic order, beginning with new introductions that contextualize each section. The essays that follow recount episodes relating to the section’s overall theme. All of the essays in this collection, with the exception of two, appeared over the course of more than 30 years in The Mathematical Intelligencer. Based largely on archival and primary sources, these vignettes offer unusual insights into behind-the-scenes events. Taken together, they aim to show how Göttingen managed to attract an extraordinary array of talented individuals, several of whom contributed to the development of a new mathematical culture during the first decades of the twentieth century.
Becoming a Nazi Town
Author: David Imhoof
Publisher: University of Michigan Press
ISBN: 0472118994
Category : History
Languages : en
Pages : 291
Book Description
Local cultural activities played a key role in altering Germany’s political landscape between the world wars
Publisher: University of Michigan Press
ISBN: 0472118994
Category : History
Languages : en
Pages : 291
Book Description
Local cultural activities played a key role in altering Germany’s political landscape between the world wars
The Waste Books
Author: Georg Christoph Lichtenberg
Publisher: New York Review of Books
ISBN: 9780940322509
Category : Philosophy
Languages : en
Pages : 268
Book Description
German scientist and man of letters Georg Christoph Lichtenberg was an 18th-century polymath: an experimental physicist, an astronomer, a mathematician, a practicing critic both of art and literature. He is most celebrated, however, for the casual notes and aphorisms that he collected in what he called his Waste Books. With unflagging intelligence and encyclopedic curiosity, Lichtenberg wittily deflates the pretensions of learning and society, examines a range of philosophical questions, and tracks his own thoughts down hidden pathways to disconcerting and sometimes hilarious conclusions. Lichtenberg's Waste Books have been greatly admired by writers as very different as Tolstoy, Einstein, and Andre Breton, while Nietzsche and Wittgenstein acknowledged them as a significant inspiration for their own radical work in philosophy. The record of a brilliant and subtle mind in action, The Waste Books are above all a powerful testament to the necessity, and pleasure, of unfettered thought.
Publisher: New York Review of Books
ISBN: 9780940322509
Category : Philosophy
Languages : en
Pages : 268
Book Description
German scientist and man of letters Georg Christoph Lichtenberg was an 18th-century polymath: an experimental physicist, an astronomer, a mathematician, a practicing critic both of art and literature. He is most celebrated, however, for the casual notes and aphorisms that he collected in what he called his Waste Books. With unflagging intelligence and encyclopedic curiosity, Lichtenberg wittily deflates the pretensions of learning and society, examines a range of philosophical questions, and tracks his own thoughts down hidden pathways to disconcerting and sometimes hilarious conclusions. Lichtenberg's Waste Books have been greatly admired by writers as very different as Tolstoy, Einstein, and Andre Breton, while Nietzsche and Wittgenstein acknowledged them as a significant inspiration for their own radical work in philosophy. The record of a brilliant and subtle mind in action, The Waste Books are above all a powerful testament to the necessity, and pleasure, of unfettered thought.
Gutenberg
Author: Stephan Füssel
Publisher: Haus Publishing
ISBN: 1912208687
Category : Biography & Autobiography
Languages : en
Pages : 211
Book Description
Named “Man of the Millennium” in 1999, Johannes Gutenberg was the creator of one of the most influential and revolutionary inventions in Europe’s history: a printing press with mechanical movable type. This development sparked the printing revolution, which is regarded as the milestone of the second millennium and represents one of the central contributions in the turn to modernity. His printing press came to play a key role in the development of the Renaissance, the Reformation, and the Age of Enlightenment, providing the material foundation for the modern knowledge-based economy and the spread of learning to the masses. His invention revolutionized the way that information is shared and broadened the boundaries of who has access to written knowledge. Paving the way for bibliophiles of today, the Gutenberg Bible of 1454 remains one of the most famous books in history. Gutenberg’s technical innovations remained unrivalled for almost 350 years, until industrialization of the printing industry and the digital revolution built on the advances that he began, increasing the rate at which information is spread. Despite his significance in forming the world as we know it, there has not yet been a rigorous and accessible biography of Gutenberg published in English. Written by the leading expert on Gutenberg, Füssel’s biography brings together high academic standards and thorough historical details in a highly readable text that conveys everything you need to know about the man who changed printing forever.
Publisher: Haus Publishing
ISBN: 1912208687
Category : Biography & Autobiography
Languages : en
Pages : 211
Book Description
Named “Man of the Millennium” in 1999, Johannes Gutenberg was the creator of one of the most influential and revolutionary inventions in Europe’s history: a printing press with mechanical movable type. This development sparked the printing revolution, which is regarded as the milestone of the second millennium and represents one of the central contributions in the turn to modernity. His printing press came to play a key role in the development of the Renaissance, the Reformation, and the Age of Enlightenment, providing the material foundation for the modern knowledge-based economy and the spread of learning to the masses. His invention revolutionized the way that information is shared and broadened the boundaries of who has access to written knowledge. Paving the way for bibliophiles of today, the Gutenberg Bible of 1454 remains one of the most famous books in history. Gutenberg’s technical innovations remained unrivalled for almost 350 years, until industrialization of the printing industry and the digital revolution built on the advances that he began, increasing the rate at which information is spread. Despite his significance in forming the world as we know it, there has not yet been a rigorous and accessible biography of Gutenberg published in English. Written by the leading expert on Gutenberg, Füssel’s biography brings together high academic standards and thorough historical details in a highly readable text that conveys everything you need to know about the man who changed printing forever.
Eschatological Presence in Karl Barth's Göttingen Theology
Author: Christopher Asprey
Publisher: OUP Oxford
ISBN: 0191591556
Category : Religion
Languages : en
Pages : 296
Book Description
The posthumous publication of previously unavailable academic lectures by Karl Barth allows unprecedented access to the crucial formative years between the production of his two major masterpieces, the Commentary on Romans and the Church Dogmatics. Barth was professor at the University of Göttingen (1921-1926). It was here that he was to formulate many of the ideas that would later be developed or altered in the Church Dogmatics. Providing insightful comparisons and contrast with some of Barth's major contemporaries, Christopher Asprey draws widely on the lecture courses, as well as on other better known texts from the period, to give a comprehensive account of Barth's theology in these years. Unterricht in der christlichen Religion (Göttingen Dogmatics), the only full dogmatics cycle Barth completed during his lifetime, provides a key focus for Asprey's study. A picture emerges of Barth's concerns during this period that is different from many other established accounts: rather than being 'occasionalist' or dualist, Barth's theology in the 1920s was characterised by an orientation towards the eschatological encounter between God and humankind. Barth's intention in the Göttingen Dogmatics was to introduce his students to their responsibility before the Word of God, all other theological topics then flowing towards or from the 'dialogical' moment of encounter between this Word and human beings. This reading is borne out by in-depth analyses of some of the major themes in the dogmatics: revelation, incarnation, resurrection, pneumatology, moral and sacramental theology. While Barth's focus on the eschatological presence of God explains the freshness and immediacy of his writing in the 1920s, it is also shown at a number of points how this perspective generates various dilemmas in his theology, which remain unresolved during this period.
Publisher: OUP Oxford
ISBN: 0191591556
Category : Religion
Languages : en
Pages : 296
Book Description
The posthumous publication of previously unavailable academic lectures by Karl Barth allows unprecedented access to the crucial formative years between the production of his two major masterpieces, the Commentary on Romans and the Church Dogmatics. Barth was professor at the University of Göttingen (1921-1926). It was here that he was to formulate many of the ideas that would later be developed or altered in the Church Dogmatics. Providing insightful comparisons and contrast with some of Barth's major contemporaries, Christopher Asprey draws widely on the lecture courses, as well as on other better known texts from the period, to give a comprehensive account of Barth's theology in these years. Unterricht in der christlichen Religion (Göttingen Dogmatics), the only full dogmatics cycle Barth completed during his lifetime, provides a key focus for Asprey's study. A picture emerges of Barth's concerns during this period that is different from many other established accounts: rather than being 'occasionalist' or dualist, Barth's theology in the 1920s was characterised by an orientation towards the eschatological encounter between God and humankind. Barth's intention in the Göttingen Dogmatics was to introduce his students to their responsibility before the Word of God, all other theological topics then flowing towards or from the 'dialogical' moment of encounter between this Word and human beings. This reading is borne out by in-depth analyses of some of the major themes in the dogmatics: revelation, incarnation, resurrection, pneumatology, moral and sacramental theology. While Barth's focus on the eschatological presence of God explains the freshness and immediacy of his writing in the 1920s, it is also shown at a number of points how this perspective generates various dilemmas in his theology, which remain unresolved during this period.
Science and the Secrets of Nature
Author: William Eamon
Publisher: Princeton University Press
ISBN: 0691214611
Category : Science
Languages : en
Pages : 508
Book Description
By explaining how to sire multicolored horses, produce nuts without shells, and create an egg the size of a human head, Giambattista Della Porta's Natural Magic (1559) conveys a fascination with tricks and illusions that makes it a work difficult for historians of science to take seriously. Yet, according to William Eamon, it is in the "how-to" books written by medieval alchemists, magicians, and artisans that modern science has its roots. These compilations of recipes on everything from parlor tricks through medical remedies to wool-dyeing fascinated medieval intellectuals because they promised access to esoteric "secrets of nature." In closely examining this rich but little-known source of literature, Eamon reveals that printing technology and popular culture had as great, if not stronger, an impact on early modern science as did the traditional academic disciplines.
Publisher: Princeton University Press
ISBN: 0691214611
Category : Science
Languages : en
Pages : 508
Book Description
By explaining how to sire multicolored horses, produce nuts without shells, and create an egg the size of a human head, Giambattista Della Porta's Natural Magic (1559) conveys a fascination with tricks and illusions that makes it a work difficult for historians of science to take seriously. Yet, according to William Eamon, it is in the "how-to" books written by medieval alchemists, magicians, and artisans that modern science has its roots. These compilations of recipes on everything from parlor tricks through medical remedies to wool-dyeing fascinated medieval intellectuals because they promised access to esoteric "secrets of nature." In closely examining this rich but little-known source of literature, Eamon reveals that printing technology and popular culture had as great, if not stronger, an impact on early modern science as did the traditional academic disciplines.
The Use of Models in Medieval Book Painting
Author: Monika E. Müller
Publisher: Cambridge Scholars Publishing
ISBN: 1443861030
Category : Crafts & Hobbies
Languages : en
Pages : 235
Book Description
Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
Publisher: Cambridge Scholars Publishing
ISBN: 1443861030
Category : Crafts & Hobbies
Languages : en
Pages : 235
Book Description
Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
The Dictionary of the Book
Author: Sidney E. Berger
Publisher: Rowman & Littlefield
ISBN: 1538151332
Category : Language Arts & Disciplines
Languages : en
Pages : 575
Book Description
Named a Library Journal Best Reference of 2023 - From Library Journal's Starred Review: "This ambitious and entertaining update solidifies Berger’s volume as a must-have title for librarians, booksellers, collectors, and students of the book arts and book history." This new edition of The Dictionary of the Book adds more than 700 new entries and many new illustrations and brings the vocabulary and theory of bookselling and collecting into the modern commercial and academic world, which has been forced to adjust to a new reality. The definitive glossary of the book covers all the terms needed for a thorough understanding of how books are made, the materials they are made of, and how they are described in the bookselling, book collecting, and library worlds. Every key term—more than 2,000—that could be used in booksellers’ catalogs, library records, and collectors’ descriptions of their holdings is represented in this dictionary. This authoritative source covers all areas of book knowledge, including: The book as physical object Typeface terminology Paper terminology Printing Book collecting Cataloging Book design Bibliography as a discipline, bibliographies, and bibliographical description Physical Condition and how to describe it Calligraphy Language of manuscripts Writing implements Librarianship Legal issues Parts of a book Book condition terminology Pricing of books Buying and selling Auctions Items one will see an antiquarian book fairs Preservation and conservation issues, and the notion of restoration Key figures, presses / publishers, and libraries in the history of books Book collecting clubs and societies How to read and decipher new and old dealers’ catalogs And much more The Dictionary also contains an extensive bibliography—more than 1,000 key readings in the book world and it gives current (and past) definitions of terms whose meaning has shifted over the centuries. More than 200 images accompany the entries, making the work even more valuable for understanding the terms described.
Publisher: Rowman & Littlefield
ISBN: 1538151332
Category : Language Arts & Disciplines
Languages : en
Pages : 575
Book Description
Named a Library Journal Best Reference of 2023 - From Library Journal's Starred Review: "This ambitious and entertaining update solidifies Berger’s volume as a must-have title for librarians, booksellers, collectors, and students of the book arts and book history." This new edition of The Dictionary of the Book adds more than 700 new entries and many new illustrations and brings the vocabulary and theory of bookselling and collecting into the modern commercial and academic world, which has been forced to adjust to a new reality. The definitive glossary of the book covers all the terms needed for a thorough understanding of how books are made, the materials they are made of, and how they are described in the bookselling, book collecting, and library worlds. Every key term—more than 2,000—that could be used in booksellers’ catalogs, library records, and collectors’ descriptions of their holdings is represented in this dictionary. This authoritative source covers all areas of book knowledge, including: The book as physical object Typeface terminology Paper terminology Printing Book collecting Cataloging Book design Bibliography as a discipline, bibliographies, and bibliographical description Physical Condition and how to describe it Calligraphy Language of manuscripts Writing implements Librarianship Legal issues Parts of a book Book condition terminology Pricing of books Buying and selling Auctions Items one will see an antiquarian book fairs Preservation and conservation issues, and the notion of restoration Key figures, presses / publishers, and libraries in the history of books Book collecting clubs and societies How to read and decipher new and old dealers’ catalogs And much more The Dictionary also contains an extensive bibliography—more than 1,000 key readings in the book world and it gives current (and past) definitions of terms whose meaning has shifted over the centuries. More than 200 images accompany the entries, making the work even more valuable for understanding the terms described.