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Author: Anna Jackson Publisher: Routledge ISBN: 1135902801 Category : Literary Criticism Languages : en Pages : 256
Book Description
From creepy picture books to Harry Potter, Lemony Snicket, the Spiderwick Chronicles, and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children’s literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children’s literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children’s literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children’s literature. This collection examines the early intersection of the Gothic and children’s literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children’s literature for as long as children have been reading.
Author: Anna Jackson Publisher: Routledge ISBN: 1135902801 Category : Literary Criticism Languages : en Pages : 256
Book Description
From creepy picture books to Harry Potter, Lemony Snicket, the Spiderwick Chronicles, and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children’s literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children’s literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children’s literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children’s literature. This collection examines the early intersection of the Gothic and children’s literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children’s literature for as long as children have been reading.
Author: Anna Jackson Publisher: Routledge ISBN: 113590281X Category : Literary Criticism Languages : en Pages : 263
Book Description
From creepy picture books to Harry Potter, Lemony Snicket, the Spiderwick Chronicles, and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children’s literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children’s literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children’s literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children’s literature. This collection examines the early intersection of the Gothic and children’s literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children’s literature for as long as children have been reading.
Author: Margarita Georgieva Publisher: Springer ISBN: 1137306076 Category : Social Science Languages : en Pages : 234
Book Description
Fascination with the dark and death threats are now accepted features of contemporary fantasy and fantastic fictions for young readers. These go back to the early gothic genre in which child characters were extensively used by authors. The aim of this book is to rediscover the children in their work.
Author: Jessica R. McCort Publisher: Univ. Press of Mississippi ISBN: 149680645X Category : Literary Criticism Languages : en Pages : 378
Book Description
Contributions by Rebecca A. Brown, Justine Gieni, Holly Harper, Emily L. Hiltz, A. Robin Hoffman, Kirsten Kowalewski, Peter C. Kunze, Jorie Lagerwey, Nick Levey, Jessica R. McCort, and Janani Subramanian Dark novels, shows, and films targeted toward children and young adults are proliferating wildly. It is even more crucial now to understand the methods by which such texts have traditionally operated and how those methods have been challenged, abandoned, and appropriated. Reading in the Dark fills a gap in criticism devoted to children's popular culture by concentrating on horror, an often-neglected genre. These scholars explore the intersection between horror, popular culture, and children's cultural productions, including picture books, fairy tales, young adult literature, television, and monster movies. Reading in the Dark looks at horror texts for children with deserved respect, weighing the multitude of benefits they can provide for young readers and viewers. Refusing to write off the horror genre as campy, trite, or deforming, these essays instead recognize many of the texts and films categorized as "scary" as among those most widely consumed by children and young adults. In addition, scholars consider how adult horror has been domesticated by children's literature and culture, with authors and screenwriters turning that which was once horrifying into safe, funny, and delightful books and films. Scholars likewise examine the impetus behind such re-envisioning of the adult horror novel or film as something appropriate for the young. The collection investigates both the constructive and the troublesome aspects of scary books, movies, and television shows targeted toward children and young adults. It considers the complex mechanisms by which these texts communicate overt messages and hidden agendas, and it treats as well the readers' experiences of such mechanisms.
Author: Michael Howarth Publisher: McFarland ISBN: 1476615985 Category : Literary Criticism Languages : en Pages : 195
Book Description
From Puritan tracts and chapbooks to fairy tales and Victorian poems, from zombies and werewolves to ghosts and vampires, the gothic has become an important part of children's literature. This book explores how Gothicism is crucial in helping children progress through different stages of growth and development. It examines five famous texts--Christina Rossetti's Goblin Market, Carlo Collodi's Pinocchio, Neil Gaiman's Coraline, three versions of Little Red Riding Hood, and J.M. Barrie's play and then novel Peter and Wendy--incorporating renowned psychologist Erik Erikson's landmark theories on psychosocial stages of development. By linking a particular stage to each of the aforementioned texts, it becomes clearer how anxiety and terror are just as important as happiness and wonder in fostering maturity, achieving a sense of independence and fulfilling one's self-identity. Gothic elements give shape to children's fears, which is precisely how children are able to defeat them, and through their interactions with the ghosts and goblins that inhabit fantasy worlds, children come to better understand their own world, as well as their own lives.
Author: Anna Jackson Publisher: Taylor & Francis ISBN: 1317444248 Category : Literary Criticism Languages : en Pages : 208
Book Description
Children’s literature today is dominated by the gothic mode, and it is in children’s gothic fictions that we find the implications of cultural change most radically questioned and explored. This collection of essays looks at what is happening in the children’s Gothic now when traditional monsters have become the heroes, when new monsters have come into play, when globalisation brings Harry Potter into China and yaoguai into the children’s Gothic, and when childhood itself and children’s literature as a genre can no longer be thought of as an uncontested space apart from the debates and power struggles of an adult domain. We look in detail at series such as The Mortal Instruments, Twilight, Chaos Walking, The Power of Five, Skulduggery Pleasant, and Cirque du Freak; at novels about witches and novels about changelings; at the Gothic in China, Japan and Oceania; and at authors including Celia Rees, Frances Hardinge, Alan Garner and Laini Taylor amongst many others. At a time when the energies and anxieties of children’s novels can barely be contained anymore within the genre of children’s literature, spilling over into YA and adult literature, we need to pay attention. Weird things are happening and they matter.
Author: Suzanne Manizza Roszak Publisher: Gothic Literary Studies ISBN: 9781786838667 Category : Children in literature Languages : en Pages : 0
Book Description
A literary study of childhood in the American Gothic. Childhood in Gothic literature has often served colonialist, white supremacist, and patriarchal ideologies, but in Uncanny Youth, Suzanne Manizza Roszak highlights hemispheric American writers who subvert these scripts. In the hands of authors ranging from Octavio Paz and Maryse Condé to N. Scott Momaday and Tracey Baptiste, Gothic conventions critique systems of power in the Americas. As fictional children confront shifting configurations of imperialism and patterns of gendered, anti-queer violence, their uncanny stories call on readers to reckon with intersecting forms of injustice.
Author: Jenni Spangler Publisher: Simon & Schuster Children's UK ISBN: 1471190374 Category : Juvenile Fiction Languages : en Pages : 305
Book Description
'A thrilling, original, evocative and eerie tale - I adored it!’ Michelle Harrison, author of A Pinch of Magic 'A thrilling page-turner. Madame Pinchbeck is a gloriously Dickensian villain’ Abi Elphinstone, author of Sky Song 'Ghosts, gadgets, likeable villains and unlikely heroes: The Vanishing Trick is a dark and dazzling adventure’ Emma Carroll, author of Letters from the Lighthouse 'A completely enthralling tale, oozing with atmosphere and originality’ Catherine Doyle, author of The Storm Keeper's Island 'Jenni Spangler is the next big voice in children’s magical history novels’ Lucy Powrie, author of The Paper & Hearts Society 'Deliciously dark and atmospheric … I couldn’t get enough' Nizrana Farook, author of The Girl Who Stole An Elephant 'A spectacular heart-stopping adventure in a dark and dangerous Victorian world' Tamsin Winter, author of Jemima Small Versus the Universe 'An eventful gothic adventure full of secrets and surprises' Sunday Times Book of The Week? Step into a world of secrets, folklore and illusions, where nothing is as it seems and magic is at play… Madame Augustina Pinchbeck, travels the country conjuring the spirits of dearly departed loved ones... for a price. Whilst her ability to contact ghosts is a game of smoke and mirrors, there is real magic behind her tricks too - if you know where to look. Through a magical trade, she persuades children to part with precious objects, promising to use her powers to help them. But Pinchbeck is a deceiver, instead turning their items into enchanted Cabinets that bind the children to her and into which she can vanish and summon them at will. When Pinchbeck captures orphan Leander, events are set into motion that see him and his new friends Charlotte and Felix, in a race against time to break Pinchbeck’s spell, before one of them vanishes forever… #TheVanishingTrick A historical adventure with a magical twist from an outstanding debut talent. Perfect for fans of Michelle Harrison, Sophie Anderson and Emma Carroll.
Author: Anna Jackson
Author: Anna Jackson
Author: Anna Jackson
Author: Margarita Georgieva
Author: Jessica R. McCort
Author: Michael Howarth
Author: Anna Jackson
Author: Chloe Germaine Buckley
Author: Suzanne Manizza Roszak
Author: Jenni Spangler
Author: Jeffrey Andrew Weinstock