Author: Hans Hasler
Publisher: Rudolf Steiner Press
ISBN: 9781855842496
Category : Anthroposophy
Languages : en
Pages : 0
Book Description
I first saw the Goetheanum as a fifteen-year-old through binoculars. I was fascinated and wanted to know more about this incredible building. What am I seeing? Why these forms? What happens in this building?' Hans Hasler.
The Goetheanum
Author: Hans Hasler
Publisher: Rudolf Steiner Press
ISBN: 9781855842496
Category : Anthroposophy
Languages : en
Pages : 0
Book Description
I first saw the Goetheanum as a fifteen-year-old through binoculars. I was fascinated and wanted to know more about this incredible building. What am I seeing? Why these forms? What happens in this building?' Hans Hasler.
Publisher: Rudolf Steiner Press
ISBN: 9781855842496
Category : Anthroposophy
Languages : en
Pages : 0
Book Description
I first saw the Goetheanum as a fifteen-year-old through binoculars. I was fascinated and wanted to know more about this incredible building. What am I seeing? Why these forms? What happens in this building?' Hans Hasler.
The Goetheanum Glass-Windows
Author: Georg Hartmann
Publisher:
ISBN: 9783723502365
Category :
Languages : en
Pages : 75
Book Description
This beautiful book on the stained glass windows in the Goetheanum was designed to answer questions that visitors might have. It is filled with b&w and color illustrations, as well as many drawings highlighting sections of the windows.
Publisher:
ISBN: 9783723502365
Category :
Languages : en
Pages : 75
Book Description
This beautiful book on the stained glass windows in the Goetheanum was designed to answer questions that visitors might have. It is filled with b&w and color illustrations, as well as many drawings highlighting sections of the windows.
The Goetheanum Cupola Motifs of Rudolf Steiner
Author: Peter Stebbing
Publisher: Steiner Books
ISBN: 9780880107372
Category : Art
Languages : en
Pages : 0
Book Description
Gerard Wagner's paintings of Rudolf Stiener's Goetheanum cupola sketches bring these works to a wide audience that would otherwise have little access to or knowledge of those representations of Steiner's artistic spiritual vision contained in the first Goetheanum and lost to the fire that destroyed that great building. Wagner re-created those archetypal motifs in new ways over a period of decades. They constitute an artistic high point of Wagner's work as a whole, but they cannot be separated from the Goetheanum itself, nor can they be fully understood except in the context of anthroposophic spiritual science. In this sense, The Goetheanum Cupola Motifs of Rudolf Steiner points to the historic and spiritual importance of the first Goetheanum building. Rudolf Steiner's lecture on October 25, 1914, and his lecture on the paintings of the small cupola on January 25, 1920, are published in English here for the first, along with color photographs from 1922. Also included are the little-known colored etchings of the Goetheanum window motifs made by by Assya Turgenieff with Rudolf Steiner, as well as other centrally important contributions to an understanding of this new direction in art. Though the main emphasis is on visual examples, the book achieves something more than simply cataloging these works of art. The book conveys, too, a sense of the artistic process itself. Thus, Gerard Wagner's observations here have a special relevance. In addition to the two lectures by Rudolf Steiner and the paintings by Gerard Wagner--in full color--The Goetheanum Cupola Motifs of Rudolf Steiner presents essays from Peter Stebbing, Louise Clason, Assya Turgenieff, and Gerard Wagner. "Along with the architectural and sculptural forms of the double-domed first Goetheanum, the cupola paintings further epitomized the artistic conception of this unique building. The painting motifs extending over the surface of the two cupolas encompassed the evolution of the world as a whole, from its creation by the biblical Elohim to the great epochs of Lemuria and Atlantis that followed. Traversing the post-Atlantean cultural epochs, the beholder was gradually led to the building's central motif: the Mystery of Golgotha as the mid-point of world evolution, with its implications for the future development of the Earth and humanity." --Sergei O. Prokofieff (from his foreword) CONTENTS: Foreword by Sergei O. Prokofieff Preface The Renewal of the Artistic Principle / Rudolf Steiner Goethe and the Goetheanum / Rudolf Steiner The Artists Who Originally Worked on Painting the Cupolas of the First Goetheanum / Peter Stebbing Recollections of the Years of Painting in the Small Cupola of the First Goetheanum / Louise Clason I. THE MOTIFS OF THE LARGE CUPOLA The Large Cupola Sketch-Motifs of Rudolf Steiner Large Cupola Studies of Gerard Wagner A Further Development of the Large Cupola Motifs / Peter Stebbing II. THE MOTIFS OF THE SMALL CUPOLA The Paintings of the Small Cupola / Rudolf Steiner Small Cupola Studies of Gerard Wagner The Question of the North Side: "Counter Colors" or "Complementary Colors"? / Peter Stebbing III. THE COLORED GLASS WINDOW MOTIFS Indications of Rudolf Steiner for Engraving the Window Motifs / Assya Turgenieff On the Windows of the First Goetheanum / Rudolf Steiner The Red Window Middle Motif Metamorphosed (Paintings of Gerard Wagner) APPENDIX A Path of Practice in Painting / Gerard Wagner Biographical Sketches About the Painter Gerard Wagner / Peter Stebbing Selected Bibliography
Publisher: Steiner Books
ISBN: 9780880107372
Category : Art
Languages : en
Pages : 0
Book Description
Gerard Wagner's paintings of Rudolf Stiener's Goetheanum cupola sketches bring these works to a wide audience that would otherwise have little access to or knowledge of those representations of Steiner's artistic spiritual vision contained in the first Goetheanum and lost to the fire that destroyed that great building. Wagner re-created those archetypal motifs in new ways over a period of decades. They constitute an artistic high point of Wagner's work as a whole, but they cannot be separated from the Goetheanum itself, nor can they be fully understood except in the context of anthroposophic spiritual science. In this sense, The Goetheanum Cupola Motifs of Rudolf Steiner points to the historic and spiritual importance of the first Goetheanum building. Rudolf Steiner's lecture on October 25, 1914, and his lecture on the paintings of the small cupola on January 25, 1920, are published in English here for the first, along with color photographs from 1922. Also included are the little-known colored etchings of the Goetheanum window motifs made by by Assya Turgenieff with Rudolf Steiner, as well as other centrally important contributions to an understanding of this new direction in art. Though the main emphasis is on visual examples, the book achieves something more than simply cataloging these works of art. The book conveys, too, a sense of the artistic process itself. Thus, Gerard Wagner's observations here have a special relevance. In addition to the two lectures by Rudolf Steiner and the paintings by Gerard Wagner--in full color--The Goetheanum Cupola Motifs of Rudolf Steiner presents essays from Peter Stebbing, Louise Clason, Assya Turgenieff, and Gerard Wagner. "Along with the architectural and sculptural forms of the double-domed first Goetheanum, the cupola paintings further epitomized the artistic conception of this unique building. The painting motifs extending over the surface of the two cupolas encompassed the evolution of the world as a whole, from its creation by the biblical Elohim to the great epochs of Lemuria and Atlantis that followed. Traversing the post-Atlantean cultural epochs, the beholder was gradually led to the building's central motif: the Mystery of Golgotha as the mid-point of world evolution, with its implications for the future development of the Earth and humanity." --Sergei O. Prokofieff (from his foreword) CONTENTS: Foreword by Sergei O. Prokofieff Preface The Renewal of the Artistic Principle / Rudolf Steiner Goethe and the Goetheanum / Rudolf Steiner The Artists Who Originally Worked on Painting the Cupolas of the First Goetheanum / Peter Stebbing Recollections of the Years of Painting in the Small Cupola of the First Goetheanum / Louise Clason I. THE MOTIFS OF THE LARGE CUPOLA The Large Cupola Sketch-Motifs of Rudolf Steiner Large Cupola Studies of Gerard Wagner A Further Development of the Large Cupola Motifs / Peter Stebbing II. THE MOTIFS OF THE SMALL CUPOLA The Paintings of the Small Cupola / Rudolf Steiner Small Cupola Studies of Gerard Wagner The Question of the North Side: "Counter Colors" or "Complementary Colors"? / Peter Stebbing III. THE COLORED GLASS WINDOW MOTIFS Indications of Rudolf Steiner for Engraving the Window Motifs / Assya Turgenieff On the Windows of the First Goetheanum / Rudolf Steiner The Red Window Middle Motif Metamorphosed (Paintings of Gerard Wagner) APPENDIX A Path of Practice in Painting / Gerard Wagner Biographical Sketches About the Painter Gerard Wagner / Peter Stebbing Selected Bibliography
The Goetheanum
Author: Albert Steffen
Publisher:
ISBN:
Category : Anthroposophy
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category : Anthroposophy
Languages : en
Pages : 54
Book Description
Goetheanum Series
The Goetheanum
Author: Hagen Biesantz
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 142
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 142
Book Description
The Goetheanum and Its Surroundings
Author: Hans Rudolf Clerc
Publisher:
ISBN:
Category : Dornach (Switzerland)
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : Dornach (Switzerland)
Languages : en
Pages : 104
Book Description
The Language of Color in the First Goetheanum
Author: Hilde Raske
Publisher: Rudolf Steiner Press
ISBN: 1855846608
Category : Religion
Languages : en
Pages : 290
Book Description
Rudolf Steiner’s architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new artistic conception based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings’ paintings combined with the multicolored light emanating from the engraved glass windows. The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the ‘complete work of art’ that was the first Goetheanum burned down on New Year’s Eve 1922 – so today we can only get an impression of the lost paintings and windows from Rudolf Steiner’s pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner’s draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983.
Publisher: Rudolf Steiner Press
ISBN: 1855846608
Category : Religion
Languages : en
Pages : 290
Book Description
Rudolf Steiner’s architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new artistic conception based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings’ paintings combined with the multicolored light emanating from the engraved glass windows. The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the ‘complete work of art’ that was the first Goetheanum burned down on New Year’s Eve 1922 – so today we can only get an impression of the lost paintings and windows from Rudolf Steiner’s pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner’s draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983.
Rudolf Steiner and the Founding of the New Mysteries
Author: Sergei O. Prokofieff
Publisher: Temple Lodge Publishing
ISBN: 1912230046
Category : Body, Mind & Spirit
Languages : en
Pages : 474
Book Description
In this revised and expanded edition of his classic debut, Sergei O. Prokofieff investigates the deepest mysteries of Rudolf Steiner’s life and individuality, from ‘the years of apprenticeship’ and ‘the great Sun period’ to ‘the path of the Teacher of Humanity’ and ‘the birth of the New Mysteries’. He discusses the earthly and supersensible aspects of the first Goetheanum, the implications of the Christmas Conference of 1923-24, and the Foundation Stone meditation that Steiner left as a legacy to members of the Anthroposophical Society. In his very personal Introduction, Prokofieff describes, in moving detail, the events in his life which led to his discovery of anthroposophy whilst living in Communist Russia, and how eventually he came to write this extraordinary study of Rudolf Steiner. The resulting volume – a work of secondary anthroposophical literature unprecedented in its depth and significance – was first published in Germany in 1982, meeting with equal amounts of acclaim, astonishment and controversy. It is published in this paperback edition to mark the 35th anniversary of the original publication.
Publisher: Temple Lodge Publishing
ISBN: 1912230046
Category : Body, Mind & Spirit
Languages : en
Pages : 474
Book Description
In this revised and expanded edition of his classic debut, Sergei O. Prokofieff investigates the deepest mysteries of Rudolf Steiner’s life and individuality, from ‘the years of apprenticeship’ and ‘the great Sun period’ to ‘the path of the Teacher of Humanity’ and ‘the birth of the New Mysteries’. He discusses the earthly and supersensible aspects of the first Goetheanum, the implications of the Christmas Conference of 1923-24, and the Foundation Stone meditation that Steiner left as a legacy to members of the Anthroposophical Society. In his very personal Introduction, Prokofieff describes, in moving detail, the events in his life which led to his discovery of anthroposophy whilst living in Communist Russia, and how eventually he came to write this extraordinary study of Rudolf Steiner. The resulting volume – a work of secondary anthroposophical literature unprecedented in its depth and significance – was first published in Germany in 1982, meeting with equal amounts of acclaim, astonishment and controversy. It is published in this paperback edition to mark the 35th anniversary of the original publication.
Architecture, Sculpture, and Painting of the First Goetheanum
Author: RUDOLF STEINER
Publisher: Collected Works of Rudolf Steiner
ISBN: 9781621482048
Category : Architecture
Languages : en
Pages : 286
Book Description
The planning, construction, and execution of the functional work of art that was the First Goetheanum was an endeavor that occupied Rudolf Steiner for the better part of seven years. Every detail, from the seemingly small-such as the shape and feel of the door handles-to the grand motifs of the paintings on the ceilings of the cupolas and the building's intended sculptural centerpiece, was lovingly designed to meet and inspire the individual human beings who would some day encounter it, not with didactic symbolism, but with the transparent reality of the spiritual foundation of humanity and the world, and the open possibility to both know this spiritual foundation and to work with it practically and artistically for the good of all. The lectures contained in this volume, which Steiner accompanied with just over 100 slides (here reproduced) were given to various audiences when the building was very near to completion, before it was destroyed by fire. Complemented by a Foreword by the esteemed architect Douglas Cardinal, as well as an important and revelatory Introductory essay by David Adams ("The Form-Function Relationship in Architecture and Nature: Organic and Inorganic Functionalism"), this volume of The Collected Works of Rudolf Steiner is essential reading for anyone who wants to gain a deeper understanding of the artistic motivation of Rudolf Steiner as an artist and architect, while also clearing up many of the misunderstandings that the building and its sculptural and painted components have inevitably given rise to, both then and now. Book jacket.
Publisher: Collected Works of Rudolf Steiner
ISBN: 9781621482048
Category : Architecture
Languages : en
Pages : 286
Book Description
The planning, construction, and execution of the functional work of art that was the First Goetheanum was an endeavor that occupied Rudolf Steiner for the better part of seven years. Every detail, from the seemingly small-such as the shape and feel of the door handles-to the grand motifs of the paintings on the ceilings of the cupolas and the building's intended sculptural centerpiece, was lovingly designed to meet and inspire the individual human beings who would some day encounter it, not with didactic symbolism, but with the transparent reality of the spiritual foundation of humanity and the world, and the open possibility to both know this spiritual foundation and to work with it practically and artistically for the good of all. The lectures contained in this volume, which Steiner accompanied with just over 100 slides (here reproduced) were given to various audiences when the building was very near to completion, before it was destroyed by fire. Complemented by a Foreword by the esteemed architect Douglas Cardinal, as well as an important and revelatory Introductory essay by David Adams ("The Form-Function Relationship in Architecture and Nature: Organic and Inorganic Functionalism"), this volume of The Collected Works of Rudolf Steiner is essential reading for anyone who wants to gain a deeper understanding of the artistic motivation of Rudolf Steiner as an artist and architect, while also clearing up many of the misunderstandings that the building and its sculptural and painted components have inevitably given rise to, both then and now. Book jacket.