The Glorification of Emperor Leopold I in Image, Spectacle and Text PDF Download

Author: Maria Goloubeva
Publisher:
ISBN:
Category : Austria
Languages : en
Pages : 286

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Author: Andrew H. Weaver
Publisher: Routledge
ISBN: 1317060288
Category : Music
Languages : en
Pages : 348

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Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Emperor's public image. Ferdinand III offers a fascinating case study in monarchical representation, for the war necessitated that he revise the image he had cultivated at the beginning of his reign, that of a powerful, victorious warrior. Weaver argues that by focusing on the patronage of sacred music (rather than the more traditional visual and theatrical means of representation), Ferdinand III was able to uphold his reputation as a pious Catholic reformer and subtly revise his triumphant martial image without sacrificing his power, while also achieving his Counter-Reformation goal of unifying his hereditary lands under the Catholic church. Drawing upon recent methodological approaches to the representation of other early modern monarchs, as well as upon the theory of confessionalization, this book places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe. The book incorporates dramatic productions such as opera, oratorio, and Jesuit drama (as well as works in other media), but the primary focus is the more numerous and more frequently performed Latin-texted paraliturgical genre of the motet, which has generally not been considered by scholars as a vehicle for monarchical representation. By examining the representation of this little-studied emperor during a crucial time in European history, this book opens a window into the unique world view of the Habsburgs, allowing for a previously untold narrative of the end of the Thirty Years' War as seen through the eyes of this important ruling family.

Author: Laurence Cole
Publisher:
ISBN: 0199672040
Category : History
Languages : en
Pages : 385

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Military Culture and Popular Patriotism examines the interplay between popular patriotism and military culture in late imperial Austria. Laurence Cole suggests that two main questions should be asked regarding the western half of the Habsburg Monarchy during the period from the mid-nineteenth century to the outbreak of war in 1914. Firstly, how far did imperial Austrian society experience a process of militarization comparable to that of other European countries? Secondly, how far did the military sphere foster popular patriotism in the multinational state? Various manifestations of military culture, including hero cults and, above all, military veterans associations, provide the main subject for analysis in this volume. After exploring the historical development of military culture in the Habsburg Monarchy, Cole explains how the long reign of Emperor Franz Joseph I constituted a decisive phase in the militarization of Austrian society, with the dynasty and state emphasizing the military's role as the locus of loyalty. Popular manifestations of military culture, such as the hero cult surrounding Field Marshal Radetzky and military veterans associations, complemented the official agenda in many respects. However, veterans associations in particular constituted a political mobilization of the lower middle and lower classes, who asserted their own interests and position in civil society, as is shown by case studies of regions of the Austrian state with significant Italian-speaking populations (Trentino and the Littoral). State attempts to assert greater control of veterans activities led to national and political opposition at a time when tensions over 'militarism' and foreign policy increased. The Black and the Gold thus raises the question of whether the military was really a bulwark of the multinational state or rather a polarizing force in imperial Austrian society.

Author: Tom Tölle
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110744600
Category : History
Languages : en
Pages : 337

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"Heirs of Flesh and Paper" tells the story of early modern dynastic politics through subjects’ practical responses to royal illness, failing princely reproduction, and heirs’ premature deaths. It treats connected dynastic crises between 1699 and 1716 as illustrative for early modern European political regimes in which the rulers’ corporeality defined politics. This political order grappled with the endemic uncertainties induced by dynastic bodies. By following the day-to-day practices of knowledge making in response to the unpredictability of royal health, the book shows how the ruling family’s mortal coils regularly threatened to destabilize the institutionalized legal fiction of kingship. Dynastic politics was not only as a transitory stage of state formation, part of elite cooperation, or a cultural construct. It needs to be approached through everyday practices that put ailing dynastic bodies front and center. In a period of intensifying political planning, it constituted one of the most important sites for changing the political itself.

Author: Craig Koslofsky
Publisher: Cambridge University Press
ISBN: 0521896436
Category : History
Languages : en
Pages : 449

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This illuminating guide to the night opens up an entirely new vista on early modern Europe. Using diaries, letters, legal records and representations of the night in early modern religion, literature and art, Craig Koslofsky explores the myriad ways in which early modern people understood, experienced and transformed the night.

Author: Jim Lacey
Publisher: Oxford University Press
ISBN: 0190620463
Category : History
Languages : en
Pages : 681

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The first work covering a key element of the strategic relationship between states from ancient history to the late 20th century, Great Strategic Rivalries fills a major gap in the historiography of state relations. Each chapter provides an accessible narrative of an historically significant rivalry, comprehensively covering all aspects (political, diplomatic, economic, and military) of its history.

Author: Ashley J. Laverock
Publisher: BRILL
ISBN: 9004702202
Category : History
Languages : en
Pages : 300

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In Vitreous Vitae: St. Margaret of Antioch in Thirteenth-Century Stained Glass, Ashley J. Laverock considers the representation of the virgin martyr St. Margaret in thirteenth-century stained-glass windows in Europe. These windows appeared at a moment when Margaret’s cult was expanding but before the motif of the saint with the ragon became normative. They offer insight into the rich narrative potential of Margaret’s life in a monumental medium seen by wide audiences. Examining these windows not only reveals shared emphases on Margaret’s imitatio Christi, corporeal suffering, and encounters with the dragon and demon, but also shows how distinct site-specific hagiographies of Margaret were tailored to each church’s context. Multi-faceted Margarets contributed to the wider cult of the saint.

Author: R. J. W. Evans
Publisher: Oxford University Press
ISBN: 9780199281442
Category : History
Languages : en
Pages : 358

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These essays, by the leading historian of the Austro-Hungarian empire, explore the political and religious history of the Habsburg lands. They also describe key aspects of the evolution towards modern statehood and national awareness in Central Europe over more than two centuries of cultural and social transition.

Author: Silke Knippschild
Publisher: A&C Black
ISBN: 1441190651
Category : History
Languages : en
Pages : 387

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This volume focuses on the reception of antiquity in the performing and visual arts from the Renaissance to the twenty-first century. It explores the tensions and relations of gender, sexuality, eroticism and power in reception. Such universal themes dictated plots and characters of myth and drama, but also served to portray historical figures, events and places from Classical history. Their changing reception and reinterpretation across time has created stereotypes, models of virtue or immoral conduct, that blend the original features from the ancient world with a diverse range of visual and performing arts of the modern era.The volume deconstructs these traditions and shows how arts of different periods interlink to form and transmit these images to modern audiences and viewers. Drawing on contributions from across Europe and the United States, a trademark of the book is the inclusive treatment of all the arts beyond the traditional limits of academic disciplines.

Author: John D. Lyons
Publisher: Oxford University Press
ISBN: 019067847X
Category : Literary Criticism
Languages : en
Pages : 907

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Book Description
Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.