Author: Simon Williams
Publisher: Cambridge University Press
ISBN: 9780521611930
Category : Drama
Languages : en
Pages : 264
Book Description
Professor Williams focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism.
A Source Book in Theatrical History
Author: A. M. Nagler
Publisher: Courier Corporation
ISBN: 0486315541
Category : Performing Arts
Languages : en
Pages : 642
Book Description
An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.
Publisher: Courier Corporation
ISBN: 0486315541
Category : Performing Arts
Languages : en
Pages : 642
Book Description
An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.
German and Dutch Theatre, 1600-1848
Author: George W. Brandt
Publisher: Cambridge University Press
ISBN: 9780521233835
Category : Drama
Languages : en
Pages : 592
Book Description
This is the third volume to be published in the series Theatre in Europe. This book makes available for the first time an overview of a significant segment of European theatre history and, with few exceptions, none of the documents presented have been published in English before. Gathered from a rich variety of sources, including imperial and municipal edicts, contracts, architectural descriptions, playbills, stage directions and actors' memoirs among others, the book sheds light on one of the most fascinating areas of cultural life in the German- and Dutch-speaking countries. Explanatory passages put these documents into their historical context, and numerous illustrations bring the material even more vividly to life. Also included is the source location for each document and a substantial bibliography.
Publisher: Cambridge University Press
ISBN: 9780521233835
Category : Drama
Languages : en
Pages : 592
Book Description
This is the third volume to be published in the series Theatre in Europe. This book makes available for the first time an overview of a significant segment of European theatre history and, with few exceptions, none of the documents presented have been published in English before. Gathered from a rich variety of sources, including imperial and municipal edicts, contracts, architectural descriptions, playbills, stage directions and actors' memoirs among others, the book sheds light on one of the most fascinating areas of cultural life in the German- and Dutch-speaking countries. Explanatory passages put these documents into their historical context, and numerous illustrations bring the material even more vividly to life. Also included is the source location for each document and a substantial bibliography.
Shakespeare on the German Stage: Volume 1, 1586-1914
Author: Simon Williams
Publisher: Cambridge University Press
ISBN: 9780521611930
Category : Drama
Languages : en
Pages : 264
Book Description
Professor Williams focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism.
Publisher: Cambridge University Press
ISBN: 9780521611930
Category : Drama
Languages : en
Pages : 264
Book Description
Professor Williams focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism.
The Theatre of Thomas Ostermeier
Author: Peter M Boenisch
Publisher: Routledge
ISBN: 1317428234
Category : Drama
Languages : en
Pages : 323
Book Description
Thomas Ostermeier is the most internationally recognised German theatre director of the present. With this book, he presents his directorial method for the first time. The Theatre of Thomas Ostermeier provides a toolkit for understanding and enacting the strategies of his advanced contemporary approach to staging dramatic texts. In addition, the book includes: Ostermeier’s seminal essays, lectures and manifestos translated into English for the first time. Over 140 photos from the archive of Arno Declair, who has documented Ostermeier’s work at the Schaubühne Berlin for many years, and by others. In-depth ‘casebook’ studies of two of his productions: Ibsen’s An Enemy of the People (2012) and Shakespeare’s Richard III (2015) Contributions from Ostermeier’s actors and his closest collaborators to show how his principles are put into practice. An extraordinary, richly illustrated insight into Ostermeier’s working methods, this volume will be of interest to practitioners and scholars of contemporary European theatre alike.
Publisher: Routledge
ISBN: 1317428234
Category : Drama
Languages : en
Pages : 323
Book Description
Thomas Ostermeier is the most internationally recognised German theatre director of the present. With this book, he presents his directorial method for the first time. The Theatre of Thomas Ostermeier provides a toolkit for understanding and enacting the strategies of his advanced contemporary approach to staging dramatic texts. In addition, the book includes: Ostermeier’s seminal essays, lectures and manifestos translated into English for the first time. Over 140 photos from the archive of Arno Declair, who has documented Ostermeier’s work at the Schaubühne Berlin for many years, and by others. In-depth ‘casebook’ studies of two of his productions: Ibsen’s An Enemy of the People (2012) and Shakespeare’s Richard III (2015) Contributions from Ostermeier’s actors and his closest collaborators to show how his principles are put into practice. An extraordinary, richly illustrated insight into Ostermeier’s working methods, this volume will be of interest to practitioners and scholars of contemporary European theatre alike.
A History of the Quests for the Historical Jesus, Volume 1
Author: Colin Brown
Publisher: Zondervan Academic
ISBN: 0310125499
Category : Religion
Languages : en
Pages : 721
Book Description
A comprehensive, two-volume reassessment of the quests for the historical Jesus that details their origins and underlying presuppositions as well as their ongoing influence on today's biblical and theological scholarship. Jesus' life and teaching is important to every question we ask about what we believe and why we believe it. And yet there has never been common agreement about his identity, intentions, or teachings—even among first-century historians and scholars. Throughout history, different religious and philosophical traditions have attempted to claim Jesus and paint him in the cultural narratives of their heritage, creating a labyrinth of conflicting ideas. From the evolution of orthodoxy and quests before Albert Schweitzer's famous "Old Quest," to today's ongoing questions about criteria, methods, and sources, A History of the Quests for the Historical Jesus not only chronicles the developments but lays the groundwork for the way forward. The late Colin Brown brings his scholarly prowess in both theology and biblical studies to bear on the subject, assessing not only the historical and exegetical nuts and bolts of the debate about Jesus of Nazareth but also its philosophical, sociological, and theological underpinnings. Instead of seeking a bedrock of "facts," Brown stresses the role of hermeneutics in formulating questions and seeking answers. Colin Brown was almost finished with the manuscript at the time of his passing in 2019. Brought to its final form by Craig A. Evans, this book promises to become the definitive history and assessment of the quests for the historical Jesus. Volume One covers the period from the beginnings of Christianity to the end of World War II. Volume Two (sold separately) covers the period from the post-War era through contemporary debates.
Publisher: Zondervan Academic
ISBN: 0310125499
Category : Religion
Languages : en
Pages : 721
Book Description
A comprehensive, two-volume reassessment of the quests for the historical Jesus that details their origins and underlying presuppositions as well as their ongoing influence on today's biblical and theological scholarship. Jesus' life and teaching is important to every question we ask about what we believe and why we believe it. And yet there has never been common agreement about his identity, intentions, or teachings—even among first-century historians and scholars. Throughout history, different religious and philosophical traditions have attempted to claim Jesus and paint him in the cultural narratives of their heritage, creating a labyrinth of conflicting ideas. From the evolution of orthodoxy and quests before Albert Schweitzer's famous "Old Quest," to today's ongoing questions about criteria, methods, and sources, A History of the Quests for the Historical Jesus not only chronicles the developments but lays the groundwork for the way forward. The late Colin Brown brings his scholarly prowess in both theology and biblical studies to bear on the subject, assessing not only the historical and exegetical nuts and bolts of the debate about Jesus of Nazareth but also its philosophical, sociological, and theological underpinnings. Instead of seeking a bedrock of "facts," Brown stresses the role of hermeneutics in formulating questions and seeking answers. Colin Brown was almost finished with the manuscript at the time of his passing in 2019. Brought to its final form by Craig A. Evans, this book promises to become the definitive history and assessment of the quests for the historical Jesus. Volume One covers the period from the beginnings of Christianity to the end of World War II. Volume Two (sold separately) covers the period from the post-War era through contemporary debates.
The Reception of Classical German Literature in England, 1760-1860, Volume1
Author: John Boening
Publisher: Routledge
ISBN: 1000765172
Category : Literary Collections
Languages : en
Pages : 604
Book Description
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. One of the most important features of British literary and intellectual history over the past 250 years is the influence of German literature. From the second half of the 18th Century, through the first decades of the 19th, German books and ideas attracted, then gained the attention of a nation. Despite the acknowledged importance of the influence on writers such as Coleridge and Carlyle the subject, though often alluded to, was rarely studied. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail. In order to make the collection useful to scholars with a wide range of interest, it has been divided into three parts: Part 1 is a chronological presentation of commentary on German literature in general. It also contains collective reviews of multiple German authors, notices of important anthologies and reactions to influential works about Germany and its culture. Part 2 collects reviews of 18th Century individual German authors and Part 3 is devoted to the English reception of Goethe and Schiller. Parts 2 & 3 contain cross-references to the collective reviews of Part 1. Containing over 200 British serials and articles and reviews from all the major English literary periodicals, the collection also includes a broad sampling of opinion from the more general magazines, including some popular religious publications.
Publisher: Routledge
ISBN: 1000765172
Category : Literary Collections
Languages : en
Pages : 604
Book Description
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. One of the most important features of British literary and intellectual history over the past 250 years is the influence of German literature. From the second half of the 18th Century, through the first decades of the 19th, German books and ideas attracted, then gained the attention of a nation. Despite the acknowledged importance of the influence on writers such as Coleridge and Carlyle the subject, though often alluded to, was rarely studied. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail. In order to make the collection useful to scholars with a wide range of interest, it has been divided into three parts: Part 1 is a chronological presentation of commentary on German literature in general. It also contains collective reviews of multiple German authors, notices of important anthologies and reactions to influential works about Germany and its culture. Part 2 collects reviews of 18th Century individual German authors and Part 3 is devoted to the English reception of Goethe and Schiller. Parts 2 & 3 contain cross-references to the collective reviews of Part 1. Containing over 200 British serials and articles and reviews from all the major English literary periodicals, the collection also includes a broad sampling of opinion from the more general magazines, including some popular religious publications.
Rainer Werner Fassbinder and the German Theatre
Author: David Barnett
Publisher: Cambridge University Press
ISBN: 9780521855143
Category : Drama
Languages : en
Pages : 324
Book Description
Publisher description
Publisher: Cambridge University Press
ISBN: 9780521855143
Category : Drama
Languages : en
Pages : 324
Book Description
Publisher description
The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century
Author: H. B. Nisbet
Publisher: Cambridge University Press
ISBN: 9780521317207
Category : Literary Criticism
Languages : en
Pages : 978
Book Description
This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.
Publisher: Cambridge University Press
ISBN: 9780521317207
Category : Literary Criticism
Languages : en
Pages : 978
Book Description
This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.
The Athenaeum
The Transmission and Dynamics of the Textual Sources of Islam
Author: Nicolet Boekhoff-van der Voort
Publisher: BRILL
ISBN: 9004206787
Category : History
Languages : en
Pages : 514
Book Description
For many Muslims, the textual sources of Islam provide the guiding principles on which they base their beliefs. These texts have also been studied by Western scholars of Islam for centuries. Most of their work has focussed on the historicity of the texts, often at the expense of the study of Muslims' highly diverse interpretation and application of these sources in everyday life. This volume provides new insights into the transmission of these sources (primarily the Qurʾān and the Ḥadīth) and combines this with the dynamics of these scriptures by paying close attention to how believers in the Muslim world as well as the West interpret and apply them. As such, this volume provides a fascinating overview of how the sources of Islam are dated, debated and negotiated. Contributors include: Nicolet Boekhoff-van der Voort, Gregor Schoeler, Maribel Fierro, Fred Leemhuis, Claude Gilliot, Andreas Görke, Jens Scheiner, Michael Lecker, Maher Jarrar, Gerard Wiegers, Uri Rubin, Kees Versteegh, Joas Wagemakers, Herbert Berg, Abdulkader Tayob, Roel Meijer, Martijn de Koning, Carmen Becker and Ulrike Mitter.
Publisher: BRILL
ISBN: 9004206787
Category : History
Languages : en
Pages : 514
Book Description
For many Muslims, the textual sources of Islam provide the guiding principles on which they base their beliefs. These texts have also been studied by Western scholars of Islam for centuries. Most of their work has focussed on the historicity of the texts, often at the expense of the study of Muslims' highly diverse interpretation and application of these sources in everyday life. This volume provides new insights into the transmission of these sources (primarily the Qurʾān and the Ḥadīth) and combines this with the dynamics of these scriptures by paying close attention to how believers in the Muslim world as well as the West interpret and apply them. As such, this volume provides a fascinating overview of how the sources of Islam are dated, debated and negotiated. Contributors include: Nicolet Boekhoff-van der Voort, Gregor Schoeler, Maribel Fierro, Fred Leemhuis, Claude Gilliot, Andreas Görke, Jens Scheiner, Michael Lecker, Maher Jarrar, Gerard Wiegers, Uri Rubin, Kees Versteegh, Joas Wagemakers, Herbert Berg, Abdulkader Tayob, Roel Meijer, Martijn de Koning, Carmen Becker and Ulrike Mitter.