Author: Willem Marie Speelman Publisher: Peeters Publishers ISBN: 9789039005118 Category : Religion Languages : en Pages : 304
Book Description
This book is about the meaning of liturgical songs. Everybody who sings liturgical songs knows what a liturgical song is and also what it eans. But when we start to talk about them, things become confused. We know too much and there are too many languages in which we can express what we think their meaning is. And what is worse, other people seem not to understand what we say and immediately reply that we may know a lot but not what they know. Then the discussion turns into a quarrel amongst people who know too much and connot communicate what they know. A wise person may enter into the quarrel and say that communication about liturgical songs can only succeed when we sing together. Then we will sing together, confused and angry, because we now also know that the other people may sing very well but do not understand what they are doing. This is what has been happening for decades in the Dutch churches. Perhaps we should be silent and start to look and listen very carefully to liturgical songs, while developing a language in which the songs themselves can speak, communicating what they have to say. The looking and listening will take much time and energy: there are no more easy answers. And the language will be so difficult that we are forced to be silent, waiting and hoping for a word to come. Willem Marie Speelman (1960) is a musicologist, theologian and semiotician. In the present work he develops a very strict scientific method which can help to understand how liturgical songs "work", that is, in what manner they generate meaning.
Author: Judith Marie Kubicki Publisher: Peeters Publishers ISBN: 9789042907409 Category : Music Languages : en Pages : 228
Book Description
In this book, Sister Kubicki uses Jacques Berthier's Taize music to explore the nature of liturgical music as ritual symbol. She carries out a hermeneutical analysis of Berthier's chants and examines biographical and historical data related to the creator's of Taize music and the founding of the Taize community. The author draws on five areas of study to interpret the Taize chants as ritual symbol - symbol theory, semiotics, theologies of symbol, ritual theory, and perfomative language theory. The final chapter explores potential ecclesial meanings which may be mediated in the Taize liturgy and the role of Berthier's chants in mediating that meaning. The study concludes that it is music's symbolic property that enables it to be both ministerial and integral to the liturgy. As symbolic activity, music-making evokes participation, negotiates relationships, and enables the assembly to orient themselves and to find their identity and place within their world. Furthermore, music-making provides the illocutionary force to "do something" in the act of singing. Thus it is that as part of a complexus of ritual symbols, music interacts with other symbols, in mediating the liturgy's meaning.
Author: Maeve Louise Heaney Publisher: Wipf and Stock Publishers ISBN: 1621894290 Category : Religion Languages : en Pages : 326
Book Description
"The conversation between music and theology, dormant for too long in recent years, is at last gathering pace. And rightly so. There will always be theologians who will regard music as a somewhat peripheral concern, too trivial to trouble the serious scholar, and in any case almost impossible to engage because of its notorious resistance to words and concepts. But an increasing number are discovering again what many of our forbears realized centuries ago, that the kinship between this pervasive feature of human life and the search for a Christian 'intelligence of faith' is intimate and ineradicable. Maeve Heaney's ambitious, wide-ranging, and energetic book pushes the conversation further forward still. Her approach is unapologetically theological, grounded in the passions and concerns of mainstream doctrinal theology. And yet she is insisting . . . that music must be given its due place in the ecology of theology. Although convinced that music should not be set up as a rival to linguistic or conceptual articulation, let alone swallow up 'traditional' modes of theological language and thought, she is equally convinced that music is an irreducible means of coming to terms with the world, a unique vehicle of world-disclosure, and as such, can generate a particular form of 'understanding': 'there are things which God may only be saying through music.' If this is so, it is incumbent on the theologian to listen." --Jeremy Begbie, from the Foreword
Author: Publisher: BRILL ISBN: 9401201544 Category : Language Arts & Disciplines Languages : en Pages : 317
Book Description
Vocal translation is an old art, but the interpretive feeling, skill and craft have expanded into a relatively new area in translation studies. Vocal translation is the translation of the poetic discourse in the hybrid art of the musicopoetic (or poeticomusical) forms, shapes and skills. This symbiotic construct harmonizes together the conflicting roles of music and language in face-to-face singing performances. The artist sings in an accurate but free flow, but sung in a language different from the original lyrics. Vocal translation is a living-together community of composer and poet and translator; they work together though separately in time and place, through the structure and meaning of the vocalized verbal language. The meaning of the songs is influenced by the elements of musical expression: melody, impulse, pitch, duration, loudness, timbre and dynamics, each of which is governed by its own rules and emotions. The movement of the lyrics is an essential and meaningful attribute of the musical rhythms, pauses, pitches, stresses and articulations of the entire songs. The presence of the original and translated song structures its sounds, senses and gestures to suggest semiotic meaningfulness. In opera, folksong, hymn and art song, as well as in operetta, musical song and popular song, we have musical genres allied to a libretto with lyrical text. A libretto is a linguistic text which is a pre-existing work of art, but is subordinated to the musical text. The essays in Song and Significance: Virtues and Vices of Vocal Translation provide interpretive models for the juxtaposition of different orders of the singing sign-events in different languages, extending the meaning and range of the musical and literary concepts, and putting the mixed signs to a true-and-false test.
Author: Louis van Tongeren Publisher: Peeters Publishers ISBN: 9789042909519 Category : History Languages : en Pages : 356
Book Description
The origin, development and spread of the feast of the Exaltation of the Cross is traced on the basis of liturgical sources, and through a careful examination of the liturgical textual material, the meaning of the feast is analyzed with respect to its content. Among the important points receiving attention in this analysis are the place, function and significance of the Cross relic, and the theology of the Cross, or the process whereby the understanding of the Cross was shaped, as that was invested in the feast. The research is based on sources of Western liturgy from the early Middle Ages, and therefore has bearing on the period in the West in which a multiform liturgy, celebrated according to various indigenous local and regional traditions, gradually made way for one uniform Latin liturgy patterned on Roman models. The feast of the Exaltation of the Cross spread through the West from Rome within this context of standardization and Romanization. This raises questions about the uniformity and the Roman content of the feast. This study especially examines to what degree indigenous interpretations of the Cross, which were part of the legacy of the Hispanic and Gallican traditions in particular, continued to be preserved through the liturgical books of the early Middle Ages.
Author: Susan K. Roll Publisher: Peeters Publishers ISBN: 9789039005316 Category : Christmas Languages : en Pages : 300
Book Description
Christmas exerts an enormous attraction today even apart from its Christian character as a celebration of the incarnation of God in the Person of Jesus. Even marginal or indifferent Christians crowd the churches on Christmas Eve and in highly commercialized and technologized Western societies the Christmas season is celebrated with enthousiasm. Yet Christmas entered the calendar of feasts relatively late, by 336 C.E., and the reason for its introduction and quick spread remain speculative and based on fragmentary evidence. Towards the Origins of Christmas addresses both the contemporary Western celebration of Christmas, and its deep historical roots in the church of the fourth century. The book presents a thorough investigation of the patristic texts and evidence cited by liturgical scholars in the late 19th and 20th centuries to support two main theories: the Calculation theory and the History of Religions theory. This historical research is set in the framework of the contemporary experience of Christmas; the dynamics of time and the liturgical year; the inculturation of liturgy; and underlying elements of dualism and patriarchal power paradigms which linger beneath the often commercial and sentimental character of Christmas today. Suzan K. Roll was born in Clarence Center, New York (USA) in 1952. She holds degrees in classical languages and pastoral theology, and in 1993 received a Ph. D. from the Faculty of Theology of the Catholic University of Louvain (Leuven), Belgium, summa cum laude with the gratulations of the jury. She has thaught and published in the field of liturgy, sacraments, pastoral theology, and presently teaches at Christ the King Seminary, Buffalo, New York (USA).
Author: Lucien Deiss Publisher: Liturgical Press ISBN: 9780814622988 Category : Music Languages : en Pages : 260
Book Description
In a manner that refelcts his broad historical and musical knowledge of the Church's liturgy, Father Deiss takes us step-by-step through the Eucharistic celebration of the Mass, paying attention not only to the liturgy's repertoire of music and song but also to its participants as well: the roles of the priest, the choir, the music director, the organist, the cantor - even the singing congregation He discusses every musical aspect and offers suggestions for improvement and sound, creative ideas about what the future may hold for Christian liturgy as we enter the twenty-first century.
Author: Cas Wepener Publisher: ISBN: Category : History Languages : en Pages : 252
Book Description
Today, some years after the first democratic elections in South Africa as well as the final report of the Truth and Reconciliation Commission (TRC), it is clear that reconciliation is still needed on all terrains of South African society. More and more people are becoming aware of unchanneled emotions such as guilt, fury, revenge and grief which are still alive in South Africa and which come to fore in different ways. It seems as if reconciliation is a process that will in fact take years, if not generations. The task of the TRC has been completed, but the task of reconciliation on all levels in South African society and the debate surrounding it are far from complete. Very little research has been conducted to understand both the process and the kinds of reconciliation rituals that are needed. And this is exactly the aim of the research described in this book. The research described here aims at making a contribution towards the process of reconciliation in South Africa by specifically looking at one small but important element in that process, namely ritual. To this end several ritual probes were conducted, including an ethnographic probe describing research by means of participatory observation in local South African communities, as well as a cultural-anthropological, biblical, historical and descriptive probe. From these probes ritual qualities were distilled which can be used for the liturgical inculturation of rituals of reconciliation in South Africa.
Author: Willem Marie Speelman
Author: Judith Marie Kubicki
Author: Maeve Louise Heaney
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Author: Louis van Tongeren
Author: Susan K. Roll
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Author: Lucien Deiss
Author: Cas Wepener
Author: Debra Rienstra