Author: Maurice Blanchot Publisher: Barrytown, N.Y. ; Station Hill Press ISBN: 9780930794385 Category : Fiction Languages : en Pages : 0
Book Description
Writing about The Gaze of Orpheus, Geoffrey Hartman suggested that When we come to write the history of criticism for the 1940 to 1980 period, it will be found that Blanchot, together with Sartre, made French 'discourse' possible, both in its relentlessness and its acuity..This selection.is exemplary for its clearly translated and well-chosen excerpts from Blanchot's many influential books. Reading him now, and in this form, I feel once more the excitement of discovering Blanchot in the 1950s.
Author: Maurice Blanchot Publisher: Barrytown, N.Y. ; Station Hill Press ISBN: Category : Literary Collections Languages : en Pages : 224
Book Description
Writing about The Gaze of Orpheus, Geoffrey Hartman suggested that When we come to write the history of criticism for the 1940 to 1980 period, it will be found that Blanchot, together with Sartre, made French 'discourse' possible, both in its relentlessness and its acuity..This selection.is exemplary for its clearly translated and well-chosen excerpts from Blanchot's many influential books. Reading him now, and in this form, I feel once more the excitement of discovering Blanchot in the 1950s.
Author: Maurice Blanchot Publisher: U of Nebraska Press ISBN: 0803278772 Category : Literary Collections Languages : en Pages : 393
Book Description
Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers--among them Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness. The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarmé, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language.
Author: Michel Foucault Publisher: Princeton University Press ISBN: Category : History Languages : en Pages : 118
Book Description
In these two essays, two of the most important French thinkers of our time reflect on each other’s work. In so doing, novelist/essayist Maurice Blanchot and philosopher Michel Foucault develop a new perspective on the relationship between subjectivity, fiction, and the will to truth. The two texts present reflections on writing, language, and representation that question the status of the author/subject and explore the notion of a “neutral” voice that arises from the realm of the “outside.” This book is crucial not only to an understanding of these two thinkers, but also to any overview of recent French thought.
Author: Henry Bond Publisher: MIT Press ISBN: 0262300095 Category : Psychology Languages : en Pages : 254
Book Description
A Lacanian approach to murder scene investigation. What if Jacques Lacan—the brilliant and eccentric Parisian psychoanalyst—had worked as a police detective, applying his theories to solve crimes? This may conjure up a mental film clip starring Peter Sellers in a trench coat, but in Lacan at the Scene, Henry Bond makes a serious and provocative claim: that apparently impenetrable events of violent death can be more effectively unraveled with Lacan's theory of psychoanalysis than with elaborate, technologically advanced forensic tools. Bond's exposition on murder expands and develops a resolutely Žižekian approach. Seeking out radical and unexpected readings, Bond unpacks his material utilizing Lacan's neurosis-psychosis-perversion grid. Bond places Lacan at the crime scene and builds his argument through a series of archival crime scene photographs from the 1950s—the period when Lacan was developing his influential theories. It is not the horror of the ravished and mutilated corpses that draws his attention; instead, he interrogates seemingly minor details from the everyday, isolating and rephotographing what at first seems insignificant: a single high heeled shoe on a kitchen table, for example, or carefully folded clothes placed over a chair. From these mundane details he carefully builds a robust and comprehensive manual for Lacanian crime investigation that can stand beside the FBI's standard-issue Crime Classification Manual.
Author: Ann Banfield Publisher: Cambridge Scholars Publishing ISBN: 1527522709 Category : Language Arts & Disciplines Languages : en Pages : 235
Book Description
The seven essays gathered in this volume are all concerned, more or less directly, with the “unspeakable sentences” of fictional narration, that is, the sentences that do not bear any explicit mark nor any implicit indication of a first person and which are not interpretable as the expression of a speaker’s subjectivity. Chief among them are the sentences of free indirect style, which this book prefers to call sentences of “represented speech and thought.” All of these essays were written after the publication of Unspeakable Sentences: Narration and Representation in the Language of Fiction (1982). They take up its theoretical frameworks and extend its analyses into other contexts, where they acquire other uses, other functions, and other values. Taken as a whole, this work bears witness to the richness and vitality of the encounter between linguistics, philosophy, and the theory and analysis of narrative and the novel.
Author: Maurice Blanchot Publisher: ISBN: Category : Art Languages : en Pages : 46
Book Description
Jacques Derrida writes (in Deconstruction and Criticism)of The Madness of the Day that it is a story whose title runs wild and drives the reader mad.la folie du jour, the madness of today, of the day today, which leads to the madness that comes from the day, is born of it, as well as the madness of the day itself, itself mad..La folie du jour is a story of madness, of that madness that consists in seeing the light, vision or visibility, to see beyond what is visible, is not merely 'to have a vision' in the usual sense of the word, but to see-beyond-sight, to see-sight-beyond-sight..The story obscures the sun.with a blinding light.
Author: Leslie Hill Publisher: University of Delaware Press ISBN: 9780874139464 Category : Literary Collections Languages : en Pages : 292
Book Description
What does it mean to come after Blanchot? Three things, at least. First, it is to recognise that it is no longer possible to believe in an essentialist determination of literary discourse or of aesthetic experience. All this has disappeared; and there is no way back. Second, there is the question of history. What is Blanchot's legacy to us, his readers? Any name, however irreplaceably singular, is always already preceded, limited, challenged even, by the abiding anonymity of the person, animal, or thing it claims to name. Every name is necessarily impersonal, anonymous, other. Blanchot after Blanchot, then, can best be understood in the sense of that which is according to Blanchot - and that is nothing other than the infinite process of reading and rereading Blanchot: without end. Here, a third meaning to the phrase after Blanchot comes into view. For if we come after Blanchot, it is surely because Blanchot is still before us, still in front, still in the future, still to come.
Author: Maurice Blanchot Publisher: Stanford University Press ISBN: 9780804724937 Category : Literary Collections Languages : en Pages : 366
Book Description
Maurice Blanchot is arguably the key figure after Sartre in exploring the relation between literature and philosophy. Blanchot developed a distinctive, limpid form of essay writing; these essays, in form and substance, left their imprint on the work of the most influential French theorists. The writings of Barthes, Foucault, and Derrida are unimaginable without Blanchot. Published in French in 1949, The Work of Fire is a collection of twenty-two essays originally published in literary journals. Certain themes recur repeatedly: the relation of literature and language to death; the significance of repetition; the historical, personal, and social function of literature; and simply the question what is at stake in the fact that something such as art or literature exists? Among the authors discussed are Kafka, Mallarme;, Hölderlin, Baudelaire, Rimbaud, Sartre, Gide, Pascal, Vale;ry, Hemingway, and Henry Miller.
Author: Muriel Cormican Publisher: Boydell & Brewer ISBN: 1640140743 Category : Literary Criticism Languages : en Pages : 241
Book Description
By exploring the concept of the tender gaze in German film, theater, and literature, this volume's contributors illustrate how perspective-taking in works of art fosters empathy and prosocial behaviors.
Author: Maurice Blanchot
Author: Maurice Blanchot
Author: Maurice Blanchot
Author: Michel Foucault
Author: Henry Bond
Author: Ann Banfield
Author: Maurice Blanchot
Author: Leslie Hill
Author: Maurice Blanchot
Author: Muriel Cormican