The Fushikaden PDF Download

Author: Zeami
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 128

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Author: Zeami
Publisher: Shambhala Publications
ISBN: 0834828987
Category : Drama
Languages : en
Pages : 193

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Book Description
The Japanese dramatic art of Noh has a rich six-hundred-year history and has had a huge influence on Japanese culture and such Western artists as Ezra Pound and The Japanese dramatic art of Noh has long held a fascination for people both in the East and the West. For six hundred years it has had a huge influence on Japanese culture—and has inspired such Western artists as Ezra Pound and William Butler Yeats. Here is a translation of the Fushikaden, a seminal treatise on Noh by the fifteenth-century actor and playwright Zeami (1363–1443), the most celebrated figure in the art’s history. His writings on Noh were originally secret teachings that were later coveted among the highest ranks of the samurai class and first became available to the general public only in the twentieth century. The Fushikaden is the best known of Zeami’s writings on Noh and it provides practical instruction for actors, gives valuable teachings on the aesthetics and spiritual culture of Japan, and offers a philosophical outlook on life. Along with the Fushikaden, translator William Scott Wilson includes a comprehensive introduction describing the intriguing history behind this enigmatic and influential art form, and also a new translation of one of Zeami’s most moving plays, Atsumori.

Author: Zeami
Publisher: Kodansha International
ISBN: 9784770024992
Category : Art
Languages : en
Pages : 196

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Book Description
Presents a translation of Fushikaden', the fifteenth-century classic text by Zeami, founder of the No theatre. After describing the art of the theatre, this book provides teachings on the aesthetics and spiritual culture of Japan. It is accompanied by an introduction and a translation of one of Zeami's most celebrated No plays, 'Atsumori'. This is a new translation of 'Fushikaden', the fifteenth-century classic text by Zeami, founder of the No theatre. In addition to describing the art of the theatre, it provides valuable teachings on the aesthetics and spiritual'

Author: Yasuo Imai
Publisher: Waxmann Verlag
ISBN: 9783830967613
Category : Aesthetics
Languages : en
Pages : 200

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Author: Juju Alishina
Publisher: Singing Dragon
ISBN: 0857012266
Category : Performing Arts
Languages : en
Pages : 298

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Book Description
Drawing on avant garde and classical Japanese dance traditions, the Alishina Method offers a systematized approach to Butoh dance training for the first time in its history. With practical instruction and fully illustrated exercises, this book teaches readers: · basic body training and expression exercises · exercises to cultivate Qi (energy) and to aid improvisation · about katas (forms) and how to develop your own · the importance of voice, sound and music in Butoh · to collaborate and be in harmony with others · techniques to manipulate time and space · how to develop the imagination and refine the senses to enrich performance. This authentic approach to Japanese dance will be compelling reading for anyone interested in contemporary dance, performance arts, Japanese culture or personal development techniques.

Author: Barbara Sundberg Baudot
Publisher: University of Washington Press
ISBN: 0295800763
Category : History
Languages : en
Pages : 398

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Book Description
Candles in the Dark is an international compendium of essays that share a sense of the importance of introducing ethical and spiritual concepts and values into the public discourse on progress and globalization issues. They offer a new approach to international relations and public policy that esteems the human spirit and dignity as central values in decision making, seeks links between self interest and the common good, and introduces, in a practical way, philosophical, spiritual, and cultural perspectives in the political discourse on global political and socioeconomic problems.

Author: Ahmed Ammar
Publisher: Springer Nature
ISBN: 3031020782
Category : Medical
Languages : en
Pages : 431

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Book Description
The neurosurgical, surgical and medical training and practice models have to keep up with the technological revolution in the 21st Century as our lives changed on a swift base. Making bioethics and metacognition a cornerstone in medical education and practice will flourish our humane societies. Metacognition is thinking about one’s thinking, to plan, monitor and assess one’s understanding and performance. By adherence to medical ethics and Values-Based Medicine (VsBM) as guiding principles, we can develop benevolent medical practice. To enhance knowledge application, skills, and character qualities in realms beyond the immediate context in which they were learned. In this book, we developed a framework on how to evolve medical education and training by utilizing hi-tech. We divided the book into five principal components; Current and traditional root analysis of the learning process, Ethics and metacognition of education, learning and career development, Obstacles, difficulties and setbacks in learning and career development process, Learning in the digital era, and Mentorship. The author believes we are entering a new era of information technology, which will have a significant impact on the education, sciences, strategies and philosophy. Therefore, in preparation for this colossal transformation, the author brings together the best brains in the neurosurgical field from around the globe. Twenty distinguished Professors of Neurosurgery and educators from Canada, the USA, Colombia, the UK, Italy, the Netherland, India, Japan, China, Rwanda, Egypt and Saudi Arabia gathered their experiences and thoughts in this book to shade light on an evolving world that will be the norm in near future.

Author: James R. Brandon
Publisher: University of Hawaii Press
ISBN: 9780824818104
Category : Performing Arts
Languages : en
Pages : 274

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Book Description
How do classical, highly codified theatre arts retain the interest of today's audiences and how do they grow and respond to their changing circumstances? The eight essays presented here examine the contemporary relevance and significance of the "classic" No and Kyogen theatre to Japan and the West. They explore the theatrical experience from many perspectives--those of theatre, music, dance, art, literature, linguistics, philosophy, religion, history and sociology.

Author: Thomas Blenman Hare
Publisher: Stanford University Press
ISBN: 0804726779
Category : Drama
Languages : en
Pages : 336

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Book Description
This is the first full-length study of Zeami Motokiyo (1363–1443), generally recognized as the greatest playwright of Japan's classical Noh theater. The book begins with a biography based on the known documents relating to Zeami's life. It then examines the documentary evidence for authorship and explains the various technical aspects of Noh. Subsequent chapters explore the role of the old man in noh (particularly in the play Takasago), as well as Zeami's plays about women and warriors, with primary attention to Izutsu and Tadanori. The book concludes with a general discussion of Zeami's style and the relationship between his dramatic theory and his plays.

Author: Mae J. Smethurst
Publisher: Princeton University Press
ISBN: 1400860059
Category : Drama
Languages : en
Pages : 356

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Book Description
By means of a cross-cultural analysis of selected examples of early Japanese and early Greek drama, Mae Smethurst enhances our appreciation of each form. While using the methods of a classicist to increase our understanding of no as literary texts, she also demonstrates that the fifteenth-century treatises of Zeami--an important playwright, actor, critic, and teacher of no--offer fresh insight into Aeschylus' use of actors, language, and various elements of stage presentation. Relatively little documentation apart from the texts of the plays is available for the Greek theater of the fifth century B.C., but Smethurst uses documentation on no, and evidence from no performances today, to suggest how presentations of the Persians could have been so successful despite the play's lack of dramatic confrontation. Aeschylean theater resembles that of Zeami in creating its powerful emotional and aesthetic effect through a coherent organization of structural elements. Both playwrights used such methods as the gradual intensification of rhythmic and musical effects, an increase in the number and complexity of the actors' movements, and a progressive focusing of attention on the main actors and on costumes, masks, and props during the course of the play. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.