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Author: Angèle Rawiri Publisher: University of Virginia Press ISBN: 0813936047 Category : Fiction Languages : en Pages : 246
Book Description
Gabon’s first female novelist, Angèle Rawiri probed deeper into the issues that writers a generation before her—Mariama Bâ and Aminata Sow Fall—had begun to address. Translated by Sara Hanaburgh, this third novel of the three Rawiri published is considered the richest of her fictional prose. It offers a gripping account of a modern woman, Emilienne, who questions traditional values and seeks emancipation from them. Emilienne’s active search for feminism on her own terms is tangled up with cultural expectations and taboos of motherhood, marriage, polygamy, divorce, and passion. She completes her university studies in Paris; marries a man from another ethnic group; becomes a leader in women’s liberation; enjoys professional success, even earning more than her husband; and eventually takes a female lover. Yet still she remains unsatisfied. Those closest to her, and even she herself, constantly question her role as woman, wife, mother, and lover. The tragic death of her only child—her daughter Rékia—accentuates Emilienne’s anguish, all the more so because of her subsequent barrenness and the pressure that she concede to her husband’s taking a second wife. In her forceful portrayal of one woman’s life in Central Africa in the late 1980s, Rawiri prompts us not only to reconsider our notions of African feminism and the canon of francophone African women’s writing but also to expand our awareness of the issues women face across the world today in the workforce, in the bedroom, and among family and peers.
Author: Angèle Rawiri Publisher: University of Virginia Press ISBN: 0813936047 Category : Fiction Languages : en Pages : 246
Book Description
Gabon’s first female novelist, Angèle Rawiri probed deeper into the issues that writers a generation before her—Mariama Bâ and Aminata Sow Fall—had begun to address. Translated by Sara Hanaburgh, this third novel of the three Rawiri published is considered the richest of her fictional prose. It offers a gripping account of a modern woman, Emilienne, who questions traditional values and seeks emancipation from them. Emilienne’s active search for feminism on her own terms is tangled up with cultural expectations and taboos of motherhood, marriage, polygamy, divorce, and passion. She completes her university studies in Paris; marries a man from another ethnic group; becomes a leader in women’s liberation; enjoys professional success, even earning more than her husband; and eventually takes a female lover. Yet still she remains unsatisfied. Those closest to her, and even she herself, constantly question her role as woman, wife, mother, and lover. The tragic death of her only child—her daughter Rékia—accentuates Emilienne’s anguish, all the more so because of her subsequent barrenness and the pressure that she concede to her husband’s taking a second wife. In her forceful portrayal of one woman’s life in Central Africa in the late 1980s, Rawiri prompts us not only to reconsider our notions of African feminism and the canon of francophone African women’s writing but also to expand our awareness of the issues women face across the world today in the workforce, in the bedroom, and among family and peers.
Author: Heather Christle Publisher: Catapult ISBN: 1948226456 Category : Family & Relationships Languages : en Pages : 208
Book Description
This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.
Author: Irène Assiba d'. Almeida Publisher: ISBN: 9780813013022 Category : Literary Criticism Languages : en Pages : 222
Book Description
"A very important contribution to the field by an African scholar with a thorough, empathetic command of the field of African feminine writing in French."--Christiane Makward, Penn State University "A work of quality. . . . This first major study of fiction and nonfiction prose by Francophone African women is a significant work of criticism in the study of African literature."--Maxine Montgomery, Florida State University French-speaking African women traditionally expressed their creativity through oral storytelling. Previously silent in print, today they also speak through the written word, and their stories constitute one of the most significant recent developments in African literature. Ir�ne Assiba d'Almeida dates this emerging phenomenon to 1969, the year Kuoh-Moukouri's Rencontres essentielles was published. A few more books by women were published in the '70s, followed by a creative explosion in the '80 that d'Almeida describes as a militant feminist appropriation of the written word. D'Almeida's book, the first single-author critical study in English of literary expression by Francophone African women, examines novels and autobiographies by nine new and established writers, all published since 1975. She finds that writing has liberated Francophone African women. They use it to critique the patriarchal order, to champion the cause of women and the community, and to preserve positive aspects of tradition. D'Almeida divides her analysis into sections on three aspects of literary production. The first deals with autobiography and begins with A Dakar Childhood, by Nafissatou Diallo, the first Francophone African woman to write her own life history. The section also examines The Abandoned Baobab, by Ken Bugul, a book that broke sexual taboos, and My Country, Africa, by Andr�e Blouin. The second section looks at women and the family, including problems related to "compulsory" motherhood. It discusses Your Name Will Be Tanga, by Calixthe Beyala, Cries and Fury of Women, by Ang�le Rawiri (both published only in French), and Scarlet Song, by Mariama B�. The third section, "W/Riting Change: Women as Social Critics," discusses the ways female novelists link problems that affect women's lives to those affecting society at large. It examines works in French by Werewere Liking, Aminata Sow Fall, and V�ronique Tadjo. Ir�ne Assiba d'Almeida is associate professor of French and a member of the comparative literature and the women's studies faculties at the University of Arizona in Tucson. She was born in Dakar, Senegal, and grew up in Benin, West Africa. She has academic degrees from three continents (Africa, Europe, and North America) and is the author of articles on African literature, of literary translations, and of published poetry.
Author: Cheryl Toman Publisher: Lexington Books ISBN: 1498537219 Category : Literary Criticism Languages : en Pages : 171
Book Description
Women Writers of Gabon: Literature and Herstory demonstrates how the invisibility of women (historically, politically, cross-culturally, etc.) has led to the omission of Gabon’s literature from the African canon, but it also discusses in depth the unique elements of Gabonese women’s writing that show it is worthy of critical recognition and that prove why Gabonese women writers must be considered a major force in African literature. This book is the only book-length critical study of Gabonese literature that exists in English and although there are titles in French that provide analyses of the works of Gabonese women writers, no one work is comprehensive nor is the history of women’s writing in Gabon considered in the such a manner. Throughout the various chapters, the book explores, among other things, contributions that are unique to Gabonese women writers such as: definitions of African feminisms as they pertain to Gabonese society, the rewriting of oral histories, rituals, and traditions of the Fang ethnic group, one of the first introductions of same-sex couples in African Francophone literature, discussions on the impact of witchcraft on development, and the appropriating of the epic poetry known as the mvet by women writers. The chapters explore works by all major voices in Gabonese women’s writing including Angèle Rawiri, Justine Mintsa, Sylvie Ntsame, Honorine Ngou, and Chantal Magalie Mbazoo-Kassa and the book concludes with brief introductions of a younger generation of Gabonese women writers such as Edna Merey-Apinda, Alice Endamne, Nadia Origo, Miryl Eteno, and Elisabeth Aworet among others.
Author: Elizabeth Wein Publisher: Little, Brown Books for Young Readers ISBN: 1423153251 Category : Young Adult Fiction Languages : en Pages : 353
Book Description
Don’t miss Elizabeth Wein’s stunning new novel, Stateless The beloved #1 New York Times bestseller, a "fiendishly plotted" (New York Times) "heart-in-your mouth adventure" (Washington Post) that "will take wing and soar into your heart" (Laurie Halse Anderson) October 11th, 1943—A British spy plane crashes in Nazi-occupied France. Its pilot and passenger are best friends. One of the girls has a chance at survival. The other has lost the game before it's barely begun. When "Verity" is arrested by the Gestapo, she's sure she doesn't stand a chance. As a secret agent captured in enemy territory, she's living a spy's worst nightmare. Her Nazi interrogators give her a simple choice: reveal her mission or face a grisly execution. As she intricately weaves her confession, Verity uncovers her past, how she became friends with the pilot Maddie, and why she left Maddie in the wrecked fuselage of their plane. On each new scrap of paper, Verity battles for her life, confronting her views on courage, failure and her desperate hope to make it home. But will trading her secrets be enough to save her from the enemy? A universally acclaimed Michael L. Printz Award Honor book, Code Name Verity is a visceral read of danger, resolve, and survival that shows just how far true friends will go to save each other.
Author: Neshani Andreas Publisher: Waveland Press ISBN: 147863510X Category : Fiction Languages : en Pages : 191
Book Description
Through the voice of Mee Ali, readers experience the rhythms and rituals of life in rural Namibia in interconnected stories. In Oshaantu, a place where women are the backbone of the home but are expected to submit to patriarchal dominance, Mee Ali is happily married. Her friend, Kauna, however, suffers at the hands of an abusive husband. When he is found dead at home, many of the villagers suspect her of poisoning him. Backtracking from that time, the novel, with its universal appeal, reveals the value of friendships, some of which are based on tradition while others grow out of strength of character, respect, and love.
Author: Angela Y. Davis Publisher: Vintage ISBN: 0307798496 Category : Social Science Languages : en Pages : 290
Book Description
From one of our most important scholars and civil rights activist icon, a powerful study of the women’s liberation movement and the tangled knot of oppression facing Black women. “Angela Davis is herself a woman of undeniable courage. She should be heard.”—The New York Times Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women’s rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger’s racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work.
Author: Mandy Beaumont Publisher: Hachette UK ISBN: 0733643108 Category : Fiction Languages : en Pages : 210
Book Description
'beautiful and lyrical' The Conversation Cynthia was just about to turn sixteen when the unthinkable happened. Her mother was taken away by the police, and her father left without a word three months later. After that night, Cynthia began to walk in slow circles outside the family home looking for traces of her sister Mallory - she's sure that she must be somewhere else now, wherever that is. Cynthia knows that she doesn't belong here. Her mother never belonged here either. This is the place of violence. Despair. The long dry. Blood caked under the nails. Desperate men. Long silences. The place where mothers go mad in locked bedrooms, where women like Cynthia imagine better futures. As a threatening wind begins to dry-whirl around her, seldom seen black clouds form above, roll over the golden-brown land - is that Mallory she can hear in the growling mass? In the harsh drought-stricken landscape of outback Queensland a woman can be lost in so many ways. The question is, will Cynthia be one of them? Defiant, ferocious and unyielding - The Furies is a debut novel by Mandy Beaumont that explores the isolation felt by so many women, and how powerful we can be when we join together. It puts her firmly on the literary map, blazing forth from the terrain of Charlotte Wood, Margaret Atwood and Carmen Maria Machado, with a unique and breathtaking power. 'Expect this debut novel to collect a swag of awards' Courier Mail 'a rallying cry . . . vivid, visceral, ferocious' Carmel Bird, The Age 'stays with you . . . Beaumont's prose shines' The Saturday Paper 'The Furies is unapologetically feminist in its preoccupations' The Conversation 'Mandy Beaumont . . . firmly places herself in the same league as Australian contemporaries such as Charlotte Wood, Sophie Laguna and Hannah Kent. As beautiful as it is gut-wrenching, this is a debut that pulls no punches' Newcastle Herald
Author: Rona Jaffe Publisher: Penguin ISBN: 0593511263 Category : Fiction Languages : en Pages : 497
Book Description
"Sixty years later, Jaffe’s classic still strikes a chord, this time eerily prescient regarding so many of the circumstances surrounding sexual harassment that paved the way toward the #MeToo movement." -Buzzfeed When Rona Jaffe’s superb page-turner was first published in 1958, it changed contemporary fiction forever. Some readers were shocked, but millions more were electrified when they saw themselves reflected in its story of five young employees of a New York publishing company. Almost sixty years later, The Best of Everything remains touchingly—and sometimes hilariously—true to the personal and professional struggles women face in the city. There’s Ivy League Caroline, who dreams of graduating from the typing pool to an editor’s office; naïve country girl April, who within months of hitting town reinvents herself as the woman every man wants on his arm; and Gregg, the free-spirited actress with a secret yearning for domesticity. Jaffe follows their adventures with intelligence, sympathy, and prose as sharp as a paper cut.
Author: Angèle Rawiri
Author: Angèle Rawiri
Author: Heather Christle
Author: Irène Assiba d'. Almeida
Author: Cheryl Toman
Author: Elizabeth Wein
Author: Neshani Andreas
Author: Sarah J. Maas
Author: Angela Y. Davis
Author: Mandy Beaumont
Author: Rona Jaffe