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Author: George B. Stauffer Publisher: ISBN: Category : Music Languages : en Pages : 284
Book Description
Bach's preludes and fugues for organs have never suffered from neglect. While Bach's vocal works fell into eclipse soon after his death in 1750, his keyboard compositions continued to draw considerable approbation. The preludes and fugues, as part of this esteemed repertoire, remained in wide use throughout the eighteenth and nineteenth centuries. Consequently they number among the best-known and most-frequently discussed works of the baroque era. They were already available in several printed editions by the time the first volume of the BG appeared in 1851. They were treated at some length in the ground-breaking nineteenth-century biographies of Forkel, Hilgenfeldt, Bitter, and Spitta. Since then they have been discussed in general terms in the numerous monographs dealing with the organ repertoire or Bach's organ compositions in particular. Hence it is surprising that no one has singled out the preludes and fugues for a full-scale study, taking into consideration the sources, the style, the chronology, and other equally important aspects of the pieces. The present volume focuses on half of this task, the detailed investigation of the preludes. Included in this study will be all those compositions--called prelude, toccata, fantasia, or otherwise--which fulfill an introductory purpose. Thirty-three works fall into this category: nine single pieces and twenty-four preludes from prelude-fugue pairs.
Author: George B. Stauffer Publisher: ISBN: Category : Music Languages : en Pages : 284
Book Description
Bach's preludes and fugues for organs have never suffered from neglect. While Bach's vocal works fell into eclipse soon after his death in 1750, his keyboard compositions continued to draw considerable approbation. The preludes and fugues, as part of this esteemed repertoire, remained in wide use throughout the eighteenth and nineteenth centuries. Consequently they number among the best-known and most-frequently discussed works of the baroque era. They were already available in several printed editions by the time the first volume of the BG appeared in 1851. They were treated at some length in the ground-breaking nineteenth-century biographies of Forkel, Hilgenfeldt, Bitter, and Spitta. Since then they have been discussed in general terms in the numerous monographs dealing with the organ repertoire or Bach's organ compositions in particular. Hence it is surprising that no one has singled out the preludes and fugues for a full-scale study, taking into consideration the sources, the style, the chronology, and other equally important aspects of the pieces. The present volume focuses on half of this task, the detailed investigation of the preludes. Included in this study will be all those compositions--called prelude, toccata, fantasia, or otherwise--which fulfill an introductory purpose. Thirty-three works fall into this category: nine single pieces and twenty-four preludes from prelude-fugue pairs.
Author: Peter Williams Publisher: Cambridge University Press ISBN: 9780521814164 Category : Music Languages : en Pages : 510
Book Description
This is a completely revised 2003 edition of volumes I and II of The Organ Music of J. S. Bach (1980), a bestselling title, which has subsequently become a classic text. This edition takes account of Bach scholarship of the 25 years prior to publication. Peter Williams's piece-by-piece commentary puts the musical sources of the organ works in context, describing the form and content of each work and relating them to other music, German and non-German. He summarises the questions about the history, authenticity, chronology, function and performance of each piece, and points out important details of style and musical quality. The study follows the order of the Bach catalogue (BWV), beginning with the sonatas, then the 'free works', followed by chorales and ending with the doubtful works, including the 'newly discovered chorales' of 1985.
Author: Johann Sebastian Bach Publisher: Alfred Music ISBN: 9781457418280 Category : Music Languages : en Pages : 228
Book Description
A most impressive 220-page edition of the first volume of "The Well-Tempered Clavier," these 24 preludes and 24 fugues were painstakingly researched over a period of 10 years, using the most important original manuscript sources. Baroque scholar Willard A. Palmer's thorough introduction discusses fugal construction, articulation and other aspects of performance interpretation. Volume I of "The Well-Tempered Clavier" has been updated with a new "look" to match Volume II. This essential masterpiece is a "must-have" for all pianists.
Author: Richard D. P. Jones Publisher: OUP Oxford ISBN: 9780191513244 Category : Music Languages : en Pages : 352
Book Description
This book gives an account of the individual works of one of the greatest composers. The first volume of a two-volume study of the music of J. S. Bach covers the earlier part of his composing career, 1695-1717. By studying the music chronologically a coherent picture of the composer's creative development emerges, drawing together all the strands of the individual repertoires (e.g. the cantatas, the organ music, the keyboard music). The volume is divided into two parts, covering the early works and the mature Weimar compositions respectively. Each part deals with four categories of composition in turn: large-scale keyboard works; preludes, fantasias, and fugues; organ chorales; and cantatas. Within each category, the discussion is prefaced by a list of the works to be considered, together with details of their original titles, catalogue numbers, and earliest sources. The study is thus usable as a handbook on Bach's works as well as a connected study of his creative development. As indicated by the subtitle Music to Delight the Spirit,, borrowed from Bach's own title-pages, Richard Jones draws attention to another important aspect of the book: not only is it a study of style and technique but a work of criticism, an analytical evaluation of Bach's music and an appreciation of its extraordinary qualities. It also takes account of the remarkable advances in Bach scholarship that have been made over the last 50 years, including the many studies that have appeared relating to various aspects of Bach's early music, such as the varied influences to which he was subjected and the problematic issues of dating and authenticity that arise. In doing so, it attempts to build up a coherent picture of his development as a creative artist, helping us to understand what distinguishes Bach's mature music from his early works and from the music of his predecessors and contemporaries. Hence we learn why it is that his later works are instantly recognizable as 'Bachian'.
Author: Johann Sebastian Bach Publisher: Alfred Music ISBN: 1457469111 Category : Music Languages : en Pages : 34
Book Description
This collection, edited by Dr. Hans Bischoff, consists of the "Six Little Preludes," BWV 933-938, along with twelve preludes taken from "The Little Piano Book" (Clavierbuchlein) of Wilhelm Friedemann Bach. Titles: * Prelude No. 1 in C Major (BWV 933) * Prelude No. 2 in C Minor (BWV 934) * Prelude No. 3 in D Minor (BWV 935) * Prelude No.4 in D Major (BWV 936) * Prelude No. 5 in E Major (BWV 937) * Prelude No. 6 in E Minor (BWV 938) * Prelude No. 7 in C Major * Prelude No. 8 in C Major * Prelude No. 9 in C Minor * Prelude No. 10 in D Major * Prelude No. 11 in D Minor * Prelude No. 12 in D Minor * Prelude No. 13 in E Minor * Prelude No. 14 in F Major * Prelude No. 15 in F Major * Prelude No. 16 in G Minor * Prelude No. 17 in G Minor * Prelude No. 18 in A Minor
Author: George B. Stauffer Publisher: Indiana University Press ISBN: 9780253213860 Category : Music Languages : en Pages : 324
Book Description
" . . . a valuable book of scholarly yet highly readable studies . . . every organist and anyone interested in the music of J. S. Bach should have it." —Early Keyboard Journal " . . . a very perceptive and informative guide . . . " —Early Music " . . . this book is a must." —The American Organist " . . . invaluable and entertaining . . . " —American Music Teacher " . . . among the most important and accomplished studies on eighteenth-century performance. Its comprehensiveness, clarity, and scholarship make it indispensable." —Performance Practice Review In J. S. Bach as Organist, specialists from six countries explore Bach's relationship to his favorite instrument during all periods of his career. J. S. Bach as Organist is a book for scholars, performers, and students. Authoritative and wide-ranging.
Author: Rollin Smith Publisher: Courier Corporation ISBN: 0486435822 Category : Music Languages : en Pages : 162
Book Description
Features works for organists who prefer to play without pedals, including J. S. Bach's Partite diverse sopra, O Gott, du frommer Gott!; Pachelbel's Canon in D; plus works by Mozart, Haydn, Beethoven, Handel, Liszt, and others.
Author: George B. Stauffer
Author: George B. Stauffer
Author: Peter Williams
Author: Alexandre Guilmant
Author: Johann Sebastian Bach
Author: Richard D. P. Jones
Author: Johann Sebastian Bach
Author: George B. Stauffer
Author: Rollin Smith
Author: Corliss Richard Arnold
Author: