Author: Norman Norwood HollandPublisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
No detailed description available for "The First Modern Comedies".
The First Modern Comedies
Author: Norman Norwood HollandPublisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
No detailed description available for "The First Modern Comedies".
First Modern Comedies
Author: Norman Norwood HollandThe First Modern Comedies. The Significance of Etherege, Wycherley and Congreve
Author: Norman Norwood HOLLANDPublisher:
ISBN:
Category :
Languages : en
Pages : 274
Book Description
The Comedy of Errors
Author: William ShakespeareA Modern Comedy
Author: John GalsworthyPublisher:
ISBN: 9780140184457
Category : English fiction
Languages : en
Pages : 862
Book Description
John Galsworthy OM (1867-1933) was an English novelist and playwright. He is viewed as one of the first writers of the Edwardian era; challenging in his works some of the ideals of society depicted in the preceeding literature of Victorian England. He won the Nobel Prize for literature in 1932. Notable works include The Forsyte Saga (1906-1921) and its sequels, A Modern Comedy and End of the Chapter. From the Four Winds was Galsworthy's first published work in 1897, a collection of short stories. These, and several subsequent works, were published under the pen name John Sinjohn and it would not be until The Island Pharisees (1904) that he would begin publishing under his own name. His first play, The Silver Box (1906) became a success, and he followed it up with The Man of Property (1906), the first in the Forsyte trilogy. Along with other writers of the time such as Shaw his plays addressed the class system and social issues, two of the best known being Strife (1909) and The Skin Game (1920).
A Cultural History of Comedy in the Early Modern Age
Author: Andrew McConnell StottPublisher: Bloomsbury Publishing
ISBN: 1350187712
Category : History
Languages : en
Pages : 256
Book Description
Drawing together scholars with a wide range of expertise across the early modern period, this volume explores the rich field of early modern comedy in all its variety. It argues that early modern comedy was shaped by a series of cultural transformations that included the emergence of the entertainment industry, the rise of the professional comedian, extended commentaries on the nature of comedy and laughter, and the development of printed jestbooks. It was the prime site from which to satirize a rapidly-changing world and explore the formation of new social relations around questions of gender, authority, identity, and commerce, amongst others. Yet even as it reacted to the novel and the new, comedy also served as a receptacle for the celebration of older social rituals such as May games and seasonal festivities. The result was a complex and contested mix of texts, performances, and concepts providing a deep tradition that abides to this day. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter and ethics. These eight different approaches to early modern comedy add up to an extensive, synoptic coverage of the subject.
Plotting Early Modern London
Author: Dieter MehlPublisher: Routledge
ISBN: 1351910698
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
With the publication of Brian Gibbons's Jacobean City Comedy thirty-five years ago, the urban satires by Ben Jonson, John Marston and Thomas Middleton attained their 'official status as a Renaissance subgenre' that was distinct, by its farcical humour and ironic tone, from 'citizen comedy' or 'London drama' more generally. This retrospective genre-building has proved immensely fruitful in the study of early modern English drama; and although city comedies may not yet rival Shakespeare's plays in the amount of editorial work and critical acclaim they receive, both the theatrical contexts and the dramatic complexity of the genre itself, and its interrelations with Shakespearean drama justly command an increasing level of attention. Looking at a broad range of plays written between the 1590s and the 1630s - master-pieces of the genre like Eastward Ho, A Trick to Catch the Old One, The Dutch Courtesan and The Devil is an Ass, blends of romance and satire like The Shoemaker's Holiday and The Knight of the Burning Pestle, and bourgeois oddities in the Shakespearean manner like The London Prodigal - the twelve essays in this volume re-examine city comedy in the light of recently foregrounded historical contexts such as early modern capitalism, urban culture, the Protestant Reformation, and playhouse politics. Further, they explore the interrelations between city comedy and Shakespearean comedy both from the perspective of author rivalry and in terms of modern adaptations: the twenty-first-century concept of 'popular Shakespeare' (above all in the movie sector) seems to realign the comparatively time- and placeless Shakespearean drama with the gritty, noisy and bustling urban scene that has been city comedy's traditional preserve.
The Forsyte Saga - The Complete Edition: The Forsyte Saga + A Modern Comedy + End of the Chapter + On Forsyte 'Change (A Prequel to The Forsyte Saga)
Author: John GalsworthyPublisher: e-artnow
ISBN: 8026836774
Category : Fiction
Languages : en
Pages : 3184
Book Description
This carefully crafted ebook: "The Forsyte Saga - The Complete Edition: The Forsyte Saga + A Modern Comedy + End of the Chapter + On Forsyte 'Change (A Prequel to The Forsyte Saga)" is formatted for your eReader with a functional and detailed table of contents. The Forsyte Saga is a series of three novels and two interludes published between 1906 and 1921 by Nobel Prize-winning English author John Galsworthy. They chronicle the vicissitudes of the leading members of a large commercial upper middle-class English family, similar to Galsworthy's own. The second trilogy of the Forsyte Saga is A Modern Comedy, written in the years 1924 to 1928. This comprises a novel, The White Monkey, an interlude, A Silent Wooing, a second novel, The Silver Spoon, a second interlude, Passers By, and a third novel Swan Song. The third trilogy of the Forsyte Saga is End of the Chapter, comprising Maid in Waiting, Flowering Wilderness, and Over the River (also known as One More River), chiefly dealing with Michael Mont's young cousin, Dinny Cherrell. The three trilogies are published under the collective title of The Forsyte Chronicles. In 1930 Galsworthy published On Forsyte 'Change which deals in the main with the older Forsytes before the events chronicled in The Man of Property. John Galsworthy (18670́31933) was an English novelist and playwright. He won the Nobel Prize in Literature in 1932. Table of Contents: The Forsyte Chronicles: The Forsyte Saga Book 1: The Man of Property Interlude: Indian Summer of a Forsyte Book 2: In Chancery Interlude: Awakening Book 3: To Let A Modern Comedy (Second Trilogy of the Forsyte Saga) Book 1: The White Monkey Interlude: A Silent Wooing Book 2: The Silver Spoon Interlude: Passers By Book 3: Swan Song End of the Chapter (Third Trilogy of the Forsyte Saga) Book 1: Aid in Waiting Book 2: Flowering Wilderness Book 3: Over the River (One More River) On Forsyte 'Change This carefully crafted ebook: "The Forsyte Saga - The Complete Edition: The Forsyte Saga + A Modern Comedy + End of the Chapter + On Forsyte 'Change (A Prequel to The Forsyte Saga)" is formatted for your eReader with a functional and detailed table of contents. The Forsyte Saga is a series of three novels and two interludes published between 1906 and 1921 by Nobel Prize-winning English author John Galsworthy. They chronicle the vicissitudes of the leading members of a large commercial upper middle-class English family, similar to Galsworthy's own. The second trilogy of the Forsyte Saga is A Modern Comedy, written in the years 1924 to 1928. This comprises a novel, The White Monkey, an interlude, A Silent Wooing, a second novel, The Silver Spoon, a second interlude, Passers By, and a third novel Swan Song. The third trilogy of the Forsyte Saga is End of the Chapter, comprising Maid in Waiting, Flowering Wilderness, and Over the River (also known as One More River), chiefly dealing with Michael Mont's young cousin, Dinny Cherrell. The three trilogies are published under the collective title of The Forsyte Chronicles. In 1930 Galsworthy published On Forsyte 'Change which deals in the main with the older Forsytes before the events chronicled in The Man of Property. John Galsworthy (18670́31933) was an English novelist and playwright. He won the Nobel Prize in Literature in 1932. Table of Contents: The Forsyte Chronicles: The Forsyte Saga Book 1: The Man of Property Interlude: Indian Summer of a Forsyte Book 2: In Chancery Interlude: ...
The Places of Wit in Early Modern English Comedy
Author: Adam ZuckerPublisher: Cambridge University Press
ISBN: 1107003083
Category : Drama
Languages : en
Pages : 271
Book Description
An exploration of wit, witlessness and social and comic conventions in the plays of Shakespeare, Jonson and their contemporaries.
Ancient Comedy and Reception
Author: S. Douglas OlsonPublisher: Walter de Gruyter
ISBN: 161451125X
Category : History
Languages : en
Pages : 1098
Book Description
This wide-ranging collection, consisting of 50 essays by leading international scholars in a variety of fields, provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Section I considers how the 5th- and 4th-century Athenian comic poets defined themselves and their plays, especially in relation to other major literary forms. It then moves on to the Roman world and to the reception of Greek comedy there in art and literature. Section II deals with the European reception of Greek and Roman comedy in the Medieval, Renaissance, and Early Modern periods, and with the European stage tradition of comic theater more generally. Section III treats the handling of Greco-Roman comedy in the modern world, with attention not just to literary translations and stage-productions, but to more modern media such as radio and film. The collection will be of interest to students of ancient comedy as well as to all those concerned with how literary and theatrical traditions are passed on from one time and place to another, and adapted to meet local conditions and concerns.