Author: Museum of Modern Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 704
Book Description
Catalog of the Library of the Museum of Modern Art: Rej
Author: Museum of Modern Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 704
Book Description
Catalogue of the Library of the National Gallery of Canada
Author: National Gallery of Canada. LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 782
Book Description
Report on the National Collection of Fine Arts Including the Freer Gallery of Art
Author: National Collection of Fine Arts (U.S.)Publisher:
ISBN:
Category :
Languages : en
Pages : 302
Book Description
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 860
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 690
Book Description
Society of Six
Author: Nancy BoasPublisher: Univ of California Press
ISBN: 0520919777
Category : Art
Languages : en
Pages : 234
Book Description
Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright OfficePublisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1786
Book Description
Official Catalogue of the Department of Fine Arts, Panama-Pacific International Exposition (with Awards) San Francisco, California ...
Author: San Francisco (Calif.). Panama-Pacific International Exposition, 1915. Dept. of Fine ArtsPublisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Annual Report
Author: National Endowment for the ArtsPublisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 686
Book Description
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Terry Winters
Author: Terry WintersPublisher: Yale University Press
ISBN: 0300104561
Category : Art
Languages : en
Pages : 184
Book Description
Terry Winters’s work of the past decade weaves disparate strains of idea, object, and physical operations into the primary logic of his art. His art contains an astonishing array of forms and demonstrates the equally surprising breadth of his artistic language. This retrospective volume continues where the mid-career survey (1992) at the Whitney Museum concluded, presenting the past decade of Winters’s innovative work in paintings, prints, drawings, and artists’ books. Terry Winters presents the ways in which the artist creates sets and subsets of distinctive works that interact with bodies of previous and current work. Also included are images by the artist that have not previously been exhibited or published. Winters’s work is frequently included in conversations and studies relating to the interplay of art and science, and his recent paintings, drawings, and prints reflect his engagement with scientific and computational systems of thought and presentations of information. For Winters, abstract art has become a vehicle not for “reproducing and inventing form but for harnessing forces.” By utilizing expressive means, “data becomes pictorial and spatial.” This superbly illustrated volume displays the full range of Winters’s newest works and the complex relationships that link them to one another.