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The Feminist, the Housewife, and the Soap Opera

The Feminist, the Housewife, and the Soap Opera PDF Author: Charlotte Brunsdon
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 276

Book Description
This book traces the feminist engagement with soap opera using sources from programme publicity to interviews with scholars. It reveals that scholarship on soap opera was a significant site from which the identity feminist intellectual was produced.

The Feminist, the Housewife, and the Soap Opera

The Feminist, the Housewife, and the Soap Opera PDF Author: Charlotte Brunsdon
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 276

Book Description
This book traces the feminist engagement with soap opera using sources from programme publicity to interviews with scholars. It reveals that scholarship on soap opera was a significant site from which the identity feminist intellectual was produced.

The Feminist, the Housewife, and the Soap Opera

The Feminist, the Housewife, and the Soap Opera PDF Author: Charlotte Brunsdon
Publisher:
ISBN: 9780191673702
Category : Feminist television criticism
Languages : en
Pages : 253

Book Description
This book traces the feminist engagement with soap opera using sources from programme publicity to interviews with scholars. It reveals that scholarship on soap opera was a significant site from which the identity feminist intellectual was produced.

The Feminist, the Housewife and the Soap Opera

The Feminist, the Housewife and the Soap Opera PDF Author: Charlotte Mary Brunsdon
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


Women and Soap Opera

Women and Soap Opera PDF Author: Dannielle Blumenthal
Publisher: Praeger
ISBN:
Category : Performing Arts
Languages : en
Pages : 160

Book Description
Women's soap opera viewing has long been thought of by feminists and nonfeminists as an unproductive waste of time. Blumenthal takes the opposing view, arguing that women's indulgence in these programs is actually liberating. In overcoming the social opposition to the stigma attached to the feminine content and style, and engaging in soap opera viewing, women celebrate their femininity, particularly their gendered identification with romance, relationality, intuitiveness, talkativeness, and other aspects of emotionality. This book will be of interest to academics in the areas of sociology, women's studies, and media studies.

The Feminist, the Housewife, and the Soap Opera

The Feminist, the Housewife, and the Soap Opera PDF Author: Charlotte Brunsdon
Publisher: OUP Oxford
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 280

Book Description
This book traces the feminist engagement with soap opera using sources from programme publicity to interviews with scholars. It reveals that scholarship on soap opera was a significant site from which the identity feminist intellectual was produced.

No End to Her

No End to Her PDF Author: Martha Nochimson
Publisher: Univ of California Press
ISBN: 0520077717
Category : Performing Arts
Languages : en
Pages : 251

Book Description
Santa Barbara General Hospital Days of our lives.

Soap Opera and Women's Talk

Soap Opera and Women's Talk PDF Author: Mary Ellen Brown
Publisher: SAGE Publications, Incorporated
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 248

Book Description
Brown states soap operas create and support a social network in which talk becomes a form of resistive pleasure. It tells how soap operas create the opening for women to serve as wedges in the dominant culture and how the hegemonic notions of femininity and womanhood are developed.

Love and Ideology in the Afternoon

Love and Ideology in the Afternoon PDF Author: Russell E. Mumford
Publisher: Indiana University Press
ISBN: 9780253115881
Category : Social Science
Languages : en
Pages : 184

Book Description
"Why do I like soap operas?" Laura Stempel Mumford asks, and her answer emerges in a feminist analysis of soap opera that participates in current debates about popular culture, television, and ideology. She argues that the conventional daytime soap has an implicit and at times explicit political agenda that cooperates in the "teaching" of male dominance and the related oppressions of racism, classism, and heterosexism -- so that they seem inevitable. All My Children, General Hospital, Another World, One Life to Live, Days of Our Lives, The Young and the Restless: a close reading of their texts will also answer some larger questions about television and its place in the broad landscape of popular culture.

Love and Ideology in the Afternoon

Love and Ideology in the Afternoon PDF Author: Laura Stempel Mumford
Publisher:
ISBN:
Category : Radio soap operas
Languages : en
Pages : 184

Book Description
"Why do I like soap operas?" Laura Stempel Mumford asks, and her answer emerges in a feminist analysis of soap opera that participates in current debates about popular culture, television, and ideology. She argues that the conventional daytime soap has an implicit and at times explicit political agenda that cooperates in the "teaching" of male dominance and the related oppressions of racism, classism, and heterosexism--so that they seem inevitable. All My Children, General Hospital, Another World, One Life to Live, Days of Our Lives, The Young and the Restless: a close reading of their texts will also answer some larger questions about television and its place in the broad landscape of popular culture.

Women and Soap Opera

Women and Soap Opera PDF Author: Christine Geraghty
Publisher: Blackwell Publishing
ISBN: 9780745605685
Category : Performing Arts
Languages : en
Pages : 211

Book Description
This is the first major study of the roles of women in prime time soap operas. In a comparative analysis of British and North American television soaps, Christine Geraghty examines the relationship between the narratives on the screen and the women viewers who make up the traditional soap audience. Within the structure of many of the most popular soaps, such as Dallas, Dynasty, Coronation Street and EastEnders, the split between public and personal life, reason and emotion, work and leisure is turned into a lynchpin of the plot. The author argues that these themes are also linked to broader social divisions between men and women, divisions which soap operas both question and develop as a source of pleasure. Geraghty analyses the critical role of women characters in the families and communities of soaps and suggests that the utopian possibilities of soaps can be used not just to maintain the status quo, but to promote change and influence attitudes and prejudices. She examines the way in which soaps have been transformed in the last decade, looking at how issues of class, race, sexual orientation and feminism have been handled in the programmes. She argues that in pursuing new audiences more recent soaps such as Brookside may have put at risk the pleasures they have traditionally offered their women viewers. Women and Soap Opera is a detailed, thoughtful and wide-ranging analysis which will become a central work in women’s studies and media and cultural studies courses.