Author: Edmund Flagg
Publisher:
ISBN:
Category : Illinois
Languages : en
Pages : 306
Book Description
The Far West, Or, A Tour Beyond the Mountains
Author: Edmund Flagg
Publisher:
ISBN:
Category : Illinois
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Illinois
Languages : en
Pages : 306
Book Description
Flagg's The far West...pt.2, and De Smet's Letters and sketches...v.28, Farnham's Travels in the great western prairies...pt.1
Author: Reuben Gold Thwaites
Publisher:
ISBN:
Category : Mississippi River Valley
Languages : en
Pages : 434
Book Description
Publisher:
ISBN:
Category : Mississippi River Valley
Languages : en
Pages : 434
Book Description
Flagg's the Far West
Author: Edmund Flagg
Publisher: Applewood Books
ISBN: 1429001925
Category : History
Languages : en
Pages : 382
Book Description
Flagg was a native of Maine who ran newspapers in the Mid-West. His background in law and commerce would indicate a reason for the interest in the West, which at the time this journal was written, was a source of tremendous potential.
Publisher: Applewood Books
ISBN: 1429001925
Category : History
Languages : en
Pages : 382
Book Description
Flagg was a native of Maine who ran newspapers in the Mid-West. His background in law and commerce would indicate a reason for the interest in the West, which at the time this journal was written, was a source of tremendous potential.
Early Western Travels, 1748-1846: Flagg, E. Flagg's The Far West, 1836-1837. Pt. 1
Author: Reuben Gold Thwaites
Publisher:
ISBN:
Category : Mississippi River Valley
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : Mississippi River Valley
Languages : en
Pages : 392
Book Description
Dictionary Catalogue of the Illinois State Library
Author: Illinois State Library
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 814
Book Description
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 814
Book Description
Mound City
Author: Patricia Cleary
Publisher: University of Missouri Press
ISBN: 0826274994
Category : History
Languages : en
Pages : 463
Book Description
Nearly one thousand years ago, Native peoples built a satellite suburb of America's great metropolis on the site that later became St. Louis. At its height, as many as 30,000 people lived in and around present-day Cahokia, Illinois. While the mounds around Cahokia survive today (as part of a state historic site and UNESCO world heritage site), the monumental earthworks that stood on the western shore of the Mississippi were razed in the 1800s. But before and after they fell, the mounds held an important place in St. Louis history, earning it the nickname “Mound City.” For decades, the city had an Indigenous reputation. Tourists came to marvel at the mounds and to see tribal delegations in town for trade and diplomacy. As the city grew, St. Louisans repurposed the mounds—for a reservoir, a restaurant, and railroad landfill—in the process destroying cultural artifacts and sacred burial sites. Despite evidence to the contrary, some white Americans declared the mounds natural features, not built ones, and cheered their leveling. Others espoused far-fetched theories about a lost race of Mound Builders killed by the ancestors of contemporary tribes. Ignoring Indigenous people's connections to the mounds, white Americans positioned themselves as the legitimate inheritors of the land and asserted that modern Native peoples were destined to vanish. Such views underpinned coerced treaties and forced removals, and—when Indigenous peoples resisted—military action. The idea of the “Vanishing Indian” also fueled the erasure of Indigenous peoples’ histories, a practice that continued in the 1900s in civic celebrations that featured white St. Louisans “playing Indian” and heritage groups claiming the mounds as part of their own history. Yet Native peoples endured and in recent years, have successfully begun to reclaim the sole monumental mound remaining within city limits. Drawing on a wide range of sources, Patricia Cleary explores the layers of St. Louis’s Indigenous history. Along with the first in-depth overview of the life, death, and afterlife of the mounds, Mound City offers a gripping account of how Indigenous histories have shaped the city’s growth, landscape, and civic culture.
Publisher: University of Missouri Press
ISBN: 0826274994
Category : History
Languages : en
Pages : 463
Book Description
Nearly one thousand years ago, Native peoples built a satellite suburb of America's great metropolis on the site that later became St. Louis. At its height, as many as 30,000 people lived in and around present-day Cahokia, Illinois. While the mounds around Cahokia survive today (as part of a state historic site and UNESCO world heritage site), the monumental earthworks that stood on the western shore of the Mississippi were razed in the 1800s. But before and after they fell, the mounds held an important place in St. Louis history, earning it the nickname “Mound City.” For decades, the city had an Indigenous reputation. Tourists came to marvel at the mounds and to see tribal delegations in town for trade and diplomacy. As the city grew, St. Louisans repurposed the mounds—for a reservoir, a restaurant, and railroad landfill—in the process destroying cultural artifacts and sacred burial sites. Despite evidence to the contrary, some white Americans declared the mounds natural features, not built ones, and cheered their leveling. Others espoused far-fetched theories about a lost race of Mound Builders killed by the ancestors of contemporary tribes. Ignoring Indigenous people's connections to the mounds, white Americans positioned themselves as the legitimate inheritors of the land and asserted that modern Native peoples were destined to vanish. Such views underpinned coerced treaties and forced removals, and—when Indigenous peoples resisted—military action. The idea of the “Vanishing Indian” also fueled the erasure of Indigenous peoples’ histories, a practice that continued in the 1900s in civic celebrations that featured white St. Louisans “playing Indian” and heritage groups claiming the mounds as part of their own history. Yet Native peoples endured and in recent years, have successfully begun to reclaim the sole monumental mound remaining within city limits. Drawing on a wide range of sources, Patricia Cleary explores the layers of St. Louis’s Indigenous history. Along with the first in-depth overview of the life, death, and afterlife of the mounds, Mound City offers a gripping account of how Indigenous histories have shaped the city’s growth, landscape, and civic culture.
Early Western Travels, 1748-1846
Author: Reuben Gold Thwaites
Publisher:
ISBN:
Category : Mississippi River Valley
Languages : en
Pages : 350
Book Description
An index of sources, illustrations, etc used in the Early western travels, 1748-1846 series.
Publisher:
ISBN:
Category : Mississippi River Valley
Languages : en
Pages : 350
Book Description
An index of sources, illustrations, etc used in the Early western travels, 1748-1846 series.
Western Art, Western History
Author: Ron Tyler
Publisher: University of Oklahoma Press
ISBN: 0806164425
Category : Art
Languages : en
Pages : 313
Book Description
For nearly half a century, celebrated historian Ron Tyler has researched, interpreted, and exhibited western American art. This splendid volume, gleaned from Tyler’s extensive career of connoisseurship, brings together eight of the author’s most notable essays, reworked especially for this volume. Beautifully illustrated with more than 150 images, Western Art, Western History tells the stories of key artists, both famous and obscure, whose provocative pictures document the people and places of the nineteenth-century American West. The artists depicted in these pages represent a variety of personalities and artistic styles. According to Tyler, each of them responded in unique ways to the compelling and exotic drama that unfolded in the West during the nineteenth century—an age of exploration, surveying, pleasure travel, and scientific discovery. In eloquent and engaging prose, Tyler unveils a fascinating cast of characters, including the little-known German-Russian artist Louis Choris, who served as a draftsman on the second Russian circumnavigation of the globe; the exacting and precise Swiss artist Karl Bodmer, who accompanied Prince Maximilian of Wied on his sojourn up the Missouri River; and the young American Alfred Jacob Miller, whose seemingly frivolous and romantic depictions of western mountain men and American Indians remained largely unknown until the mid-twentieth century. Other artists showcased in this volume are John James Audubon, George Caleb Bingham, Alfred E. Mathews, and, finally, Frederic Remington, who famously sought to capture the last glimmers of the “old frontier.” A common thread throughout Western Art, Western History is the important role that technology—especially the development of lithography—played in the dissemination of images. As the author emphasizes, many works by western artists are valuable not only as illustrations but as scientific documents, imbued with cultural meaning. By placing works of western art within these broader contexts, Tyler enhances our understanding of their history and significance.
Publisher: University of Oklahoma Press
ISBN: 0806164425
Category : Art
Languages : en
Pages : 313
Book Description
For nearly half a century, celebrated historian Ron Tyler has researched, interpreted, and exhibited western American art. This splendid volume, gleaned from Tyler’s extensive career of connoisseurship, brings together eight of the author’s most notable essays, reworked especially for this volume. Beautifully illustrated with more than 150 images, Western Art, Western History tells the stories of key artists, both famous and obscure, whose provocative pictures document the people and places of the nineteenth-century American West. The artists depicted in these pages represent a variety of personalities and artistic styles. According to Tyler, each of them responded in unique ways to the compelling and exotic drama that unfolded in the West during the nineteenth century—an age of exploration, surveying, pleasure travel, and scientific discovery. In eloquent and engaging prose, Tyler unveils a fascinating cast of characters, including the little-known German-Russian artist Louis Choris, who served as a draftsman on the second Russian circumnavigation of the globe; the exacting and precise Swiss artist Karl Bodmer, who accompanied Prince Maximilian of Wied on his sojourn up the Missouri River; and the young American Alfred Jacob Miller, whose seemingly frivolous and romantic depictions of western mountain men and American Indians remained largely unknown until the mid-twentieth century. Other artists showcased in this volume are John James Audubon, George Caleb Bingham, Alfred E. Mathews, and, finally, Frederic Remington, who famously sought to capture the last glimmers of the “old frontier.” A common thread throughout Western Art, Western History is the important role that technology—especially the development of lithography—played in the dissemination of images. As the author emphasizes, many works by western artists are valuable not only as illustrations but as scientific documents, imbued with cultural meaning. By placing works of western art within these broader contexts, Tyler enhances our understanding of their history and significance.
The New York Review
Author: Francis Lister Hawks
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 554
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 554
Book Description
Classified Catalogue of the Carnegie Library of Pittsburgh
Author: Pittsburgh, Pa. Carnegie Free Library of Alleghany
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 1072
Book Description
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 1072
Book Description