Author: Paul John Vander Gheynst
Publisher:
ISBN:
Category : Auditory perception
Languages : en
Pages : 636
Book Description
The Effect of Timbre on Auditory-visual Discrimination
Author: Paul John Vander Gheynst
Publisher:
ISBN:
Category : Auditory perception
Languages : en
Pages : 636
Book Description
Publisher:
ISBN:
Category : Auditory perception
Languages : en
Pages : 636
Book Description
Auditory-Visual Discrimination
Author: Carole Osterink
Publisher: Scholastic Inc.
ISBN: 9780590764889
Category : Education
Languages : en
Pages : 36
Book Description
Publisher: Scholastic Inc.
ISBN: 9780590764889
Category : Education
Languages : en
Pages : 36
Book Description
Analysis, Synthesis, and Perception of Musical Sounds
Author: James Beauchamp
Publisher: Springer Science & Business Media
ISBN: 038732576X
Category : Science
Languages : en
Pages : 348
Book Description
This book contains a complete and accurate mathematical treatment of the sounds of music with an emphasis on musical timbre. The book spans the range from tutorial introduction to advanced research and application to speculative assessment of its various techniques. All the contributors use a generalized additive sine wave model for describing musical timbre which gives a conceptual unity, but is of sufficient utility to be adapted to many different tasks.
Publisher: Springer Science & Business Media
ISBN: 038732576X
Category : Science
Languages : en
Pages : 348
Book Description
This book contains a complete and accurate mathematical treatment of the sounds of music with an emphasis on musical timbre. The book spans the range from tutorial introduction to advanced research and application to speculative assessment of its various techniques. All the contributors use a generalized additive sine wave model for describing musical timbre which gives a conceptual unity, but is of sufficient utility to be adapted to many different tasks.
The Oxford Handbook of Timbre
Author: Emily I. Dolan
Publisher: Oxford University Press
ISBN: 0190637250
Category : Music
Languages : en
Pages : 740
Book Description
Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.
Publisher: Oxford University Press
ISBN: 0190637250
Category : Music
Languages : en
Pages : 740
Book Description
Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.
Dissertation Abstracts International
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 492
Book Description
Discrimination of Simultaneous Auditory and Visual Signals
Author: Harold Walter Karl Stanislaw
Publisher:
ISBN:
Category : Auditory perception
Languages : en
Pages : 286
Book Description
Publisher:
ISBN:
Category : Auditory perception
Languages : en
Pages : 286
Book Description
The Effect of Prolonged Exposure to Visual and Auditory Stimulation on Form Discrimination
Author: Richard David Brummett
Publisher:
ISBN:
Category : Hearing
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Hearing
Languages : en
Pages : 48
Book Description
American Doctoral Dissertations
Author:
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 568
Book Description
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 568
Book Description
Auditory and Visual Pattern Recognition
Author: David J. Getty
Publisher: Routledge
ISBN: 131553259X
Category : Psychology
Languages : en
Pages : 332
Book Description
The systematic scientific investigation of human perception began over 130 years ago, yet relatively little is known about how we identify complex patterns. A major reason for this is that historically, most perceptual research focused on the more basic processes involved in the detection and discrimination of simple stimuli. This work progressed in a connectionist fashion, attempting to clarify fundamental mechanisms in depth before addressing the more complex problems of pattern recognition and classification. This extensive and impressive research effort built a firm basis from which to speculate about these issues. What seemed lacking, however, was an overall characterization of the recognition problem – a broad theoretical structure to direct future research in this area. Consequently, our primary objective in this volume, originally published in 1981, was not only to review existing contributions to our understanding of classification and recognition, but to project fruitful areas and directions for future research as well. The book covers four areas: complex visual patterns; complex auditory patterns; multi-dimensional perceptual spaces; theoretical pattern recognition.
Publisher: Routledge
ISBN: 131553259X
Category : Psychology
Languages : en
Pages : 332
Book Description
The systematic scientific investigation of human perception began over 130 years ago, yet relatively little is known about how we identify complex patterns. A major reason for this is that historically, most perceptual research focused on the more basic processes involved in the detection and discrimination of simple stimuli. This work progressed in a connectionist fashion, attempting to clarify fundamental mechanisms in depth before addressing the more complex problems of pattern recognition and classification. This extensive and impressive research effort built a firm basis from which to speculate about these issues. What seemed lacking, however, was an overall characterization of the recognition problem – a broad theoretical structure to direct future research in this area. Consequently, our primary objective in this volume, originally published in 1981, was not only to review existing contributions to our understanding of classification and recognition, but to project fruitful areas and directions for future research as well. The book covers four areas: complex visual patterns; complex auditory patterns; multi-dimensional perceptual spaces; theoretical pattern recognition.
Speech and Hearing
Author: University Microfilms International
Publisher:
ISBN:
Category : Audiology
Languages : en
Pages : 78
Book Description
Publisher:
ISBN:
Category : Audiology
Languages : en
Pages : 78
Book Description