Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 408
Book Description
The Edinburgh Review
Athenaeum
Author: James Silk BuckinghamPublisher:
ISBN:
Category :
Languages : en
Pages : 896
Book Description
Literary Gazette and Journal of Belles Lettres, Arts, Sciences, Etc
Author: William JerdanA Bibliography of Hume's Writings and Early Responses
Author: James FieserPublisher: James Fieser
ISBN:
Category : Philosophy
Languages : en
Pages : 217
Book Description
This work is a supplement to the 10-volume series "Early Responses to Hume", which is an edited and annotated collection of eighteenth-and nineteenth-century critical reactions to Scottish philosopher David Hume (1711-1776) . Both a philosopher and historian, he was infamous in his day for his skeptical views on human nature, knowledge, metaphysics, and religion.
The Examiner
Author: Gentleman's Magazine, Or Monthly Intelligencer
Author: Sylvanus Urban (pseud. van Edward Cave.)Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 866
Book Description
English Writing and India, 1600–1920
Author: Pramod K. NayarPublisher: Routledge
ISBN: 113413150X
Category : Literary Collections
Languages : en
Pages : 225
Book Description
This book explores the formations and configurations of British colonial discourse on India through a reading of prose narratives of the 1600-1920 period. Arguing that colonial discourse often relied on aesthetic devices in order to describe and assert a degree of narrative control over Indian landscape, Pramod Nayar demonstrates how aesthetics furnished a vocabulary and representational modes for the British to construct particular images of India. Looking specifically at the aesthetic modes of the marvellous, the monstrous, the sublime, the picturesque and the luxuriant, Nayar marks the shift in the rhetoric – from the exploration narratives from the age of mercantile exploration to that of the ‘shikar’ memoirs of the late nineteenth and early twentieth century’s extreme exotic. English Writing and India provides an important new study of colonial aesthetics, even as it extends current scholarship on the modes of early British representations of new lands and cultures.
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Author: 
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