Author: Eileen BarryPublisher:
ISBN:
Category : Athens (Greece)
Languages : en
Pages : 102
Book Description
The Ecclesiazusae as a Political Satire
Author: Eileen BarryPublisher:
ISBN:
Category : Athens (Greece)
Languages : en
Pages : 102
Book Description
Politics and Persuasion in Aristophanes' Ecclesiazusae
Author: K.S. RothwellPublisher: BRILL
ISBN: 9004329072
Category : Literary Criticism
Languages : en
Pages : 130
Book Description
This study shows that the Ecclesiazusae is an affirmation of the importance of persuasion in the fourth- century democracy. Praxagora, the attractive and articulate female protagonist, virtually personifies peitho, the realm of both political persuasion and erotic seduction. The ability of peitho to address both public and private motivations makes it the perfect instrument to resolve the tension in the fourth century between selfishness and civic participation. This is, after all, the central issue in the later episodes of the play.
A history of Greece, from the earliest times to the destruction of Corinth, B.C. 146, based upon that of C. Tirlwall
Author: Leonhard SchmitzA History of Greece from the Earliest Times to the Destruction of Corinth (B.C. 146) Mainly Based Upon that of Connop Thirlwall, D.D.
Author: Leonhard SchmitzGreek Political Theory
Author: Sir Ernest BarkerPublisher: Routledge
ISBN: 1135026858
Category : Political Science
Languages : en
Pages : 467
Book Description
Much has been written about the interpretation of Plato in the last thirty years. Once interpreted as a revolutionary of the left, and a prophet of Socialism, he has lately been interpreted as a revolutionary of the Right and a forerunner of Fascism. In this book Plato appears as himself – a revolutionary indeed, and even an authoritarian, but a revolutionary of the pure idea of the Good, and an authoritarian of the pure reason, unattached either to the Right or the Left.
A Companion to Aristophanes
Author: Matthew C. FarmerPublisher: John Wiley & Sons
ISBN: 1119622883
Category : History
Languages : en
Pages : 469
Book Description
Provides a comprehensive and systematic treatment of the life and work of Aristophanes A Companion to Aristophanes provides an invaluable set of foundational resources for undergraduates, graduate students, and scholars alike. More than a basic reference text, this innovative volume situates each of Aristophanes' surviving plays within discussion of key themes relevant to the study of the Aristophanic corpus. Throughout the Companion, an international panel of contributors incorporates material culture and performance context, offers methodological and theoretical insights into the study of Aristophanes, demonstrates the relevance of Aristophanes to modern life, and more. Each chapter focused on a particular play is paired with a theme that is exemplified by that play, such as gender, sexuality, religion, ritual, and satire. With an emphasis on understanding Greek comedy and its ancient Athenian context, the text includes approaches to Aristophanes through criticism, performance, translation, and teaching to encourage and inform future work on Greek comedy. Illustrating the vitality of contemporary engagement with one of the world's great literary figures, this comprehensive volume: Helps new readers and teachers of Aristophanes appreciate the broader importance of each play within the study of antiquity Offers sophisticated analyses of the Aristophanic corpus and its place in literary and cultural history Includes chapters focused on teaching Aristophanes, including one emphasizing performance Provides detailed syllabi and lesson plans for integrating the material into high school and college curricula A Companion to Aristophanes is an essential resource for advanced students and instructors in Classics, Ancient Literature, Comparative Literature, and Ancient Drama and Theater. It is also a must-have reference for academic scholars, university libraries, non-specialist Classicists and other literary critics researching ancient drama, and sophisticated general readers interested in Aristophanes, Greek drama, classical Athens, or the ancient Mediterranean world.
P. Terenti Afri Comoediae
Author: TerencePublisher:
ISBN:
Category : Latin language
Languages : en
Pages : 728
Book Description
Why So Serious: On Philosophy and Comedy
Author: Russell FordPublisher: Routledge
ISBN: 1351363026
Category : Philosophy
Languages : en
Pages : 322
Book Description
The Western philosophical tradition shows a marked fondness for tragedy. From Plato and Aristotle, through German idealism, to contemporary reflections on the murderous violence of the twentieth century, philosophy has often looked to tragedy for resources to make suffering, grief, and death thinkable. But what if showing a preference for tragedy, philosophical thought has unwittingly and unknowingly aligned itself with a form of thinking that accepts injustice without protest? This collection explores possibilities for philosophical thinking that refuses the tragic model of thought, and turns instead to its often-overlooked companion: comedy. Comprising of a series of experiments ranging across the philosophical tradition, the essays in this volume propose to break, or at least suspend, the use of tragedy as an index of truth and philosophical worth. Instead, they explore new conceptions of solidarity, sympathy, critique, and justice. In addition, the essays collected here provide ample reason to believe that philosophical thinking, aligned with comedy, is capable of important and original insights, discoveries, and creations. The prejudicial acceptance of tragic seriousness only impoverishes the life of thought; it can be rejuvenated and renewed by laughter and the comic. This book was originally published as a special issue of Angelaki.
Resistant Form: Aristophanes and the Comedy of Crisis
Author: Mario TelòPublisher: punctum books
ISBN: 1685710883
Category : Literary Criticism
Languages : en
Pages : 419
Book Description
Can attending to poetic form help us imagine a radical politics and bridge the gap between pressing contemporary political concerns and an ancient literature that often seems steeped in dynamics of oppression? The corpus of the fifth-century Athenian playwright Aristophanes includes some of the funniest yet most disturbing comedies of Western literature. His work’s anarchic experimentation with language invites a radically “oversensitive” hyperformalism, a formalistic overanalysis that disrupts, disables, or even abolishes a range of normativities (government, labor, reproduction, gender). Exceeding not just historicist contextualism, but also conventional notions of laughter and the logic of the joke, Resistant Form: Aristophanes and the Comedy of Crisis uses Aristophanes to fully embrace, in the practice of close or “too-close” reading, the etymological and conceptual nexus of crisis, critique, and literary criticism. These exuberant readings of Birds, Frogs, Lysistrata, and Women at the Thesmophoria, together with the first attempt ever to grapple with the comic style of critical theorists Gilles Deleuze, Achille Mbembe, and Jack Halberstam, connect Aristophanes with contemporary discourses of biopolitics, necrocitizenship, care, labor, and transness, and at the same time disclose a quasi- or para-Aristophanic mode in the written textures of critical theory. Here is a radically new approach to the literary criticism of the pre-modern – one that materializes the circuit of crisis and critique through a restless inhabitation of the becomings and unbecomings of comic form.
Aristophanes' Comedy of Names
Author: Nikoletta KanavouPublisher: Walter de Gruyter
ISBN: 3110247062
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
Aristophanes, the celebrated Greek comic poet, is famous for his plays on contemporary themes, in which he exercises fierce political satire. Ancient political comedy made ample use of comically significant proper names - much as is the case in modern satire. Comic names used by Aristophanes for his satirical targets (public figures, everyday Athenians) provide the main subject of this book, which addresses questions such as why particular names are chosen (or invented), and how they relate to the plays' characters and themes.