Author: Nathan T. WhitmanPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Drawings of Raymond Lafage
The drawings fo Raymond Lafage
Author: Nathan T. WhitmanThe Drawings of Raymond Lafage
Author: Nathan T. WhitmanPublisher: Springer
ISBN: 9401509417
Category : Art
Languages : en
Pages : 156
Book Description
List of Illustrations xiii The Life I The Style 19 Contents The Drawings 40 Appraisal and Evaluation 64 Bibliography 79 Notes 82 Index 90 Illustrations vii The French seventeenth century remains at the present moment one of the few areas in the history of later western art which still needs intensive study. Even the work of Pous sin, its most outstanding painter and the object of a continu ous stream of encomiums stretching back to his own life time, has only recently begun to be explored with the full scholarly apparatus of contemporary art history, and a definitive monograph is probably still some years in the future. La Tour and the Le Nain brothers have been intro duced into the company of great artists only within the past Foreword quarter century, and with significant discoyeries still being made complete evaluations are as yet not even to be contem plated. After numerous casual encounters with the frequent ly handsome if astonishingly varied canvases of Bourdon, one becomes suspicious of the ever repeated dismissal of his work as merely eclectic and longs for a revealing analysis of his purposes and patronage. The harsh Latinity of Valentin, the sumptuous strangeness ofVignon, the audacious languor of Antoine Coypel, these are some of the many topics that still await careful investigation and evaluation.
The religious drawings of Raymond Lafage
Author: Nathan T.. WhitmanMaster Drawings from the Yale University Art Gallery
Author: Yale University (New Haven, Conn.). Art GalleryPublisher: Yale University Press
ISBN: 0300114338
Category : Art
Languages : en
Pages : 316
Book Description
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
Lectures on Art
Author: Christian MichelPublisher: Getty Publications
ISBN: 1606066463
Category : Art
Languages : en
Pages : 490
Book Description
For the first time, a critical selection of the Académie Royale de Peinture et de Sculpture’s highly influential conférences is available in English. Between 1667 and 1792, the artists and amateurs of the Académie Royale de Peinture et de Sculpture in Paris lectured on the Académie’s conférences, foundational documents in the theory and practice of art. These texts and the principles they embody guided artistic practice and art theory in France and throughout Europe for two centuries. In the 1800s, the Académie’s influence waned, and few of the 388 Académie lectures were translated into English. Eminent scholars Christian Michel and Jacqueline Lichtenstein have selected and annotated forty-two of the most representative lectures, creating the first authoritative collection of the conférences for readers of English. Essential to understanding French art of the seventeenth and eighteenth centuries, these lectures reveal what leading French artists looked for in a painting or sculpture, the problems they sought to resolve in their works, and how they viewed their own and others’ artistic practice.
Art and Architecture in France, 1500-1700
Author: Anthony BluntPublisher: Yale University Press
ISBN: 9780300077483
Category : Art
Languages : en
Pages : 348
Book Description
The sixteenth and seventeenth centuries in France were an epoch of spectacular artistic activity, exemplified by the chateaux of the Loire valley, the palace of Versailles, the paintings of Poussin and Claude, and the sculpture of Coysevox, which echo the political and cultural importance of France and the "Sun King." Anthony Blunt presents major artists and their principal works chronologically, provides an overview of the main projects of the period and of the artistic personalities behind them, and clearly sets the historical context. This new edition, of one of the classics of the Pelican History of Art series, has been revised and updated with color illustrations and a new bibliography.
Bravura
Author: Nicola SuthorPublisher: Princeton University Press
ISBN: 0691204586
Category : Art
Languages : en
Pages : 304
Book Description
The first major history of the bravura movement in European painting The painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century. While earlier artistic movements presented a polished image of the artist by downplaying the creative process, bravura celebrated a painter’s distinct materials, virtuosic execution, and theatrical showmanship. This resulted in the further development of innovative techniques and a popular understanding of the artist as a weapon-wielding acrobat, impetuous wunderkind, and daring rebel. In Bravura, Nicola Suthor offers the first in-depth consideration of bravura as an artistic and cultural phenomenon. Through history, etymology, and in-depth analysis of works by such important painters as Franҫois Boucher, Caravaggio, Francisco Goya, Frans Hals, Peter Paul Rubens, Tintoretto, and Diego Velázquez, Suthor explores the key elements defining bravura’s richness and power. Suthor delves into how bravura’s unique and groundbreaking methods—visible brushstrokes, sharp chiaroscuro, severe foreshortening of the body, and other forms of visual emphasis—cause viewers to feel intensely the artist’s touch. Examining bravura’s etymological history, she traces the term’s associations with courage, boldness, spontaneity, imperiousness, and arrogance, as well as its links to fencing, swordsmanship, henchmen, mercenaries, and street thugs. Suthor discusses the personality cult of the transgressive, self-taught, antisocial genius, and the ways in which bravura artists, through their stunning displays of skill, sought applause and admiration. Filled with captivating images by painters testing the traditional boundaries of aesthetic excellence, Bravura raises important questions about artistic performance and what it means to create art.
The Art Quarterly
Author: Research News
Author: University of Michigan. Office of Research AdministrationPublisher:
ISBN:
Category : Science
Languages : en
Pages : 384
Book Description