The Dramatic Technique of Antoine de Montchrestien PDF Download

Author: Richard Griffiths
Publisher: Oxford [Eng.] : Clarendon Press
ISBN:
Category : History
Languages : en
Pages : 266

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Author: John D. Staines
Publisher: Routledge
ISBN: 1351881027
Category : Literary Criticism
Languages : en
Pages : 284

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Author John Staines here argues that sixteenth- and seventeenth-century writers in England, Scotland, and France wrote tragedies of the Queen of Scots - royal heroine or tyrant, martyr or whore - in order to move their audiences towards political action by shaping and directing the passions generated by the spectacle of her fall. In following the retellings of her history from her lifetime through the revolutions and political experiments of the seventeenth century, this study identifies two basic literary traditions of her tragedy: one conservative, sentimental, and royalist, the other radical, skeptical, and republican. Staines provides new readings of Spenser and Milton, as well as of early modern dramatists, to compile a comprehensive study of the writings about this important historical and literary figure. He charts developments in public rhetoric and political writing from the Elizabethan period through the Restoration, using the emotional representations of the life of this tragic woman and queen to explore early modern experiments in addressing and moving a public audience. By exploring the writing and rewriting of the tragic histories of the Queen of Scots, this book reveals the importance of literature as a force in the redefinition of British political life between 1560 and 1690.

Author: J. S. Street
Publisher: Cambridge University Press
ISBN: 0521245370
Category : Drama
Languages : en
Pages : 356

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Book Description
This 1983 book is a comprehensive study of the French sacred theatre at the crucial transition from medieval to modern conception of theatre.

Author: Antoine de Montchrestien
Publisher: Bloomsbury Publishing
ISBN: 1474247474
Category : Literary Criticism
Languages : en
Pages : 178

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Book Description
Antoine de Montchrestien's tragedies have been the object of increased critical attention over the years. This annotated edition makes two of his most interesting plays available – Hector, often recognised as one of the masterpieces of French regular rhetorical tragedy, and La Reine d'Escosse, a showcase of Montchrestien's concept of tragedy.

Author: Julie Stone Peters
Publisher: Oxford University Press, USA
ISBN: 9780199262168
Category : Literary Criticism
Languages : en
Pages : 516

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This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.

Author: DS Mayfield
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110484668
Category : Language Arts & Disciplines
Languages : en
Pages : 254

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Book Description
Proving fruitful in various applications throughout its two millennia of predominance, the rhetorical téchne appears to have entertained a particularly symbiotic interrelation with drama. With contributions from (among others) a Classicist, historical, linguistic, musicological, operatic, cultural and literary studies perspective, this publication offers interdisciplinary assessments of specific reciprocities between the system of rhetoric and dramatic works: tracing the longue durée of this nexus—highlighting its Ancient foundations, its various Early Modern formations, as well as certain configurations enduring to this day—enables describing shifting degrees of rhetoricity; approaching it from an interdisciplinary viewpoint facilitates focusing on the often sidelined rhetorical phenomena located beyond the textual plane, specifically memoria and actio; tackling this interchange from various viewpoints and with diverse emphases, a long-lasting and highly prolific cross-fertilization between drama and rhetoric is rendered visible. In tendering a balanced panorama of both detailed case studies and descriptive overviews, this volume also points toward terrain yet to be charted in the scholarship to come. The volume was prepared in co-operation with the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet).

Author: Michael Meere
Publisher: Rowman & Littlefield
ISBN: 1611495490
Category : Literary Criticism
Languages : en
Pages : 369

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The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them.

Author: Michael Meere
Publisher: Oxford University Press
ISBN: 0192658026
Category : Literary Criticism
Languages : en
Pages : 240

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The performance of violence on the stage has played an integral role in French tragedy since its inception. Onstage Violence in Sixteenth-Century French Tragedy is the first book to tell this story. It traces and examines the ethical and poetic stakes of violence, as playwrights were experimenting with the newly discovered genre during decades of religious and civil war (c. 1550-1598). The study begins with an overview of the origins of French vernacular tragedy and the complex relationships between violence, performance, ethics, and poetics. The volume focuses on specific plays and analyzes biblical, mythological, historical, and politically topical tragedies—including the stories of Cain and Abel, David and Goliath, Medea, the Sultan Süleyman the Magnificent, the Roman general Regulus, and the assassination of the Duke of Guise in 1588—to show how the multifarious uses of violence on stage shed light on a range of pressing issues during that turbulent time, such as religion, gender, politics, and militantism.

Author: Donald Stone
Publisher: Manchester University Press
ISBN: 9780719005671
Category : Literary Criticism
Languages : en
Pages : 248

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Book Description
In this, the first study of its kind to appear in English, the author - a professor of Romance Languages at Harvard University - discusses the concepts which determined the nature and function of French humanist tragedy and the importance of those concepts with regard to the genre's relationship to medieval, ancient and French classical drama. The emphasis on conceptual rather than formal considerations reveals strong ties between tragedy and other sixteenth century genres, now largely neglected. The book also shows that the formal changes in tragedy introduced by the humanists are less consequential than once thought, and in his last chapter suggests that a deeper appreciation of the character of French humanist tragedy can shed new light on the coming of classicism.

Author: Michael Hawcroft
Publisher: Oxford University Press, USA
ISBN: 9780198159841
Category : Foreign Language Study
Languages : en
Pages : 292

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'Hawcroft provides some remarkable insights.' -Michael Moriarty, TLS'Hawcroft's analyses are wide-ranging, perceptive and skilful. He wants to demonstrate, and has admirably demonstrated, the survival of rhetoric.' -Michael Moriarty, TLSRhetoric is the art of persuasion, whether spoken or written. The first chapter of this book sets out its principles comprehensively and lucidly, with a wide range of illustrative examples. Subsequent chapters explore rhetoric at work in different genres, via close reading of texts which range from the drama of Racine and Beckett; Montaigne, Sévigné and Gide on the self; Zola and Sarraute's prose fiction; poetry by D'Aubigné, Baudelaire, and Césaire; and the oratory of de Gaulle and Yourcenar. This is both a rhetorical handbook and an illustration of critical practice.