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Author: Sarah Siobhan Collins Publisher: ISBN: Category : Scott, Cyril Languages : en Pages : 277
Book Description
Musicological studies into the works of English composer, Cyril Scott (1879-1970), will almost ubiquitously include a brief and circumspect reference to his avowed “occult” interests. Considered for a time to be one of the most promising talents of the English Musical Renaissance, Scott is certainly a figure of great interest in the context of British music history; however, the fanatical nature of his personal activities and belief system have typically dissuaded researchers from venturing beyond a bare consideration of his music. The difficulties associated with approaching Scott’s belief system are similar to those regarding his biographical detail, including issues of authenticity, representation and “veiling.” As a result, much of Scott’s thinking has remained hidden in his sizable literary oeuvre, untouched by musicologists. Within his literary output is revealed a distinct line of developing aesthetic thought, culminating in a theory which he considered to have been his greatest achievement.
Author: Sarah Siobhan Collins Publisher: ISBN: Category : Scott, Cyril Languages : en Pages : 277
Book Description
Musicological studies into the works of English composer, Cyril Scott (1879-1970), will almost ubiquitously include a brief and circumspect reference to his avowed “occult” interests. Considered for a time to be one of the most promising talents of the English Musical Renaissance, Scott is certainly a figure of great interest in the context of British music history; however, the fanatical nature of his personal activities and belief system have typically dissuaded researchers from venturing beyond a bare consideration of his music. The difficulties associated with approaching Scott’s belief system are similar to those regarding his biographical detail, including issues of authenticity, representation and “veiling.” As a result, much of Scott’s thinking has remained hidden in his sizable literary oeuvre, untouched by musicologists. Within his literary output is revealed a distinct line of developing aesthetic thought, culminating in a theory which he considered to have been his greatest achievement.
Author: Cyril Scott Publisher: Forgotten Books ISBN: 9780365405696 Category : Music Languages : en Pages : 354
Book Description
Excerpt from The Philosophy of Modernism-Its Connection With Music, Cyril Scott: The Man, and His Works N ow, as everybody who studies the aesthetics of art must know, there were until lately two distinct schools of thought, the Classic, just referred to, being one, and the Romantic, its antithesis, being the other; but at the end of last century a third came into being, which its votaries christened the Futuristic, though the term is somewhat ambiguous, as we shall have occasion to see later. As to the first, our simile has attempted to show it must lead to creative stagnation, and to nowhere beyond, for it may be regarded as a species of pharisaism in art, a petty adherence to rule and letter, ignoring the true spirit; the value of originality, individuality, and self-expression in its highest sense. In a word, it may be described as a profane contentment, because it is the enemy of divine evolution, and should it vanquish its opponents, which, of course, it never can do, then no more could a masterpiece be created in the world of art. The truth is, classicalism is based, at any rate in music, upon a gigantic misconception - the misconception that any great genius was ever Classical in Ms day. No composer of the first rank has ever adhered to traditions; he has always overstepped them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Sarah Posman Publisher: Walter de Gruyter ISBN: 3110317532 Category : Literary Criticism Languages : en Pages : 448
Book Description
It has often been argued that the arrival of the early-20th-century avant-gardes and modernisms coincided with an in-depth exploration of the materiality of art and writing. The European historical avant-gardes and modernisms excelled in their attempts to establish the specificity of media and art forms as well as in experimenting with the hybridity of the materials of their multiple disciplines. This third volume of the series European Avant-Garde and Modernism Studies sheds light on the full range and import of this aspect in avant-garde and modernist aesthetics across all art forms and throughout the 19th and 20th centuries. The book’s contributions, written by experts from some 20 countries, seek to answer the following questions: What sort of objects and material, works and media help us to properly grasp the avant-garde and modernist “aesthetics of matter”? How were affects, emotions and sensory and bodily experiences transferred and transformed in the experiment with matter? How were “immaterial” things such as concepts of time changed in this aesthetic moment? What “material meanings” were disseminated in the cultural transfer and translation of objects? How did subsequent avant-gardes deal with the “aesthetics of matter” in their response to historical predecessors?
Author: Emma Hornby Publisher: Boydell & Brewer ISBN: 1843835355 Category : Music Languages : en Pages : 366
Book Description
Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry. The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography. Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW. To subscribe to the Tabula Gratulatoria for this volume, CLICK HERE
Author: William A. Everett Publisher: Cambridge University Press ISBN: 1009316508 Category : Music Languages : en Pages : 499
Book Description
Whether they appeared on Broadway or the Strand, the shows appearing in 1924 epitomized the glamor of popular musical theatre. What made this particular year so distinctive – so special – was the way it brought together the old and the new, the venerated and the innovative, and the traditional and the chic. William Everett, in his compelling new book, reveals this remarkable mid-Roaring Twenties stagecraft to have been truly transnational, with a stellar cast of producers, performers and creators boldly experimenting worldwide. Revues, musical comedies, zarzuelas and operettas formed part of a thriving theatrical ecosystem, with many works – and their leading artists – now unpredictably defying genres. The author demonstrates how fresh approaches became highly successful, with established leads like Marie Tempest and Fred Stone appearing in new productions even as youthful talents such as Florence Mills, Fred and Adele Astaire, Gertrude Lawrence and George Gershwin now started to make their mark.
Author: Sarah Siobhan Collins
Author: Sarah Siobhan Collins
Author: Sarah Collins
Author: Cyril Scott
Author: Sarah Posman
Author: Arthur Eaglefield Hull
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Author: Emma Hornby
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Author: William A. Everett