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Author: John Marx Publisher: Cambridge University Press ISBN: 1139448722 Category : Literary Criticism Languages : en Pages : 236
Book Description
In the early twentieth century, subjects of the British Empire ceased to rely on a model of centre and periphery in imagining their world and came instead to view it as an interconnected network of cosmopolitan people and places. English language and literature were promoted as essential components of a commercial, cultural, and linguistic network that spanned the globe. John Marx argues that the early twentieth century was a key moment in the emergence of modern globalization, rather than simply a period of British imperial decline. Modernist fiction was actively engaged in this transformation of society on an international scale. The very stylistic abstraction that seemed to remove modernism from social reality, in fact internationalized the English language. Rather than mapping the decline of Empire, modernist novelists such as Conrad and Woolf celebrated the shared culture of the English language as more important than the waning imperial structures of Britain.
Author: John Marx Publisher: Cambridge University Press ISBN: 1139448722 Category : Literary Criticism Languages : en Pages : 236
Book Description
In the early twentieth century, subjects of the British Empire ceased to rely on a model of centre and periphery in imagining their world and came instead to view it as an interconnected network of cosmopolitan people and places. English language and literature were promoted as essential components of a commercial, cultural, and linguistic network that spanned the globe. John Marx argues that the early twentieth century was a key moment in the emergence of modern globalization, rather than simply a period of British imperial decline. Modernist fiction was actively engaged in this transformation of society on an international scale. The very stylistic abstraction that seemed to remove modernism from social reality, in fact internationalized the English language. Rather than mapping the decline of Empire, modernist novelists such as Conrad and Woolf celebrated the shared culture of the English language as more important than the waning imperial structures of Britain.
Author: Peter Bürger Publisher: Penn State Press ISBN: 9780271008905 Category : Philosophy Languages : en Pages : 202
Book Description
In this book, the author addresses the relationship between art and society, from the emergence of bourgeois culture in the eighteenth century to the decline of modernism in the twentieth century.
Author: Gene Edward Veith (Jr.) Publisher: Crossway ISBN: 0891077685 Category : Philosophy Languages : en Pages : 136
Book Description
The cultural landscape is now made up of diverse "communities"--feminists, gays, neo-conservatists, African-Americans, pro-lifers--who seem to have no common frame of reference by which to communicate with each other. Veith offers Christians instructions as to how they can respond to these varied groups.
Author: David F. Wells Publisher: Wm. B. Eerdmans Publishing ISBN: 0802824552 Category : Philosophy Languages : en Pages : 354
Book Description
In this prophetic call to the evangelical church, Wells stresses that Christians need to confess Christ as the center in a society lacking a center, as the sovereign in a world seemingly ruled by chance, and as the one who can give meaning in a nihilistic culture.
Author: Craig Bradshaw Woelfel Publisher: Univ of South Carolina Press ISBN: 1611179068 Category : Religion Languages : en Pages : 247
Book Description
An exploration of belief as an experience, both secular and religious, through the study of major literary works At the height of modernism in the 1920s, what did it mean to believe and how was it experienced? Craig Woelfel seeks to answer this pivotal question in Varieties of Aesthetic Experience: Literary Modernism and Dissociation of Belief, a groundbreaking exploration of the relationship between secular modernity and religious engagement. Woelfel hinges his argument on the unlikely comparison of two revered modern writers: T. S. Eliot and E. M. Forster. They had vastly different experiences with religion, as Eliot converted to Christianity later in life and Forster became a steadfast nonbeliever over time, but Woelfel contends that their stories offer a compelling model for belief as broken and ambivalent rather than constant. Narratives of faith—its loss or gain—are no longer linear but instead are just as fractured and varied as the modernists themselves. Drawing from Eliot's and Forster's major and minor creative and critical works, Woelfel makes the case for a "dissociation of belief" during the modern era—a separation of emotional and spiritual religious experience from its reduction to forms. He contextualizes belief in the modern era alongside modernist religious studies scholarship and current secularization theory, with particular attention to Charles Taylor's A Secular Age, paving the way for a more nuanced understanding of religious engagement at the time. In Varieties of Aesthetic Experience, Woelfel considers major literary works—including Eliot's The Waste Land and Forster's A Passage to India—as well as the Cambridge Clark Lectures and previously unstudied personal writings from both authors. The volume revolves around a line from Eliot himself, from a lecture in which he said that he wanted "to see art, and to see it whole." Rather than excluding belief from the conversation, Woelfel contends that modernist art can become a critical liminal space for exploring what it means to believe in a secular age.
Author: Eddie Karl Baumann Publisher: Wipf and Stock Publishers ISBN: 1610971086 Category : Religion Languages : en Pages : 353
Book Description
The goal of many evangelical educators is to facilitate biblical thinking and the worldview transformation of their students. Yet, aside from upholding a set of moral behaviors or maintaining positions on issues perceived to be "Christian," the goals and aspirations of most evangelical young people differ little from their unbelieving peers. As George Barna has noted, "We have a generation coming up that . . . isn't looking at Christianity to answer spiritual concerns . . . We either change or we lose them."Worldview as Worship contends that the approach taken by most evangelical educators to the issue of worldview transformation has neglected to address two fundamental components of worldviews. First, that our initial worldviews are not philosophical systems but rather faith dispositions and that worldview transformation cannot simply present the biblical worldview as a more rational or logical system, but must address issues of the heart as well as the mind. Second, unlike philosophies that are individual, worldviews are communal and are learned and transformed within the context of community practice.Appealing to Paul's teaching in Romans 12:1-2, Worldview as Worship approaches the "renewing of your mind" as the result of the believer's presentation of themselves as a "holy sacrifice . . . which is your spiritual service of worship." The book advocates an approach to worldview transformation that focuses on believers as apprentices rather than simply as students--an approach that holds true to the biblical model of discipleship. As a result, worldview transformation works best when the application of faith to the issues of learning and life are modeled by the faith community and where students are given the opportunity to put faith into practice.
Author: David Goodway Publisher: Liverpool University Press ISBN: 9780853238720 Category : Biography & Autobiography Languages : en Pages : 340
Book Description
Herbert Read (1893–1968) acquired in his lifetime a considerable international reputation in all the major areas of his diverse activities: as poet, as educationalist, as anarchist, as philosopher (of aesthetics), as art critic, as historian of, and above all, as propagandist for modern art and design. The papers assembled in Herbert Read Reassessed offer a comprehensive and authoritative coverage of Read’s life work that is designed to stimulate debate. "An impressive volume... it manages to present a unified but not totalizing portrait of one of England’s most distinguished twentieth-century critics."—English Historical Review
Author: Matthew Leonard Publisher: Our Sunday Visitor ISBN: 1612783570 Category : Religion Languages : en Pages : 118
Book Description
Maybe you've read stories about millionaires who travel to Tibet to learn how to meditate. Maybe you know someone who visited a monastery for a month to learn how to pray. Maybe you don't have that kind of money or spare time. But you still want to learn to pray. Don't worry. You don't need money or a monastery. You have this book. You have a sense of humor. And you have God's grace. You're ready to pray. Prayer is how we talk with God. The Bible says we should do it constantly. Jesus said it's the one thing we need to do. Your soul was made to be in conversation with God. Nobody knows you better. Nobody cares more about you. The good news is that prayer isn't something exotic or esoteric - not when Matthew Leonard talks about it. He makes the methods manageable. (Promise: you won't have to twist your body into a pretzel, hire a coach, or learn a foreign language.) So if you've never read a book on prayer, you've got the right one. And if you've read lots of books on prayer, you've still got the right one. It's got laugh-out-loud humor, great storytelling, and rock-solid instruction. Prayer Works is fun and fast-paced. It will put you on your knees - after you're finished slapping them.
Author: John Marx
Author: John Marx
Author: Peter Bürger
Author: Gene Edward Veith (Jr.)
Author: David F. Wells
Author: Craig Bradshaw Woelfel
Author: Eddie Karl Baumann
Author: Gilbert F. LaFreniere
Author: James W. Sire
Author: David Goodway
Author: Matthew Leonard