The Dawn of European Art PDF Download

Author: André Leroi-Gourhan
Publisher: CUP Archive
ISBN: 9780521244596
Category : Art
Languages : en
Pages : 144

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Author: Thomas F. Mathews
Publisher: Getty Publications
ISBN: 1606065092
Category : Art
Languages : en
Pages : 59

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Book Description
Staking out new territory in the history of art, this book presents a compelling argument for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance. While art historians place the origin of icons in the seventh century, Thomas F. Mathews finds strong evidence as early as the second century in the texts of Irenaeus and the Acts of John that describe private Christian worship. In closely studying an obscure set of sixty neglected panel paintings from Egypt in Roman times, the author explains how these paintings of the Egyptian gods offer the missing link in the long history of religious painting. Christian panel paintings and icons are for the first time placed in a continuum with the pagan paintings that preceded them, sharing elements of iconography, technology, and religious usages as votive offerings. Exciting discoveries punctuate the narrative: the technology of the triptych, enormously popular in Europe, traced by the authors to the construction of Egyptian portable shrines, such as the Isis and Serapis of the J. Paul Getty Museum; the discovery that the egg tempera painting medium, usually credited to Renaissance artist Cimabue, has been identified in Egyptian panels a millennium earlier; and the reconstruction of a ring of icons on the chancel of Saint Sophia in Istanbul. This book will be a vital addition to the fields of Egyptian, Graeco-Roman, and late-antique art history and, more generally, to the history of painting.

Author: Griffith Hartwell Jones
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 590

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Author: Mar Morosse
Publisher:
ISBN: 9781963978025
Category : Art
Languages : en
Pages : 0

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"Dawn and Dusk: The Protagonists of Early Modern European Art (1400-1789)" is an expansive 600-page academic tome that delves into the lives and works of the key figures who shaped the artistic landscape of Early Modern Europe. From the flourishing of the Renaissance to the complexities of the Baroque and Rococo eras, this book navigates through three centuries of artistic innovation and cultural change.Structured chronologically, the book embarks on a detailed journey beginning in the early 15th century, a time marked by a rebirth of classical ideals, through to the late 18th century, which witnessed the emergence of enlightened thought preluding the modern era. Each chapter meticulously examines the contributions of individual artists, architects, patrons, and theorists, weaving their stories into the broader tapestry of their time."Dawn and Dusk" highlights not only the luminaries such as Leonardo da Vinci, Michelangelo, and Caravaggio but also gives voice to lesser-known figures whose influence and work contributed to the period's dynamism. The study meticulously explores how these protagonists not only reflected but also challenged the social, political, and religious contexts of their era through their creative expressions.The book is richly illustrated with more than 200 images, including paintings, sculptures, architectural designs, and sketches, providing a visual feast that complements the detailed textual analysis. Special emphasis is placed on the evolution of artistic techniques, the development of new genres, and the cross-cultural exchanges that shaped the Early Modern European art scene."Dawn and Dusk" is an essential resource for students, scholars, and enthusiasts of art history, offering a comprehensive and engaging overview of the artists and works that defined Early Modern Europe. It serves as both a scholarly reference and a tribute to the enduring legacy of the period's most influential figures, whose innovations laid the groundwork for the modern world's artistic expressions

Author: Rachel N. Klein
Publisher: University of Pennsylvania Press
ISBN: 0812251946
Category : History
Languages : en
Pages : 296

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A study of three controversies that illuminate the changing cultural role of art exhibition in the nineteenth century From the antebellum era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. In the decades before the Civil War, art promoters believed that aesthetic taste could foster national unity and assuage urban conflicts; by the 1880s such hopes had faded, and the taste for art assumed more personal connotations associated with consumption and domestic decoration. Art Wars chronicles three protracted public battles that marked this transformation. The first battle began in 1849 and resulted in the downfall of the American Art-Union, the most popular and influential art institution in North America at mid-century. The second erupted in 1880 over the Metropolitan Museum's massive collection of Cypriot antiquities, which had been plundered and sold to its trustees by the man who became the museum's first paid director. The third escalated in the mid-1880s and forced the Metropolitan Museum to open its doors on Sunday—the only day when working people were able to attend. In chronicling these disputes, Rachel N. Klein considers cultural fissures that ran much deeper than the specific complaints that landed protagonists in court. New York's major nineteenth-century art institutions came under intense scrutiny not only because Americans invested them with moral and civic consequences but also because they were part and parcel of explosive processes associated with the rise of industrial capitalism. Elite New Yorkers spearheaded the creation of the Art-Union and the Metropolitan, but those institutions became enmeshed in popular struggles related to slavery, immigration, race, industrial production, and the rights of working people. Art Wars examines popular engagement with New York's art institutions and illuminates the changing cultural role of art exhibition over the course of the nineteenth century.

Author: Edward Potts Cheyney
Publisher: New York ; London : Harper & Brothers
ISBN:
Category : History
Languages : en
Pages : 448

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Maps on lining-papers.

Author: Alastair Smart
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 292

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"The years 1250-1400 in Italy constitute one of the richest and most inspiring periods in the development of European art. In this elegant volume, one of the world's leading authorities on Italian painting provides an acute and attractively written introduction to the great masters of the thirteenth and fourteenth centuries."-- Back cover.

Author: Jennifer Dasal
Publisher: Penguin
ISBN: 0143134590
Category : Art
Languages : en
Pages : 289

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Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.

Author: Stefano Zuffi
Publisher: Getty Publications
ISBN: 9780892368310
Category : Art
Languages : en
Pages : 384

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Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike perfected existing techniques and developed new ones. The painter Masaccio mastered linear perspective; the sculptor Donatello produced anatomically correct but idealized figures such as his bronze nude of David; and the brilliant architect and engineer Brunelleschi integrated Gothic and Renaissance elements to build the self-supporting dome of the Florence Cathedral. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century

Author: Randall White
Publisher: Harry N. Abrams
ISBN: 9780810942622
Category : Art
Languages : en
Pages : 464

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Drawing on the most up-to-the-minute research on prehistoric art, an anthropologist presents a global survey, starting with the first explosion of imagery that occurred approximately 40,000 years ago but also including the creations of essentially "prehistoric" peoples living as recently as the early 20th century. 226 illustrations.