The Dancing Faun PDF Download

Author: John Cassaday
Publisher: Humanoids Inc
ISBN: 1594655286
Category : Comics & Graphic Novels
Languages : en
Pages : 59

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A supernatural take on World War II espionage featuring a girl with the ability to possess other bodies.

Author: Florence Farr
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 188

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Author: Fabien Nury
Publisher: Humanoids, Incorporated
ISBN: 9781643376837
Category : Comics & Graphic Novels
Languages : en
Pages : 0

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Book Description
In 1940s Europe, a group of Allied spies try to track down a dangerous force that seems to jump from body to body, leaving nothing behind but a bloody trail and questions. Europe, December 1942. The global conflict has reached a fever pitch. The Nazis are at the height of their power, but the Allies have had their first victories both in Stalingrad and in the Pacific. Never has the war’s outcome been so much in doubt. Amidst this chaos, the destinies of several men will cross through a project code named "Legion," which consists of a series of horrific tests that a young Romanian girl with apparent supernatural abilities must undergo. Her 'skills,' if fully exploited by the Nazis, would give them unimaginable power…

Author: Peggy Fogelman
Publisher: Getty Publications
ISBN: 0892366893
Category : Art
Languages : en
Pages : 378

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Book Description
The catalogue is abundantly illustrated, including multiple views of each sculpture."--BOOK JACKET.

Author: Anna Anguissola
Publisher: Cambridge University Press
ISBN: 1108307922
Category : Art
Languages : en
Pages : 282

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Book Description
Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.

Author: Jens M. Deahner
Publisher: Getty Publications
ISBN: 1606064398
Category : Art
Languages : en
Pages : 18

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Book Description
For the general public and specialists alike, the Hellenistic period (323–31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction. Power and Pathos is published on the occasion of an exhibition on view at Palazzo Strozzi in Florence from March 14 to June 21, 2015; at the J. Paul Getty Museum from July 20 through November 1, 2015; and at the National Gallery of Art in Washington, DC, from December 6, 2015, through March 20, 2016.

Author: Angela Thirlwell
Publisher: Yale University Press
ISBN: 9780300102000
Category : Biography & Autobiography
Languages : en
Pages : 404

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The marriage of William Michael Rossetti (1829-1919) and Lucy Madox Brown (1843-1894) united two of the most resonant Pre-Raphaelite family names. Their passionate and ultimately tragic relationship - described here for the first time - provides a fresh perspective on nineteenth-century marriage and on the private lives of eminent Victorians. Sibling of Dante Gabriel and Christina Rossetti, William was one of the original Pre-Raphaelite 'Brothers,' a Bohemian, radical author, poet, critic, artist, connoisseur, biographer, historian, and taxman. Lucy, the intense, intellectual daughter of Ford Madox Brown, was an ambitious artist and biographer of Mary Shelley in spite of struggling with tuberculosis for nearly a decade. Drawing on hundreds of previously unpublished sources and a wealth of new visual material (including art by William, Lucy, and others of their circle and striking contemporary photographs), the book follows William and Lucy through their separate professional careers, marriage, continental travels, and Lucy’s illness and death. At the crossover between art history, literary criticism, social history, and biography, the book rewrites Pre-Raphaelite history and brings to life two fascinating people who were both of their time and ahead of it.

Author: Charles Mills Gayley
Publisher: Biblo & Tannen Publishers
ISBN: 9780819603203
Category : Art
Languages : en
Pages : 682

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An illustrated anthology of classical myths, based on Bulfinch's nineteenth-century "Age of Fable," examining myths of divinities and heroes, and including commentary.

Author: Thomas Bulfinch
Publisher: Library of Alexandria
ISBN: 1465547908
Category : Literary Criticism
Languages : en
Pages : 681

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Book Description
Purpose of the Study. Interwoven with the fabric of our English literature, of our epics, dramas, lyrics, and novels, of our essays and orations, like a golden warp where the woof is only too often of silver, are the myths of certain ancient nations. It is the purpose of this work to relate some of these myths, and to illustrate the uses to which they have been put in English literature, and, incidentally, in art. The Fable and the Myth. Careful discrimination must be made between the fable and the myth. A fable is a story, like that of King Log, or the Fox and the Grapes, in which characters and plot, neither pretending to reality nor demanding credence, are fabricated confessedly as the vehicle of moral or didactic instruction. Dr. Johnson narrows still further the scope of the fable: "It seems to be, in its genuine state, a narrative in which beings irrational, and sometimes inanimate, are, for the purpose of moral instruction, feigned to act and speak with human interests and passions." Myths, on the other hand, are stories of anonymous origin, prevalent among primitive peoples and by them accepted as true, concerning supernatural beings and events, or natural beings and events influenced by supernatural agencies. Fables are made by individuals; they may be told in any stage of a nation's history,—by a Jotham when the Israelites were still under the Judges, 1200 years before Christ, or by Christ himself in the days of the most critical Jewish scholarship; by a Menenius when Rome was still involved in petty squabbles of plebeians and patricians, or by Phædrus and Horace in the Augustan age of Roman imperialism and Roman letters; by an Æsop, well-nigh fabulous, to fabled fellow-slaves and Athenian tyrants, or by La Fontaine to the Grand Monarch and the most highly civilized race of seventeenth-century Europe. Fables are vessels made to order into which a lesson may be poured. Myths are born, not made. They are born in the infancy of a people. They owe their features not to any one historic individual, but to the imaginative efforts of generations of story-tellers. The myth of Pandora, the first woman, endowed by the immortals with heavenly graces, and of Prometheus, who stole fire from heaven for the use of man; the myth of the earthborn giants that in the beginning contested with the gods the sovereignty of the universe; of the moon-goddess who, with her buskined nymphs, pursues the chase across the azure of the heavens, or descending to earth cherishes the youth Endymion,—these myths, germinating in some quaint and childish interpretation of natural events or in some fireside fancy, have put forth unconsciously, under the nurture of the simple folk that conceived and tended them, luxuriant branches and leaves of narrative, and blossoms of poetic comeliness and form. The myths that we shall relate present wonderful accounts of the creation, histories of numerous divine beings, adventures of heroes in which magical and ghostly agencies play a part, and where animals and inanimate nature don the attributes of men and gods. Many of these myths treat of divinities once worshiped by the Greeks and the Romans, and by our Norse and German forefathers in the dark ages. Myths, more or less like these, may be found in the literatures of nearly all nations; many are in the memories and mouths of savage races at this time existent. But the stories here narrated are no longer believed by any one. The so-called divinities of Olympus and of Asgard have not a single worshiper among men. They dwell only in the realm of memory and imagination; they are enthroned in the palace of art.

Author: Charles Mills Gayley
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 690

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