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Author: Sara Harris Publisher: Pelican Publishing Company ISBN: 9781455623334 Category : History Languages : en Pages : 112
Book Description
Dancing and dance halls were integral to the Spanish-Louisiana cultural identity of the twentieth century. Employing historical documents and dozens of interviews, this book follows the phenomenon from 1778 to today.
Author: Sara Harris Publisher: Pelican Publishing Company ISBN: 9781455623334 Category : History Languages : en Pages : 112
Book Description
Dancing and dance halls were integral to the Spanish-Louisiana cultural identity of the twentieth century. Employing historical documents and dozens of interviews, this book follows the phenomenon from 1778 to today.
Author: Publisher: University of Louisiana ISBN: 9781935754855 Category : Dance halls Languages : en Pages : 0
Book Description
Ghosts of Good Times: South Louisiana Dance Halls Past and Present examines a world of Cajun dance halls, Zydeco clubs, Chitlin' Circuit R&B night clubs, Swamp-Pop Honkytonks and other venues that at one time were prevalent throughout the region. Photographs by Philip Gould blend architectural imagery of buildings still standing with historic photographs of the clubs that he took in their heyday. Herman Fuselier and other writers provide a rich selection of historic accounts and essays about their personal experiences in the clubs. The book also examines the dance hall scene today and how the venues have changed. The music following remains strong and people still come to dance. The surviving old dance halls and newer venues are still in full swing. Old or new, they are icons, a proud south Louisiana legacy of Good Times.
Author: Alex V. Cook Publisher: LSU Press ISBN: 0807144568 Category : Social Science Languages : en Pages : 200
Book Description
From backwoods bars and small-town dives to swampside dance halls and converted clapboard barns, Louisiana Saturday Night offers an anecdotal history and experiential guidebook to some of the Gumbo State's most unique blues, Cajun, and zydeco clubs. Music critic Alex V. Cook uncovers south Louisiana's wellspring of musical tradition, showing us that indigenous music exists not as an artifact to be salvaged by preservationists, but serves as a living, breathing, singing, laughing, and crying part of Louisiana culture. Louisiana Saturday Night takes the reader to both offbeat and traditional venues in and around Baton Rouge, Cajun country, and New Orleans, where we hear the distinctive voices of musicians, patrons, and owners -- like Teddy Johnson, born in the house that now serves as Teddy's Juke Joint. Along the way, Cook ruminates on the cultural importance of the people and places he encounters, and shows their critical role in keeping Louisiana's unique music alive. A map, a journal, a snapshot of what goes on in the little shacks off main roads, Louisiana Saturday Night provides an indispensable and entertaining companion for those in pursuit of Louisiana's quirky and varied nightlife.
Author: Emily Ann Ardoin Publisher: ISBN: Category : Languages : en Pages : 190
Book Description
Music is an essential piece of the culture of south Louisiana. Three genres -- Cajun, Zydeco, and Swamp Pop -- grew up in this region. The genres developed as separate cultures, primarily Cajun and Creole, developed and blended before entering a period of cultural assimilation in the early twentieth century. The music, and the social dancing that accompanies it, took place at weekly gatherings in rural residences in the eighteenth century. Commercial dance halls began to appear in the state around 1900 and have evolved throughout the century. The evolution of dance halls and their use follows a cultural evolution from relative isolation to assimilation and eventually cultural awareness and promotion as tourism blossomed in the state. Despite their significant place in the region's history, dance halls are not yet recognized in any official capacity, including the National Register of Historic Places. The Center for Louisiana Studies is collecting information about the extant and demolished buildings to advocate for preservation of dance hall culture and extant buildings. I am contributing to this advocacy effort with a National Register of Historic Places Multiple-Property Documentation Form for extant historic dance halls. The form will discuss the historic contexts of Cajun, Zydeco, and Swamp Pop music and establish typical and variable characteristics, both physical and associative, for dance hall buildings. Registration requirements based on significance and integrity will establish criteria for eligibility of extant buildings for the National Register of Historic Places.
Author: Karen Celestan Publisher: LSU Press ISBN: 0807168831 Category : Performing Arts Languages : en Pages : 0
Book Description
In this pivotal book, the captivating and kinetic images of noted photographer Eric Waters are paired with a collection of insightful essays by preeminent authors and cultural leaders to offer the first complete look at the Social, Aid and Pleasure Club (SAPC) parade culture in New Or-leans. Ranging from ideological approaches to the contributions of musicians, development of specific rituals by various clubs, and parade accessories such as elaborately decorated fans and sashes, Freedom’s Dance provides an unparalleled photographic and textual overview of the SAPC Second Line, tracking its origins in African traditions and subsequent development in black New Orleans culture. Karen Celestan’s vibrant narrative is supplemented with interviews of longtime culture-bearers such as Oliver “Squirk” Hunter, Lois Andrews (mother of Troy “Trombone Shorty” Andrews and James Andrews), Fred Johnson, Gregory Davis, and Lionel Batiste, while interdisciplinary essays by leading scholars detail the rituals, historic perspective, and purpose of the Second Line. Freedom’s Dance defines this unique pub-lic-private phenomenon and captures every aspect of the Second Line, from SAPC members’ rollicking introductions at their annual parade to a funeral procession on its way to the crypt. Visually dazzling and critically important, Freedom’s Dance serves as both a celebration and a deep exploration of this understudied but immediately recognizable aspect of the African American tradition in the Big Easy.
Author: Frances Kolb Turnbell Publisher: LSU Press ISBN: 0807182710 Category : History Languages : en Pages : 349
Book Description
Frances Kolb Turnbell’s study of Spanish colonial Louisiana is the first comprehensive history of the colony. It emphasizes the Lower Mississippi valley’s status as a borderland contested by empires and the region’s diverse inhabitants in the era of volatility that followed the Seven Years’ War. As Turnbell demonstrates, the Spanish era was characterized by tremendous transition as the colony emerged from the neglect of the French period and became slowly but increasingly centered on plantation agriculture. The transformations of this critical period grew out of the struggles between Spain and Louisiana’s colonists, enslaved people, and Indians over issues related to space and mobility. Many borderland peoples, networks, and alliances sought to preserve Louisiana as a flexible and fluid zone as the colonial government attempted to control and contain the region’s inhabitants for its own purposes through policy and efforts to secure loyalty and its own advantageous alliances. Turnbell first examines the period from 1763 through the American Revolution, when the Mississippi River was a boundary between empires. The river’s designation as an imperial border ran counter to the topography of North America and counter to the practices of the valley’s inhabitants, who employed its waterways to trade, communicate, migrate, and survive. Turnbell pays special attention to the Revolt of 1768, the burgeoning trade along the Mississippi prior to the American Revolution that involved British and American merchants, Spanish preparation for war, and the crucial involvement of the borderland’s diverse inhabitants as the war played out on the Lower Mississippi. Turnbell then explains how the activity of borderland peoples evolved after the Revolutionary War when the Lower Mississippi was no longer an imperial boundary. She considers the instability and fluidity of postwar years in Louisiana, American trade and migration, Louisiana’s experience of the Age of Revolutions—from pro-French sentiments to plans for rebellion among the enslaved—and ultimately, Spain’s political demise in the Mississippi River valley.
Author: Danny Barker Publisher: Springer ISBN: 1349099368 Category : Music Languages : en Pages : 247
Book Description
As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,
Author: Ned Sublette Publisher: Chicago Review Press ISBN: 1569765138 Category : History Languages : en Pages : 369
Book Description
STRONGNamed one of the Top 10 Books of 2008 by The Times-Picayune. STRONGWinner of the 2009 Humanities Book of the Year award from the Louisiana Endowment for the Humanities.STRONG STRONGAwarded the New Orleans Gulf South Booksellers Association Book of the Year Award for 2008. New Orleans is the most elusive of American cities. The product of the centuries-long struggle among three mighty empires--France, Spain, and England--and among their respective American colonies and enslaved African peoples, it has always seemed like a foreign port to most Americans, baffled as they are by its complex cultural inheritance. The World That Made New Orleans offers a new perspective on this insufficiently understood city by telling the remarkable story of New Orleans's first century--a tale of imperial war, religious conflict, the search for treasure, the spread of slavery, the Cuban connection, the cruel aristocracy of sugar, and the very different revolutions that created the United States and Haiti. It demonstrates that New Orleans already had its own distinct personality at the time of Louisiana's statehood in 1812. By then, important roots of American music were firmly planted in its urban swamp--especially in the dances at Congo Square, where enslaved Africans and African Americans appeared en masse on Sundays to, as an 1819 visitor to the city put it, &“rock the city.&” This book is a logical continuation of Ned Sublette's previous volume, Cuba and Its Music: From the First Drums to the Mambo, which was highly praised for its synthesis of musical, cultural, and political history. Just as that book has become a standard resource on Cuba, so too will The World That Made New Orleans long remain essential for understanding the beautiful and tragic story of this most American of cities.
Author: Sara Harris
Author: Sara Harris
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Author: Alex V. Cook
Author: Emily Ann Ardoin
Author: Karen Celestan
Author: Frances Kolb Turnbell
Author: Danny Barker
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Author: Ned Sublette
Author: Gilbert C. Din