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Author: Lara Oštarić Publisher: ISBN: 9781009336833 Category : Ethics Languages : en Pages : 0
Book Description
"A novel approach which relates Kant's seminal work, Critique of Judgment, to issues in his moral philosophy, but also art, history, culture, and religion. It will be of interest not only to specialists and graduate students of Kant studies but also to those working in other areas of the humanities"--
Author: Immanuel Kant Publisher: Newcomb Livraria Press ISBN: Category : Philosophy Languages : en Pages : 429
Book Description
A new translation of Immanuel Kant’s 1790 "Critique of Judgement" in modern American English with the original German in the back for reference. This is Volume IX in the Complete Works of Immanuel Kant from Newcomb Livraria Press. "Herewith I end my whole critical business" Kant states in the preface to his third and final Critique in his core triad of critical philosophical treatises. In his old age, he turned from being Polemic to being prescriptive in his vision for a future of transcendental, rational morality. Here he recaps his whole critical system and breaks out his final thoughts between a Critique of Aesthetic and Teleological Judgment. Between Pure Reason (theoretical) and Practical Reason (law and ethics) stands the mediating Power of Judgement which recognizes the particular in the general and bridges the chasm between sensuality and morality, nature and freedom, manifesting itself to the senses. Kant's Teleological, dialectal understanding of the experience of art is still used today in Modern art theory. His analysis of sublimity as "disinterested pleasure" as an aesthetic experience between the dynamics of the cognitive faculties of sensuality and rationality, creates a paradox of judgment as both subjective and universal. To Kant, the correct recognition of what beauty is, and responding to it authentically (morally), is vital to his entire project.
Author: Lara Ostaric Publisher: Cambridge University Press ISBN: 1009336827 Category : Philosophy Languages : en Pages : 297
Book Description
In this book, Lara Ostaric argues that Kant's seminal Critique of Judgment is properly understood as completing his Critical system. The two seemingly disparate halves of the text are unified under this larger project insofar as both aesthetic and teleological judgment indirectly exhibit the final end of reason, the Ideas of the highest good and the postulates, as if obtaining in nature. She relates Kant's discussion of aesthetic and teleological judgment to important yet under-explored concepts in his philosophy, and helps the reader to recognize the relevance of his aesthetics and teleology for our understanding of fine arts and genius, the possibility of pure judgments of ugliness, Kant's philosophy of history, his philosophy of religion, and his conception of autonomy. Ostaric's novel and thoroughly integrative presentation of Kant's system will be of interest not only to Kant scholars but also to those working in religious studies, art history, political theory, and intellectual history.
Author: Paul Guyer Publisher: Rowman & Littlefield Publishers ISBN: 058548287X Category : Philosophy Languages : en Pages : 283
Book Description
Includes twelve of the most important modern critical discussions of the Critique of the Power of Judgment, written by the leading Kant scholars and aestheticians of the twentieth century.
Author: Immanuel Kant Publisher: Livraria Press ISBN: 3989884034 Category : Philosophy Languages : en Pages : 337
Book Description
A new 2024 translation of Immanuel Kant's famous "Critique of Judgement", one of his three core critiques, from the original German manuscript first published in 1790. This new edition contains an afterword by the translator, a timeline of Kant's life and works, and a helpful index of Kant's key concepts and intellectual rivals. This translation is designed for readability, rendering Kant's enigmatic German into the simplest equivalent possible, and removing the academic footnotes to make this critically important historical text as accessible as possible to the modern reader. "Herewith I end my whole critical business" Kant states in the preface to his third and final Critique in his core triad of critical philosophical treatises. In his old age, he turned from being Polemic to being prescriptive in his vision for a future of transcendental, rational morality. Here he recaps his whole critical system and breaks out his final thoughts between a Critique of Aesthetic and Teleological Judgment. Between Pure Reason (theoretical) and Practical Reason (law and ethics) stands the mediating Power of Judgement which recognizes the particular in the general and bridges the chasm between sensuality and morality, nature and freedom, manifesting itself to the senses. Kant's Teleological, dialectal understanding of the experience of art is still used today in Modern art theory. His analysis of sublimity as "disinterested pleasure" as an aesthetic experience between the dynamics of the cognitive faculties of sensuality and rationality, creates a paradox of judgment as both subjective and universal. To Kant, the correct recognition of what beauty is, and responding to it authentically (morally), is vital to his entire project.
Author: Immanuel Kant Publisher: DigiCat ISBN: Category : Philosophy Languages : en Pages : 319
Book Description
The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The end result of Kant's Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior._x000D_ Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth._x000D_
Author: Kristi Sweet Publisher: Cambridge University Press ISBN: 1009041711 Category : Philosophy Languages : en Pages : 233
Book Description
Kant's Critique of Judgment seems not to be an obviously unified work. Unlike other attempts to comprehend it as a unity, which treat it as serving either practical or theoretical interests, Kristi Sweet's book posits it as examining a genuinely independent sphere of human life. In her in-depth account of Kant's Critical philosophical system, Sweet argues that the Critique addresses the question: for what may I hope? The answer is given in Kant's account of 'territory,' a region of experience that both underlies and mediates between freedom and nature. Territory forms the context in which purposiveness without a purpose, the Ideal of Beauty, the sensus communis, genius and aesthetic ideas, and Kant's conception of life and proof of God are best interpreted. Encounters in this sphere are shown to refer us to a larger, more cosmic sense of a whole to which both freedom and nature belong.
Author: Immanuel Kant Publisher: DigiCat ISBN: Category : Fiction Languages : en Pages : 356
Book Description
"Kant's Critique of Judgement" (also known as the Critique of the Power of Judgment) is a 1790 book by the German philosopher Immanuel Kant. It is sometimes referred to as the "third critique," as it follows the Critique of Pure Reason (1781) and the Critique of Practical Reason (1788). As in the previous editions, the Third Critique explores the limits and conditions of knowledge.
Author: Eli Friedlander Publisher: Harvard University Press ISBN: 0674967321 Category : Philosophy Languages : en Pages : 134
Book Description
The Critique of Judgment—the third and final work in Kant’s critical system—laid the groundwork of modern aesthetics when it appeared in 1790. Eli Friedlander’s reappraisal of this seminal accomplishment reformulates and elucidates Kant’s thought in order to reveal the inner unity of the Third Critique. Expressions of Judgment emphasizes the internal connection of judgment and meaning in Kant’s aesthetics, showing how the pleasure in judging is intimately related to our capacity to draw meaning from our encounter with beauty. Although the meaningfulness of aesthetic judgment is most evident in the response to art, the appreciation of nature’s beauty has an equal share in the significant experience of our world. Friedlander’s attention to fundamental dualities underlying the Third Critique—such as that of art and nature—underscores how its themes are subordinated systematically to the central task Kant sets himself: that of devising a philosophical blueprint for the mediation between the realms of nature and freedom. This understanding of the mediating function of judgment guides Friedlander in articulating the dimensions of the field of the aesthetic that opens between art and nature, the subject and the object, knowledge and the will, as well as between the individual and the communal. Expressions of Judgment illuminates the distinctness as well as the continuity of this important late phase in Kant’s critical enterprise, providing insights for experienced scholars as well as new students of philosophy.