Author: Tony Grach
Publisher: AuthorHouse
ISBN: 1524680583
Category : Fiction
Languages : en
Pages : 575
Book Description
The hidden superstitious and those magicians who were about to rule the earth among their conspiracy with genius creatures with their great cantrips, plus thats the church with its secular counterparts in businesses of power and solutions where the surreptitious concepts was usual built to remain within the sacerdotal obligation and their opulences constituents through that strictly entre nousso are even better mighty to be found somewhere?
The Corridors of Black Arts
Author: Tony Grach
Publisher: AuthorHouse
ISBN: 1524680583
Category : Fiction
Languages : en
Pages : 575
Book Description
The hidden superstitious and those magicians who were about to rule the earth among their conspiracy with genius creatures with their great cantrips, plus thats the church with its secular counterparts in businesses of power and solutions where the surreptitious concepts was usual built to remain within the sacerdotal obligation and their opulences constituents through that strictly entre nousso are even better mighty to be found somewhere?
Publisher: AuthorHouse
ISBN: 1524680583
Category : Fiction
Languages : en
Pages : 575
Book Description
The hidden superstitious and those magicians who were about to rule the earth among their conspiracy with genius creatures with their great cantrips, plus thats the church with its secular counterparts in businesses of power and solutions where the surreptitious concepts was usual built to remain within the sacerdotal obligation and their opulences constituents through that strictly entre nousso are even better mighty to be found somewhere?
The Black Corridor
Author: Michael Moorcock
Publisher:
ISBN:
Category : Interplanetary voyages
Languages : en
Pages : 200
Book Description
Thirteen men and women flee Earth doomed by atomic destruction.
Publisher:
ISBN:
Category : Interplanetary voyages
Languages : en
Pages : 200
Book Description
Thirteen men and women flee Earth doomed by atomic destruction.
What Makes That Black?
Author: Luana
Publisher: Lulu.com
ISBN: 1483454797
Category : Art
Languages : en
Pages : 120
Book Description
We all can name some of the Africanist aesthetic-structures that fuel African American and American art ... Syncopation, Improvisation, Call and Response, Cool, Polyrhythm, or Innovation as an ambition- But there are many, many more. What Makes That Black? The African-American Aesthetic identifies and defines seventy-four elements of the aesthetic through text and illustration. Using the magnificent camerawork of R.J. Muna, Sharen Bradford, Jae Man Joo, Rachel Neville, James Barry Knox, and more- as they point their cameras at Alonzo King LINES Ballet, Complexions Contemporary Ballet, and jazz artists such as Cécile McLorin Salvant and Wynton Marsalis- a specific artistic consciousness or sensibility visually unfolds. Luana even joins the camera crew as she shoots Oakland Street Graffiti.
Publisher: Lulu.com
ISBN: 1483454797
Category : Art
Languages : en
Pages : 120
Book Description
We all can name some of the Africanist aesthetic-structures that fuel African American and American art ... Syncopation, Improvisation, Call and Response, Cool, Polyrhythm, or Innovation as an ambition- But there are many, many more. What Makes That Black? The African-American Aesthetic identifies and defines seventy-four elements of the aesthetic through text and illustration. Using the magnificent camerawork of R.J. Muna, Sharen Bradford, Jae Man Joo, Rachel Neville, James Barry Knox, and more- as they point their cameras at Alonzo King LINES Ballet, Complexions Contemporary Ballet, and jazz artists such as Cécile McLorin Salvant and Wynton Marsalis- a specific artistic consciousness or sensibility visually unfolds. Luana even joins the camera crew as she shoots Oakland Street Graffiti.
The Black Arts Movement
Author: James Smethurst
Publisher: Univ of North Carolina Press
ISBN: 080787650X
Category : Social Science
Languages : en
Pages : 488
Book Description
Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.
Publisher: Univ of North Carolina Press
ISBN: 080787650X
Category : Social Science
Languages : en
Pages : 488
Book Description
Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.
Black in Place
Author: Brandi Thompson Summers
Publisher: UNC Press Books
ISBN: 1469654024
Category : History
Languages : en
Pages : 257
Book Description
While Washington, D.C., is still often referred to as "Chocolate City," it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In this book, Brandi Thompson Summers documents D.C.'s shift to a "post-chocolate" cosmopolitan metropolis by charting H Street's economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation's capital, how blackness contributes to our understanding of contemporary urbanization, and how it laid an important foundation for how Black people have been thought to exist in cities. Summers also analyzes how blackness—as a representation of diversity—is marketed to sell a progressive, "cool," and authentic experience of being in and moving through an urban center. Using a mix of participant observation, visual and media analysis, interviews, and archival research, Summers shows how blackness has become a prized and lucrative aesthetic that often excludes D.C.'s Black residents.
Publisher: UNC Press Books
ISBN: 1469654024
Category : History
Languages : en
Pages : 257
Book Description
While Washington, D.C., is still often referred to as "Chocolate City," it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In this book, Brandi Thompson Summers documents D.C.'s shift to a "post-chocolate" cosmopolitan metropolis by charting H Street's economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation's capital, how blackness contributes to our understanding of contemporary urbanization, and how it laid an important foundation for how Black people have been thought to exist in cities. Summers also analyzes how blackness—as a representation of diversity—is marketed to sell a progressive, "cool," and authentic experience of being in and moving through an urban center. Using a mix of participant observation, visual and media analysis, interviews, and archival research, Summers shows how blackness has become a prized and lucrative aesthetic that often excludes D.C.'s Black residents.
BROTHER 2 ANOTHER
Author: W.G. Jr.
Publisher: Xlibris Corporation
ISBN: 1465304827
Category : Drama
Languages : en
Pages : 611
Book Description
Why does a man lose his way in life? And what decisions must he make in order to fulfi ll his destiny and regain the dignity he has lost? Devin Craig has lost his soul to the streets and to the bottle. His quest is to fi ght his way back from this despair that has enveloped him for seven years. What happened to make him lose his mind? Why can’t he remember what it is that has brought him to this point in his life. From the time Devin walks into a homeless shelter to the moment he fi nds out why this has happened to him; he fi ghts against tragedy after tragedy and mental dysfunction to arrive at the end of this journey only to fi nd more tragedy and a horrifying secret that drove him away from his family, friends and his destiny. And in the end Devin fi gures out that life is all about experience and that every thing that has happened has led him to what he has always wanted.
Publisher: Xlibris Corporation
ISBN: 1465304827
Category : Drama
Languages : en
Pages : 611
Book Description
Why does a man lose his way in life? And what decisions must he make in order to fulfi ll his destiny and regain the dignity he has lost? Devin Craig has lost his soul to the streets and to the bottle. His quest is to fi ght his way back from this despair that has enveloped him for seven years. What happened to make him lose his mind? Why can’t he remember what it is that has brought him to this point in his life. From the time Devin walks into a homeless shelter to the moment he fi nds out why this has happened to him; he fi ghts against tragedy after tragedy and mental dysfunction to arrive at the end of this journey only to fi nd more tragedy and a horrifying secret that drove him away from his family, friends and his destiny. And in the end Devin fi gures out that life is all about experience and that every thing that has happened has led him to what he has always wanted.
Sonia Sanchez's Poetic Spirit through Haiku
Author: John Zheng
Publisher: Rowman & Littlefield
ISBN: 1498543332
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
This collection of ten critical essays is the first scholarly criticism of haiku by Sonia Sanchez, who has exemplified herself for six decades as a major figure in the Black Arts Movement, a central activist in civil rights and women’s movements, and an internationally-known writer in American literature. Sanchez’s haiku, as an integral and prominent part of contemporary African American poetry, have expressed not only her ideas of nature, beauty, and harmony but also her aesthetic experience of music, culture, and love. Aesthetically, this experience reflects a poetic mind which has helped the poet to shape or reimage her poetic spirit.
Publisher: Rowman & Littlefield
ISBN: 1498543332
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
This collection of ten critical essays is the first scholarly criticism of haiku by Sonia Sanchez, who has exemplified herself for six decades as a major figure in the Black Arts Movement, a central activist in civil rights and women’s movements, and an internationally-known writer in American literature. Sanchez’s haiku, as an integral and prominent part of contemporary African American poetry, have expressed not only her ideas of nature, beauty, and harmony but also her aesthetic experience of music, culture, and love. Aesthetically, this experience reflects a poetic mind which has helped the poet to shape or reimage her poetic spirit.
Black Arts
Author: Andrew Prentice
Publisher: David Fickling Books
ISBN: 1910989053
Category : Young Adult Fiction
Languages : en
Pages : 339
Book Description
London is a teeming warren of thieves and cutthroats. Young Jack fits right in. But when he picks the wrong pocket, he finds himself in a London far more dangerous than he ever imagined. A metropolis of spies and dark magic. A city that will change him. A city where devils are real.
Publisher: David Fickling Books
ISBN: 1910989053
Category : Young Adult Fiction
Languages : en
Pages : 339
Book Description
London is a teeming warren of thieves and cutthroats. Young Jack fits right in. But when he picks the wrong pocket, he finds himself in a London far more dangerous than he ever imagined. A metropolis of spies and dark magic. A city that will change him. A city where devils are real.
The Torture Letters
Author: Laurence Ralph
Publisher: University of Chicago Press
ISBN: 022672980X
Category : Social Science
Languages : en
Pages : 267
Book Description
Torture is an open secret in Chicago. Nobody in power wants to acknowledge this grim reality, but everyone knows it happens—and that the torturers are the police. Three to five new claims are submitted to the Torture Inquiry and Relief Commission of Illinois each week. Four hundred cases are currently pending investigation. Between 1972 and 1991, at least 125 black suspects were tortured by Chicago police officers working under former Police Commander Jon Burge. As the more recent revelations from the Homan Square “black site” show, that brutal period is far from a historical anomaly. For more than fifty years, police officers who took an oath to protect and serve have instead beaten, electrocuted, suffocated, and raped hundreds—perhaps thousands—of Chicago residents. In The Torture Letters, Laurence Ralph chronicles the history of torture in Chicago, the burgeoning activist movement against police violence, and the American public’s complicity in perpetuating torture at home and abroad. Engaging with a long tradition of epistolary meditations on racism in the United States, from James Baldwin’s The Fire Next Time to Ta-Nehisi Coates’s Between the World and Me, Ralph offers in this book a collection of open letters written to protesters, victims, students, and others. Through these moving, questing, enraged letters, Ralph bears witness to police violence that began in Burge’s Area Two and follows the city’s networks of torture to the global War on Terror. From Vietnam to Geneva to Guantanamo Bay—Ralph’s story extends as far as the legacy of American imperialism. Combining insights from fourteen years of research on torture with testimonies of victims of police violence, retired officers, lawyers, and protesters, this is a powerful indictment of police violence and a fierce challenge to all Americans to demand an end to the systems that support it. With compassion and careful skill, Ralph uncovers the tangled connections among law enforcement, the political machine, and the courts in Chicago, amplifying the voices of torture victims who are still with us—and lending a voice to those long deceased.
Publisher: University of Chicago Press
ISBN: 022672980X
Category : Social Science
Languages : en
Pages : 267
Book Description
Torture is an open secret in Chicago. Nobody in power wants to acknowledge this grim reality, but everyone knows it happens—and that the torturers are the police. Three to five new claims are submitted to the Torture Inquiry and Relief Commission of Illinois each week. Four hundred cases are currently pending investigation. Between 1972 and 1991, at least 125 black suspects were tortured by Chicago police officers working under former Police Commander Jon Burge. As the more recent revelations from the Homan Square “black site” show, that brutal period is far from a historical anomaly. For more than fifty years, police officers who took an oath to protect and serve have instead beaten, electrocuted, suffocated, and raped hundreds—perhaps thousands—of Chicago residents. In The Torture Letters, Laurence Ralph chronicles the history of torture in Chicago, the burgeoning activist movement against police violence, and the American public’s complicity in perpetuating torture at home and abroad. Engaging with a long tradition of epistolary meditations on racism in the United States, from James Baldwin’s The Fire Next Time to Ta-Nehisi Coates’s Between the World and Me, Ralph offers in this book a collection of open letters written to protesters, victims, students, and others. Through these moving, questing, enraged letters, Ralph bears witness to police violence that began in Burge’s Area Two and follows the city’s networks of torture to the global War on Terror. From Vietnam to Geneva to Guantanamo Bay—Ralph’s story extends as far as the legacy of American imperialism. Combining insights from fourteen years of research on torture with testimonies of victims of police violence, retired officers, lawyers, and protesters, this is a powerful indictment of police violence and a fierce challenge to all Americans to demand an end to the systems that support it. With compassion and careful skill, Ralph uncovers the tangled connections among law enforcement, the political machine, and the courts in Chicago, amplifying the voices of torture victims who are still with us—and lending a voice to those long deceased.
World is Africa
Author: Eddie Chambers
Publisher: Bloomsbury Publishing
ISBN: 1350140341
Category : Art
Languages : en
Pages : 337
Book Description
World is Africa brings together more than 30 important texts by Eddie Chambers, who for several decades has been an original and a critical voice within the field of African diaspora art history. The texts range from book chapters and catalogue essays, to shorter texts. Chambers focuses on contemporary artists and their practices, from a range of international locations, who for the most part are identified with the African diaspora. None of the texts are available online and none have been available outside of the original publication in which they first appeared. The volume contains several new pieces of writing, including a consideration of the art world 'fetishization' of the 1980s, as the manifestation of a reluctance to accept the majority of Black British artists as valid individual practitioners, choosing instead to shackle them to exhibitions that took place three decades ago. Another new text re-examines the 'map paintings' of Frank Bowling, the Guyana-born artist who was the subject of a major retrospective at Tate Britain in 2019. The third introduces the little-known record sleeve illustrations of Charles White, the American artist who was the subject of a major retrospective in 2018 at major galleries across the US. Among the other new texts is a critical reflection on the patronage the Greater London Council extended to Black artists in 1980s London. World is Africa makes a valuable contribution to the emerging discipline of black British art history, the field of African diaspora studies and African diaspora art history.
Publisher: Bloomsbury Publishing
ISBN: 1350140341
Category : Art
Languages : en
Pages : 337
Book Description
World is Africa brings together more than 30 important texts by Eddie Chambers, who for several decades has been an original and a critical voice within the field of African diaspora art history. The texts range from book chapters and catalogue essays, to shorter texts. Chambers focuses on contemporary artists and their practices, from a range of international locations, who for the most part are identified with the African diaspora. None of the texts are available online and none have been available outside of the original publication in which they first appeared. The volume contains several new pieces of writing, including a consideration of the art world 'fetishization' of the 1980s, as the manifestation of a reluctance to accept the majority of Black British artists as valid individual practitioners, choosing instead to shackle them to exhibitions that took place three decades ago. Another new text re-examines the 'map paintings' of Frank Bowling, the Guyana-born artist who was the subject of a major retrospective at Tate Britain in 2019. The third introduces the little-known record sleeve illustrations of Charles White, the American artist who was the subject of a major retrospective in 2018 at major galleries across the US. Among the other new texts is a critical reflection on the patronage the Greater London Council extended to Black artists in 1980s London. World is Africa makes a valuable contribution to the emerging discipline of black British art history, the field of African diaspora studies and African diaspora art history.