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The Cornucopian Mind and the Baroque Unity of the Arts

The Cornucopian Mind and the Baroque Unity of the Arts PDF Author:
Publisher: Penn State Press
ISBN: 0271039957
Category :
Languages : en
Pages : 226

Book Description


The Cornucopian Mind and the Baroque Unity of the Arts

The Cornucopian Mind and the Baroque Unity of the Arts PDF Author:
Publisher: Penn State Press
ISBN: 0271039957
Category :
Languages : en
Pages : 226

Book Description


Distant Voices Still Heard

Distant Voices Still Heard PDF Author: John O'Brien
Publisher: Liverpool University Press
ISBN: 9780853237853
Category : Literary Criticism
Languages : en
Pages : 248

Book Description
The highs and lows of structuralist reading / François Rigolot -- Rabelais' strength and the pitfalls of methodology / Michel Jeanneret -- "Blonde chef, grande conqueste" / Ann Rosalind Jones -- Louise Labé's feminist poetics / Carla Freccero -- Reading and writing in the tenth story of the Heptaméron / Floyd Gray -- Fetishism and storytelling in the Nouvelle 57 of Marguerite de Navarre's Heptaméron / Nancy Frelick -- Creative choreography / Malcolm Quainton -- An overshadowed valediction / Thomas Greene -- "De l'amitié" / Ann Moss -- Montaigne's death sentences / Lawrence Kritzman

The Cornucopian Text

The Cornucopian Text PDF Author: Terence Cave
Publisher:
ISBN: 9780191673290
Category : French literature
Languages : en
Pages : 386

Book Description
This seminal book examines the interaction of literary practice and theory in 16th-century France in the context of the great Renaissance writers, Erasmus, Rabelais, Ronsard, and Montaigne.

How To Read Montaigne

How To Read Montaigne PDF Author: Terence Cave
Publisher: Granta Books
ISBN: 178378122X
Category : Philosophy
Languages : en
Pages : 128

Book Description
Montaigne (1533-92) is commonly regarded as an early modern sceptic, standing at the threshold of a new secular way of thinking. He is also known for his ground-breaking exploration of the 'subject' or the 'self'. Terence Cave discusses these and other key aspects of the Essais (Montaigne's major work) not as philosophical themes but as features in the mapping of a mental landscape: the project of the Essais is cognitive rather than philosophical. Similarly, he reads the Essais not as 'essays' in the literary sense but as 'trials' or 'soundings' in which the manner of writing - the shape of the sentences, the use of metaphors and other figures - is crucial. Taking passages from many different chapters of the Essais, this book guides the reader through Montaigne's investigation of the 'subtle shades and stirrings' of the mind.

Encyclopedia of the Essay

Encyclopedia of the Essay PDF Author: Tracy Chevalier
Publisher: Taylor & Francis
ISBN: 9781884964305
Category : Language Arts & Disciplines
Languages : en
Pages : 1032

Book Description
A hefty one-volume reference addressing various facets of the essay. Entries are of five types: 1) considerations of different types of essay, e.g. moral, travel, autobiographical; 2) discussions of major national traditions; 3) biographical profiles of writers who have produced a significant body of work in the genre; 4) descriptions of periodicals important for their publication of essays; and 5) discussions of some especially significant single essays. Each entry includes citations for further reading and cross references. Annotation copyrighted by Book News, Inc., Portland, OR

The Cornucopian Stage

The Cornucopian Stage PDF Author: Ariel Fox
Publisher: BRILL
ISBN: 1684176816
Category : Literary Criticism
Languages : en
Pages : 276

Book Description
The long seventeenth century in China was a period of tremendous commercial expansion, and no literary genre was better equipped to articulate its possibilities than southern drama. As a form and a practice, southern drama was in the business of world-building—both in its structural imperative to depict and reconcile the social whole and in its creation of entire economies dependent on its publication and performance. However, the early modern commercial world repelled rather than engaged most playwrights, who consigned its totems—the merchant and his money—to the margins as sources of political suspicion and cultural anxiety. In The Cornucopian Stage, Ariel Fox examines a body of influential yet understudied plays by a circle of Suzhou playwrights who enlisted the theatrical imaginary to very different ends. In plays about long-distance traders and small-time peddlers, impossible bargains and broken contracts, strings of cash and storehouses of silver, the Suzhou circle placed commercial forms not only at center stage but at the center of a new world coming into being. Here, Fox argues, the economic character of early modern selfhood is recast as fundamentally productive—as the basis for new subject positions, new kinds of communities, and new modes of art.

The Bellum Grammaticale and the Rise of European Literature

The Bellum Grammaticale and the Rise of European Literature PDF Author: Erik Butler
Publisher: Routledge
ISBN: 1317040503
Category : Literary Criticism
Languages : en
Pages : 181

Book Description
The now-forgotten genre of the bellum grammaticale flourished in the sixteenth- and seventeenth centuries as a means of satirizing outmoded cultural institutions and promoting new methods of instruction. In light of works written in Renaissance Italy, ancien régime France, and baroque Germany (Andrea Guarna's Bellum Grammaticale [1511], Antoine Furetière's Nouvelle allégorique [1658], and Justus Georg Schottelius' Horrendum Bellum Grammaticale [1673]), this study explores early modern representations of language as war. While often playful in form and intent, the texts examined address serious issues of enduring relevance: the relationship between tradition and innovation, the power of language to divide and unite peoples, and canon-formation. Moreover, the author contends, the "language wars" illuminate the shift from a Latin-based understanding of learning to the acceptance of vernacular erudition and the emergence of national literature.

The Value of Time in Early Modern English Literature

The Value of Time in Early Modern English Literature PDF Author: Tina Skouen
Publisher: Routledge
ISBN: 135140282X
Category : Literary Criticism
Languages : en
Pages : 414

Book Description
The stigma of haste pervaded early modern English culture, more so than the so-called stigma of print. The period’s writers were perpetually short on time, but what does it mean for authors to present themselves as hasty or slow, or to characterize others similarly? This book argues that such classifications were a way to define literary value. To be hasty was, in a sense, to be irresponsible, but, in another sense, it signaled a necessary practicality. Expressions of haste revealed a deep conflict between the ideal of slow writing in classical and humanist rhetoric and the sometimes grim reality of fast printing. Indeed, the history of print is a history of haste, which carries with it a particular set of modern anxieties that are difficult to understand in the absence of an interdisciplinary approach. Many previous studies have concentrated on the period’s competing definitions of time and on the obsession with how to use time well. Other studies have considered time as a notable literary theme. This book is the first to connect ideas of time to writerly haste in a richly interdisciplinary manner, drawing upon rhetorical theory, book history, poetics, religious studies and early modern moral philosophy, which, only when taken together, provide a genuinely deep understanding of why the stigma of haste so preoccupied the early modern mind. The Value of Time in Early Modern English Literature surveys the period from ca 1580 to ca 1730, with special emphasis on the seventeenth century. The material discussed is found in emblem books, devotional literature, philosophical works, and collections of poetry, drama and romance. Among classical sources, Horace and Quintilian are especially important. The main authors considered are: Robert Parsons; Edmund Bunny; King James 1; Henry Peacham; Thomas Nash; Robert Greene; Ben Jonson; Margaret Cavendish; John Dryden; Richard Baxter; Jonathan Swift; Alexander Pope. By studying these writers’ expressions of time and haste, we may gain a better understanding of how authorship was defined at a time when the book industry was gradually taking the place of classical rhetoric in regulating writers’ activities.

Literature and Nation in the Sixteenth Century

Literature and Nation in the Sixteenth Century PDF Author: Timothy Hampton
Publisher: Cornell University Press
ISBN: 9780801437748
Category : Literary Criticism
Languages : en
Pages : 332

Book Description
"The foundational texts of modern French literature were produced during a period of unprecedented struggle over the meaning of community. In the face of religious heresy, political threats from abroad, and new forms of cultural diversity, Renaissance French culture confronted, in new and urgent ways, the question of what it means to be "French." Hampton shows how conflicts between different concepts of community were mediated symbolically through the genesis of new literary forms. Hampton's analysis of works by Rabelais, Montaigne, Du Bellay, and Marguerite de Navarre, as well as writings by lesser-known poets, pamphleteers, and political philosophers, shows that the vulnerability of France and the instability of French identity were pervasive cultural themes during this period.".

The Oxford History of Classical Reception in English Literature

The Oxford History of Classical Reception in English Literature PDF Author: Patrick Cheney
Publisher: Oxford University Press
ISBN: 019107778X
Category : Literary Criticism
Languages : en
Pages : 803

Book Description
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.