Author:
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 158
Book Description
Digital Copyright
Author: Simon Stokes
Publisher: Hart Publishing
ISBN: 9781849464024
Category : Law
Languages : en
Pages : 310
Book Description
The first edition of this book in 2002 was the first UK text to examine digital copyright together with related areas such as performers' rights, moral rights, database rights and competition law as a subject in its own right. Updated editions have included the UK implementation of the 2001 Information Society Directive and commentary on user-generated content and the development of Web 2.0 and beyond. Now in its fourth edition, the book has been updated and revised to take account of legal and policy developments in copyright law and related areas, in particular the increasing role of the Court of Justice of the European Union in shaping EU copyright law. The book helps put digital copyright law and policy into perspective and provides practical guidance for those creating or exploiting digital content or technology, whether in academia, the software, information, publishing and creative industries, and other areas of the economy. The focus is on the specifics of the law in this area together with practical aspects, including precedents and precedent checklists dealing with common digital copyright transactions. The latest edition has been expanded to include a discussion of Open Access, eBooks and app development and licensing. Both academics and practitioners will find the book an invaluable guide to this rapidly developing field of law.
Publisher: Hart Publishing
ISBN: 9781849464024
Category : Law
Languages : en
Pages : 310
Book Description
The first edition of this book in 2002 was the first UK text to examine digital copyright together with related areas such as performers' rights, moral rights, database rights and competition law as a subject in its own right. Updated editions have included the UK implementation of the 2001 Information Society Directive and commentary on user-generated content and the development of Web 2.0 and beyond. Now in its fourth edition, the book has been updated and revised to take account of legal and policy developments in copyright law and related areas, in particular the increasing role of the Court of Justice of the European Union in shaping EU copyright law. The book helps put digital copyright law and policy into perspective and provides practical guidance for those creating or exploiting digital content or technology, whether in academia, the software, information, publishing and creative industries, and other areas of the economy. The focus is on the specifics of the law in this area together with practical aspects, including precedents and precedent checklists dealing with common digital copyright transactions. The latest edition has been expanded to include a discussion of Open Access, eBooks and app development and licensing. Both academics and practitioners will find the book an invaluable guide to this rapidly developing field of law.
United States Code
The Parody Exception in Copyright Law
Author: Sabine Jacques
Publisher: Oxford University Press
ISBN: 0192529986
Category : Law
Languages : en
Pages : 310
Book Description
Parodies have been created throughout times and cultures. A glimpse at the general judicial latitude generally afforded to parodies, satires, caricatures, and pastiches demonstrates the social and cultural value of this particular form of artistic expression. With the advent of technologies and the evolution of copyright legislation, creative endeavours in the form of parody gathered a new youth but became unlawful. While copyright law grants exclusive rights to right-holders, this right is not absolute. Legislation includes specific exceptions, which preclude right-holders from exercising their prerogatives in particular cases which foster creativity and cultural diversity within that society. The parody exception pertains to this ultimate objective by permitting users to reproduce copyright-protected materials for the purpose of parody. To understand the meaning and scope of the parody exception, this book examines and compares five jurisdictions which differ in their protection of parodies: France, Australia, Canada, the US and the United Kingdom. This book is concerned with finding an appropriate balance between the protection awarded to right-holders and the public interest. This is achieved by analysing the parody exception to the economic rights of right-holders, the preservation of moral rights and the interaction of the parody exception with contract law. As parodies constitute an artistic expression protected under the right to freedom of expression, this book also considers the influence of freedom of expression on the interpretation of this specific copyright exception. Furthermore, this book aims at providing guidance on how to resolve conflicts where fundamental rights are in conflict. This is the first book in English to offer an in-depth investigation into the parody exception in copyright law, and comments on industry practices linked to this form of creative endeavours.
Publisher: Oxford University Press
ISBN: 0192529986
Category : Law
Languages : en
Pages : 310
Book Description
Parodies have been created throughout times and cultures. A glimpse at the general judicial latitude generally afforded to parodies, satires, caricatures, and pastiches demonstrates the social and cultural value of this particular form of artistic expression. With the advent of technologies and the evolution of copyright legislation, creative endeavours in the form of parody gathered a new youth but became unlawful. While copyright law grants exclusive rights to right-holders, this right is not absolute. Legislation includes specific exceptions, which preclude right-holders from exercising their prerogatives in particular cases which foster creativity and cultural diversity within that society. The parody exception pertains to this ultimate objective by permitting users to reproduce copyright-protected materials for the purpose of parody. To understand the meaning and scope of the parody exception, this book examines and compares five jurisdictions which differ in their protection of parodies: France, Australia, Canada, the US and the United Kingdom. This book is concerned with finding an appropriate balance between the protection awarded to right-holders and the public interest. This is achieved by analysing the parody exception to the economic rights of right-holders, the preservation of moral rights and the interaction of the parody exception with contract law. As parodies constitute an artistic expression protected under the right to freedom of expression, this book also considers the influence of freedom of expression on the interpretation of this specific copyright exception. Furthermore, this book aims at providing guidance on how to resolve conflicts where fundamental rights are in conflict. This is the first book in English to offer an in-depth investigation into the parody exception in copyright law, and comments on industry practices linked to this form of creative endeavours.
Intellectual Property Law
Author: Terence P. Ross
Publisher: Law Journal Press
ISBN: 9781588520944
Category : Law
Languages : en
Pages : 970
Book Description
This book addresses two crucial concerns of intellectual property owners--how to recover monetary compensation when an infringement has occurred and how to prevent further infringement.
Publisher: Law Journal Press
ISBN: 9781588520944
Category : Law
Languages : en
Pages : 970
Book Description
This book addresses two crucial concerns of intellectual property owners--how to recover monetary compensation when an infringement has occurred and how to prevent further infringement.
Digital Copyright
Author: Jessica Litman
Publisher: Prometheus Books
ISBN: 161592051X
Category : Law
Languages : en
Pages : 216
Book Description
Professor Litman's work stands out as well-researched, doctrinally solid, and always piercingly well-written.-JANE GINSBURG, Morton L. Janklow Professor of Literary and Artistic Property, Columbia UniversityLitman's work is distinctive in several respects: in her informed historical perspective on copyright law and its legislative policy; her remarkable ability to translate complicated copyright concepts and their implications into plain English; her willingness to study, understand, and take seriously what ordinary people think copyright law means; and her creativity in formulating alternatives to the copyright quagmire. -PAMELA SAMUELSON, Professor of Law and Information Management; Director of the Berkeley Center for Law & Technology, University of California, BerkeleyIn 1998, copyright lobbyists succeeded in persuading Congress to enact laws greatly expanding copyright owners' control over individuals' private uses of their works. The efforts to enforce these new rights have resulted in highly publicized legal battles between established media and new upstarts.In this enlightening and well-argued book, law professor Jessica Litman questions whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society?Litman's critique exposes the 1998 copyright law as an incoherent patchwork. She argues for reforms that reflect common sense and the way people actually behave in their daily digital interactions.This paperback edition includes an afterword that comments on recent developments, such as the end of the Napster story, the rise of peer-to-peer file sharing, the escalation of a full-fledged copyright war, the filing of lawsuits against thousands of individuals, and the June 2005 Supreme Court decision in the Grokster case.Jessica Litman (Ann Arbor, MI) is professor of law at Wayne State University and a widely recognized expert on copyright law.
Publisher: Prometheus Books
ISBN: 161592051X
Category : Law
Languages : en
Pages : 216
Book Description
Professor Litman's work stands out as well-researched, doctrinally solid, and always piercingly well-written.-JANE GINSBURG, Morton L. Janklow Professor of Literary and Artistic Property, Columbia UniversityLitman's work is distinctive in several respects: in her informed historical perspective on copyright law and its legislative policy; her remarkable ability to translate complicated copyright concepts and their implications into plain English; her willingness to study, understand, and take seriously what ordinary people think copyright law means; and her creativity in formulating alternatives to the copyright quagmire. -PAMELA SAMUELSON, Professor of Law and Information Management; Director of the Berkeley Center for Law & Technology, University of California, BerkeleyIn 1998, copyright lobbyists succeeded in persuading Congress to enact laws greatly expanding copyright owners' control over individuals' private uses of their works. The efforts to enforce these new rights have resulted in highly publicized legal battles between established media and new upstarts.In this enlightening and well-argued book, law professor Jessica Litman questions whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society?Litman's critique exposes the 1998 copyright law as an incoherent patchwork. She argues for reforms that reflect common sense and the way people actually behave in their daily digital interactions.This paperback edition includes an afterword that comments on recent developments, such as the end of the Napster story, the rise of peer-to-peer file sharing, the escalation of a full-fledged copyright war, the filing of lawsuits against thousands of individuals, and the June 2005 Supreme Court decision in the Grokster case.Jessica Litman (Ann Arbor, MI) is professor of law at Wayne State University and a widely recognized expert on copyright law.
Copyright, Limitations, and the Three-step Test
Author: Martin Senftleben
Publisher: Kluwer Law International B.V.
ISBN: 9041122672
Category : Law
Languages : en
Pages : 358
Book Description
The book includes: viable restatements of the rationales of copyright protection for the emerging IP environment; new insights into the relationship between copyright protection and copyright limitations; in-depth explanation of the structure and functioning of the three-step test; detailed interpretations of each criterion of the test; discussion of the two WTO panelreports dealing with the test; a proposal for the further improvement of the copyright system and the international rules governing copyright law; detailed information about international conference material concerning the test; and discussion of potential future trends in copyright law. The author provides many examples that demonstrate the test's impact on different types of limitations, such as private use privileges and the U.S. fair use doctrine. He explains the test's role in the European Copyright Directive.
Publisher: Kluwer Law International B.V.
ISBN: 9041122672
Category : Law
Languages : en
Pages : 358
Book Description
The book includes: viable restatements of the rationales of copyright protection for the emerging IP environment; new insights into the relationship between copyright protection and copyright limitations; in-depth explanation of the structure and functioning of the three-step test; detailed interpretations of each criterion of the test; discussion of the two WTO panelreports dealing with the test; a proposal for the further improvement of the copyright system and the international rules governing copyright law; detailed information about international conference material concerning the test; and discussion of potential future trends in copyright law. The author provides many examples that demonstrate the test's impact on different types of limitations, such as private use privileges and the U.S. fair use doctrine. He explains the test's role in the European Copyright Directive.
Before the Nation: Muslim-Christian Coexistence and its Destruction in Late-Ottoman Anatolia
Author: Nicholas Doumanis
Publisher: OUP Oxford
ISBN: 0191638021
Category : History
Languages : en
Pages : 245
Book Description
It is common for survivors of ethnic cleansing and even genocide to speak nostalgically about earlier times of intercommunal harmony and brotherhood. After being driven from their Anatolian homelands, Greek Orthodox refugees insisted that they lived well with the Turks, and yearned for the days when they worked and drank coffee together, participated in each others festivals, and even prayed to the same saints. Historians have never showed serious regard to thesememories, given the refugees had fled from horrific ethnic violence that appeared to reflect deep-seated and pre-existing animosities. Refugee nostalgia seemed pure fantasy; perhaps contrived to lessen the pain and humiliations of displacement.Before the Nation argues that there is more than a grain of truth to these nostalgic traditions. It points to the fact that intercommunality, a mode of everyday living based on the accommodation of cultural difference, was a normal and stabilizing feature of multi-ethnic societies. Refugee memory and other ethnographic sources provide ample illustration of the beliefs and practices associated with intercommunal living, which local Muslims and Christian communities likened to a commonmoral environment. Drawing largely from an oral archive containing interviews with over 5000 refugees, Nicholas Doumanis examines the mentalities, cosmologies, and value systems as they relate to cultures of coexistence. He furthermore rejects the commonplace assumption that the empire was destroyed by intercommunal hatreds. Doumanis emphasizes the role of state-perpetrated political violence which aimed to create ethnically homogenous spaces, and which went some way in transforming these Anatolians into Greeksand Turks.
Publisher: OUP Oxford
ISBN: 0191638021
Category : History
Languages : en
Pages : 245
Book Description
It is common for survivors of ethnic cleansing and even genocide to speak nostalgically about earlier times of intercommunal harmony and brotherhood. After being driven from their Anatolian homelands, Greek Orthodox refugees insisted that they lived well with the Turks, and yearned for the days when they worked and drank coffee together, participated in each others festivals, and even prayed to the same saints. Historians have never showed serious regard to thesememories, given the refugees had fled from horrific ethnic violence that appeared to reflect deep-seated and pre-existing animosities. Refugee nostalgia seemed pure fantasy; perhaps contrived to lessen the pain and humiliations of displacement.Before the Nation argues that there is more than a grain of truth to these nostalgic traditions. It points to the fact that intercommunality, a mode of everyday living based on the accommodation of cultural difference, was a normal and stabilizing feature of multi-ethnic societies. Refugee memory and other ethnographic sources provide ample illustration of the beliefs and practices associated with intercommunal living, which local Muslims and Christian communities likened to a commonmoral environment. Drawing largely from an oral archive containing interviews with over 5000 refugees, Nicholas Doumanis examines the mentalities, cosmologies, and value systems as they relate to cultures of coexistence. He furthermore rejects the commonplace assumption that the empire was destroyed by intercommunal hatreds. Doumanis emphasizes the role of state-perpetrated political violence which aimed to create ethnically homogenous spaces, and which went some way in transforming these Anatolians into Greeksand Turks.
Nimmer on Copyright
Author: Melville B. Nimmer
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages :
Book Description
Copyright, Communication and Culture
Author: Carys J. Craig
Publisher: Edward Elgar Publishing
ISBN: 0857933523
Category : Law
Languages : en
Pages : 285
Book Description
In this provocative book, Carys Craig challenges the assumptions of possessive individualism embedded in modern day copyright law, arguing that the dominant conception of copyright as private property fails to adequately reflect the realities of cultural creativity. Employing both theoretical argument and doctrinal analysis, including the novel use of feminist theory, the author explores how the assumptions of modern copyright result in law that frequently restricts the kinds of expressive activities it ought to encourage. In contrast, Carys Craig proposes a relational theory of copyright based on a dialogic account of authorship, and guided by the public interest in a vibrant, participatory culture. Through a critical examination of the doctrines of originality and fair dealing, as well as the relationship between copyright and freedom of expression, she explores how this relational theory of copyright law could further the public purposes of the copyright system and the social values it embodies. This unique and insightful study will be of great interest to students and scholars of intellectual property, communications, cultural studies, feminist theory and the arts and humanities.
Publisher: Edward Elgar Publishing
ISBN: 0857933523
Category : Law
Languages : en
Pages : 285
Book Description
In this provocative book, Carys Craig challenges the assumptions of possessive individualism embedded in modern day copyright law, arguing that the dominant conception of copyright as private property fails to adequately reflect the realities of cultural creativity. Employing both theoretical argument and doctrinal analysis, including the novel use of feminist theory, the author explores how the assumptions of modern copyright result in law that frequently restricts the kinds of expressive activities it ought to encourage. In contrast, Carys Craig proposes a relational theory of copyright based on a dialogic account of authorship, and guided by the public interest in a vibrant, participatory culture. Through a critical examination of the doctrines of originality and fair dealing, as well as the relationship between copyright and freedom of expression, she explores how this relational theory of copyright law could further the public purposes of the copyright system and the social values it embodies. This unique and insightful study will be of great interest to students and scholars of intellectual property, communications, cultural studies, feminist theory and the arts and humanities.
Copyright Essentials
Author: Australian Copyright Council
Publisher:
ISBN: 9781920778415
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781920778415
Category :
Languages : en
Pages :
Book Description