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Author: L. Dougherty Publisher: iUniverse ISBN: 0595380166 Category : Fiction Languages : en Pages : 399
Book Description
Logan can hear his friend Jim in the parking lot, fighting the officers like he fights everybody, every day. The shouting rips apart the peace of the night. Once Logan steps across the threshold of the motel room - and sees a trail of crimson footprints - he knows that his life is out of control. None of this day seems real. It must be a dream, he decides - a nightmare. This cannot be happening to him. Not to Logan Kossowicz, the violinist, the boy with a future, who was supposed to be heading to Julliard on a full scholarship. After years of waiting, he was finally going to leave Danville behind and begin his meteoric rise as a soloist. Now, handcuffs dangle from his thin wrists, flopping with each step. Terrified, he wonders what will happen next. Ever since he was six years old, he has dreamed of becoming a renowned virtuoso, commanding stages throughout the world, astounding every audience. His father was counting on it. Forced into the back of a patrol car, Logan slumps as he realizes that dreams cannot begin here. This is where dreams end. This is where hope ends. Everything changes tonight.
Author: L. Dougherty Publisher: iUniverse ISBN: 0595380166 Category : Fiction Languages : en Pages : 399
Book Description
Logan can hear his friend Jim in the parking lot, fighting the officers like he fights everybody, every day. The shouting rips apart the peace of the night. Once Logan steps across the threshold of the motel room - and sees a trail of crimson footprints - he knows that his life is out of control. None of this day seems real. It must be a dream, he decides - a nightmare. This cannot be happening to him. Not to Logan Kossowicz, the violinist, the boy with a future, who was supposed to be heading to Julliard on a full scholarship. After years of waiting, he was finally going to leave Danville behind and begin his meteoric rise as a soloist. Now, handcuffs dangle from his thin wrists, flopping with each step. Terrified, he wonders what will happen next. Ever since he was six years old, he has dreamed of becoming a renowned virtuoso, commanding stages throughout the world, astounding every audience. His father was counting on it. Forced into the back of a patrol car, Logan slumps as he realizes that dreams cannot begin here. This is where dreams end. This is where hope ends. Everything changes tonight.
Author: Noam Ben-Zeev Publisher: ISBN: 9789657724491 Category : Biography & Autobiography Languages : en Pages : 184
Book Description
Offering a breathtaking account of the life and times of violinist, concertmaster, and teacher Chaim Taub, this book utilizes insightful interviews to form a mosaic of words, images, and music. It enables readers to be acquainted with the fascinating story of Taub's life, and his rare view of the art of violin playing and musical performance.
Author: Anne Mischakoff Heiles Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 590
Book Description
This unique book, based on extensive research on more than 180 concertmasters and dozens of interviews, looks at the training and personality traits that have yielded great leaders in the string sections of orchestras in the United States and Canada. Includes in-depth profiles of twenty-two of the men and women who are the recent and present occupants of the first chair in these symphony and opera orchestras.
Author: Hans Jørgen Jensen Publisher: Ovation Press, Ltd. ISBN: Category : Music Languages : en Pages : 156
Book Description
ViolinMind is a pedagogical method book that focuses on intonation. It is a transcription for the violin of CelloMind published in 2017 by Ovation Press, Ltd. The co-authors of ViolinMind are Hans Jørgen Jensen, Professor of Cello at the Bienen School of Music at Northwestern University and Grigory Kalinovsky, Professor of Music (Violin) at Indiana University Jacobs School of Music. The mystery of intonation is dissected by defining the scientific principles behind it, and providing easy, intuitive examples of the three main kinds of intonation systems used today: Equal Temperament, Just, and Pythagorean. Playing with exquisite intonation has mostly been reserved for those who possess a strong intuitive sense of pitch and harmonic color; however, ViolinMind breaks down this barrier using a highly detailed, systematic approach, making the process of acquiring a sophisticated sense of intonation similar to any other technical skill. Chapters in the book explore in great detail topics such as the harmonic overtone series, the scientific principles behind Cents, the syntonic comma, the just scales, the Pythagorean comma, the Pythagorean semitones, advanced sympathetic vibrations, Tartini tones, and double stops studies in tritones. All chapters in the book include numerous practical samples and listening exercises that bridge the gap between the theory and its application. The chapters on intonation conclude with practical examples from the following repertoire: intonation performance practice in the Bach Sonatas and Partitas for Violin Solo (BWV 1001-1006), and intonation performance practice with piano. The appendices in the book provide detailed explanations about the Helmholtz intonation chart, the harmonic series, just intonation, the Schisma, as well as an illustration of two violin fingerboards from two method books from the 18th century showing pitch distribution for just intonation and Pythagorean intonation respectively.
Author: Robin Stowell Publisher: Cambridge University Press ISBN: 113982497X Category : Music Languages : en Pages : 310
Book Description
The Cambridge Companion to the Violin offers students, performers, and scholars a fascinating and composite survey of the history and repertory of the instrument from its origins to the present day. The volume comprises fifteen essays, written by a team of specialists, and is intended to develop the violin's historical perspective in breadth and from every relevant angle. The principal subjects discussed include the instrument's structure and development; its fundamental acoustical properties; principal exponents; technique and teaching principles; solo and ensemble repertory; pedagogical literature; traditions in folk music and jazz; and aspects of historical performing practice. The text is supported by numerous illustrations and diagrams as well as music examples, a useful appendix, glossary of technical terms, and an extensive bibliography.
Author: Walter Kolneder Publisher: Rowman & Littlefield ISBN: 1493083376 Category : Music Languages : en Pages : 598
Book Description
Available for the first time in English, this book has been considered the best single encyclopedia of the violin for 20 years. All aspects of the violin are covered: construction, history, and literature; violin playing and teaching; and violin virtuosos through the ages.
Author: Karen A. Hagberg Publisher: Scarecrow Press ISBN: 9780810847774 Category : Music Languages : en Pages : 132
Book Description
"This book focuses on the performance of classical music, but the basic principles are the same for all kinds of music. Musicians need to make their audiences receptive and to give them a lasting, positive impression. Just as classical training lays a foundation for the performance of other kinds of music, the basics of stage presence outlines here may be adopted to all kinds of performances, by all kinds of musicians." - page xiii.
Author: Robert J. Flanagan Publisher: Yale University Press ISBN: 0300171935 Category : Business & Economics Languages : en Pages : 235
Book Description
This book analyzes the economic challenges facing symphony orchestras and contrasts the experience of orchestras in the United States (where there is little direct government support) and abroad (where governments typically provide large direct subsidies). Robert J. Flanagan explains the tension between artistic excellence and financial jeopardy that confronts most symphony orchestras. He analyzes three complementary strategies for addressing orchestras' economic challenges—raising performance revenues, slowing the growth of performance expenses, and increasing nonperformance income—and demonstrates that none of the three strategies alone is likely to provide economic security for orchestras.
Author: L. Dougherty
Author: L. Dougherty
Author: Noam Ben-Zeev
Author: Anne Mischakoff Heiles
Author: 
Author: Hans Jørgen Jensen
Author: Alberto Bachmann
Author: Robin Stowell
Author: Walter Kolneder
Author: Karen A. Hagberg
Author: Robert J. Flanagan