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Author: Joanne Parrent Publisher: Alpha Books ISBN: Category : Performing Arts Languages : en Pages : 372
Book Description
The most comprehensive introduction to film making. -- Some how-to books on filmmaking focus on making specific types of films, such as short dramatic films or documentaries. Others focus on one aspect of filmmaking, such as directing or editing. Still others focus on a particular medium, such as digital filmmaking. The Complete Idiot's Guide "RM" to Film Making covers all of these topics -- and more! -- This book will appeal to film students, wannabe film students, and writers tired of trying to get their own work sold/distributed, and want to go it alone. The Complete Idiot's Guide "RM" to Film Making will do for aspiring filmmakers what The Complete Idiot's Guide "RM" to Screenwriting is doing for aspiring screenwriters. In fact, this book should have the added luxury of also appealing to aspiring screenwriters, especially those who have struggled to get their work purchased, who have considered trying to produce and direct their own screenplays. Regardless of motivation for picking up The Complete Idiot's Guide "RM" to Film Making readers will find it to be the most comprehensive book on the subject -- and on two different levels. First, it will cover every aspect of the filmmaking process, from script to pre-production, to directing, to post-production, to distribution. Secondly, it will cover virtually every form of filmmaking, including independent features, Hollywood films, television movies, documentaries, corporate and educational films, "reality films, " digital/Internet films, and music videos.
Author: Joanne Parrent Publisher: Alpha Books ISBN: Category : Performing Arts Languages : en Pages : 372
Book Description
The most comprehensive introduction to film making. -- Some how-to books on filmmaking focus on making specific types of films, such as short dramatic films or documentaries. Others focus on one aspect of filmmaking, such as directing or editing. Still others focus on a particular medium, such as digital filmmaking. The Complete Idiot's Guide "RM" to Film Making covers all of these topics -- and more! -- This book will appeal to film students, wannabe film students, and writers tired of trying to get their own work sold/distributed, and want to go it alone. The Complete Idiot's Guide "RM" to Film Making will do for aspiring filmmakers what The Complete Idiot's Guide "RM" to Screenwriting is doing for aspiring screenwriters. In fact, this book should have the added luxury of also appealing to aspiring screenwriters, especially those who have struggled to get their work purchased, who have considered trying to produce and direct their own screenplays. Regardless of motivation for picking up The Complete Idiot's Guide "RM" to Film Making readers will find it to be the most comprehensive book on the subject -- and on two different levels. First, it will cover every aspect of the filmmaking process, from script to pre-production, to directing, to post-production, to distribution. Secondly, it will cover virtually every form of filmmaking, including independent features, Hollywood films, television movies, documentaries, corporate and educational films, "reality films, " digital/Internet films, and music videos.
Author: Josef Steiff Publisher: Penguin ISBN: 9781592573905 Category : Performing Arts Languages : en Pages : 388
Book Description
Presents an introduction to the making of a film without film studio backing, covering such topics as developing the story, obtaining financing, directing, cinematography, location, and post-production tools such as editing and special effects.
Author: Karl Bardosh Publisher: Penguin ISBN: 1101043407 Category : Computers Languages : en Pages : 428
Book Description
Join the digital revolution With the availability and affordability of digital movie-making equipment, it’s now easier than ever for aspiring filmmakers to create the great movie they’ve always wanted to make. From information on creating mini-films on a PDA to making low-budget, full-length digital movies, The Complete Idiot’s Guide® to Digital Video provides all the information you need to turn your idea into reality. • A must-read for every film student or novice • Covers all aspects of production, from casting and directing to light and sound to digital editing • Includes 8–page, 4–color insert • Up–to–date recommendations on equipment and software • Clear, easy-to-follow instructions and guidance, as well as all the practical, artistic, and technical “step–by–step” advice that only an experienced writer/director can offer
Author: Bryan Michael Stoller Publisher: John Wiley & Sons ISBN: 1119617898 Category : Performing Arts Languages : en Pages : 535
Book Description
Everything you ever wanted to know about making a movie but were afraid to ask... Lights, camera, action! We all have at least one movie in us, and the amazing and affordable advances in digital technology makes it increasingly easy to make your dream a reality and share it with the world. Filmmaking for Dummies is your definitive guide to bringing a project to life, from the comedy antics of loveable pets to the deepest, most meaningful independent film. Bryan Michael Stoller is your friend and guide, sharing his knowledge gained over 100 productions (directing and working with Dan Aykroyd, James Earl-Jones, Barbra Streisand and Drew Barrymore, among others) to show you how to take your movie from the planning and storyboarding stage, through shooting and editing, to making it available to your adoring audiences through television broadcast, streaming online or in movie theaters. For the do-it-your-selfer, the book includes tips on how to finance your project, a look at the latest software and apps, including advancements in digital technology, and for the passionate director, advice on how to hire and work with your cast and crew and find great scenic locations. Whether you want to become a professional filmmaker or just create great YouTube videos or nostalgic home movies, shooting with your smartphone or with consumer or pro-gear, this practical guide has it all. Learn how to compose your shots and when to move the camera Make the perfect pitch to sell your story Take advantage of helpful contacts and tons of new resources Get up-to-date on the latest and greatest digital technology Find the right distributor, or learn how you can be your own distributor! So, you really have no excuses to make your masterpiece. Get rolling with a copy of Filmmaking for Dummies today and start shooting for the stars!
Author: Andrew Osmond Publisher: Bloomsbury Publishing ISBN: 183871393X Category : Performing Arts Languages : en Pages : 713
Book Description
Twenty years ago, animated features were widely perceived as cartoons for children. Today, though, they encompass an astonishing range of films, styles and techniques. There is the powerful adult drama of Waltz with Bashir; the Gallic sophistication of Belleville Rendez-Vous; the eye-popping violence of Japan's Akira; and the stop-motion whimsy of Wallace & Gromit in The Curse of the Were-Rabbit. Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse world of animated features, with entries on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day. There are key studio brands such as Disney, Pixar and Dreamworks, but there are also recognised auteur directors such as America's Brad Bird (The Incredibles) and Japan's Hayao Miyazaki (Spirited Away). Technologies such as motion-capture, used in films such as Avatar, blur the distinctions between live-action and animation. Meanwhile, lone artists such as Nina Paley (Sita Sings the Blues) and Bill Plympton (Idiots and Angels) make entire films by themselves. Blending in-depth history and criticism, 100 Animated Feature Films balances the blockbusters with local success stories from Eastern Europe to Hong Kong. There are entries on Dreamworks' Shrek, Pixar's Toy Story, and Disney's The Jungle Book, but you will also find pieces on Germany's silhouette-based The Adventures of Prince Achmed, the oldest surviving animated feature; on the thirty year production of Richard Williams' legendary opus, The Thief and the Cobbler; and on the lost work of Argentina's Quirino Cristiani, who reputedly made the first animated feature in 1917.
Author: Cory Doctorow Publisher: ISBN: 9780028639185 Category : Business & Economics Languages : en Pages : 360
Book Description
Offers advice on how to get a science fiction novel or short story published, including tips on the basic elements of a work of science fiction to getting an agent, and signing a contract.
Author: Nicholas Christopher Publisher: Simon and Schuster ISBN: 1439137617 Category : Performing Arts Languages : en Pages : 312
Book Description
Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.
Author: Joanne Parrent
Author: Joanne Parrent
Author: Josef Steiff
Author: Karl Bardosh
Author: Bryan Michael Stoller
Author: Andrew Osmond
Author: Michael Miller
Author: Cory Doctorow
Author: Nicholas Christopher
Author: Ronald Bergan
Author: John Hulme