The Colonial Experience in French Fiction PDF Download

Author: Alec G. Hargreaves
Publisher: London : The Macmillan Press. 1981.
ISBN: 9780333288542
Category : Colonies dans la littérature
Languages : en
Pages : 193

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Author: Alec Hargreaves
Publisher: Springer
ISBN: 1349054461
Category : Fiction
Languages : en
Pages : 195

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Author: Oana Panaïté
Publisher: Liverpool University Press
ISBN: 1786948141
Category : Literary Criticism
Languages : en
Pages : 216

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This book explores the 'colonial fortune' in light of contemporary concerns with issues of fate, economics, legacy, and debt and the persistence of the colonial in today’s political and cultural conversation.

Author: Mary Hartwell Catherwood
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 123

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"The Chase of Saint-Castin and Other Stories of the French in the New World" by Mary Hartwell Catherwood. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Author: Danna Agmon
Publisher: Cornell University Press
ISBN: 150171306X
Category : History
Languages : en
Pages : 356

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Danna Agmon's gripping microhistory is a vivid guide to the "Nayiniyappa Affair" in the French colony of Pondicherry, India. The surprising and shifting fates of Nayiniyappa and his family form the basis of this story of global mobilization, which is replete with merchants, missionaries, local brokers, government administrators, and even the French royal family. Agmon's compelling account draws readers into the social, economic, religious, and political interactions that defined the European colonial experience in India and elsewhere. Her portrayal of imperial sovereignty in France's colonies as it played out in the life of one beleaguered family allows readers to witness interactions between colonial officials and locals. Thanks to generous funding from Virginia Tech and its participation in TOME, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

Author: Jennifer Yee
Publisher: Oxford University Press
ISBN: 0191034207
Category : Literary Criticism
Languages : en
Pages : 259

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Nineteenth-century French Realism focuses on metropolitan France, with Paris as its undisputed heart. Through Jennifer Yee's close reading of the great novelists of the French realist and naturalist canon - Balzac, Flaubert, Zola, Maupassant - The Colonial Comedy reveals that the colonies play a role at a distance even in the most apparently metropolitan texts. In what Edward Said called 'geographical notations' of race and imperialism the presence of the colonies off-stage is apparent as imported objects, colonial merchandise, and individuals whose colonial experience is transformative. Indeed, the realist novel registers the presence of the emerging global world-system through networks of importation, financial speculation, and immigration as well as direct colonial violence and power structures. The literature of the century responds to the last decades of French slavery, and direct colonialism (notably in Algeria), but also economic imperialism and the extension of French influence elsewhere. Far from imperialist triumphalism, in the realist novel exotic objects are portrayed as fake or mass-produced for the growing bourgeois market, while economic imperialism is associated with fraud and manipulation. The deliberate contrast of colonialism and exoticism within the metropolitan novel, and ironic distancing of colonial narratives, reveal the realist mode to be capable of questioning its own epistemological basis. The Colonial Comedy argues for the existence in the nineteenth century of a Critical Orientalism characterized by critique of its own discursive foundations. Using the tools of literary analysis within a materialist approach, The Colonial Comedy opens up the domestic Paris-Provinces axis to signifying chains pointing towards the colonial space.

Author: Nicola Cooper
Publisher: Berg Publishers
ISBN: 9781859734810
Category : History
Languages : en
Pages : 0

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Valorised as 'la perle de l'Extrême Orient', Indochina was France's rival to Britain's 'jewel in the crown'. Advanced, worthy, and accorded special status, it was a showcase of success, but also a site of disaster. Given the current scholarly interest in reassessing colonial attitudes and in francophone culture, this book fills an important gap by focusing upon the neglected French colonial discourses at the height of the French imperial encounter with Indochina. The period of French colonial rule in Indochina spanned some ninety years and not only did it witness France's Fourth Republic's first experience (and loss) of colonial war, it also exemplified the often contradictory representations and perceptions of imperial identity, colonialism and the legacy of the 1789 Revolution. Framed by political, ideological and historical developments and debates, each chapter develops an intriguing socio-cultural account of France's own understanding of its role in Indochina and its relationship with the colony. The author brings together striking images from colonial expositions, metropolitan fiction, travel journalism, world exhibitions, popular song, gendered and familial representations as well as film to reveal the confusion over imperial identity that prevailed in France until the eve of the Second World War. This authoritative work provides an important re-evaluation of French Indochina and its legacy. Its interdisciplinary approach will be of interest to a broad readership: students of French history, colonial and postcolonial studies, cultural studies, literature, sociology and race.

Author: Nicola Frith
Publisher: After the Empire: The Francophone World and Postcolonial France
ISBN: 9780739180006
Category : Colonialism in literature
Languages : en
Pages : 0

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The French Colonial Imagination examines France's critical response to the Indian uprisings of 1857-58 and their brutal suppression by the British. Drawing from texts produced during the Second Empire and the early Third Republic, Nicola Frith foregrounds the extent to which B...

Author: Alec Hargreaves
Publisher: Lexington Books
ISBN: 073915768X
Category : History
Languages : en
Pages : 259

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Book Description
Long repressed following the collapse of empire, memories of the French colonial experience have recently gained unprecedented visibility. In popular culture, scholarly research, personal memoirs, public commemorations, and new ethnicities associated with the settlement of postcolonial immigrant minorities, the legacy of colonialism is now more apparent in France than at any time in the past. How is this upsurge of interest in the colonial past to be explained? Does the commemoration of empire necessarily imply glorification or condemnation? To what extent have previously marginalized voices succeeded in making themselves heard in new narratives of empire? While veils of secrecy have been lifted, what taboos still remain and why? These are among the questions addressed by an international team of leading researchers in this interdisciplinary volume, which will interest scholars in a wide range of disciplines including French studies, history, literature, cultural studies, and anthropology.

Author: Leslie Barnes
Publisher: U of Nebraska Press
ISBN: 0803266774
Category : Literary Criticism
Languages : en
Pages : 313

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Vietnam and the Colonial Condition of French Literature explores an aspect of modern French literature that has been consistently overlooked in literary histories: the relationship between the colonies—their cultures, languages, and people—and formal shifts in French literary production. Starting from the premise that neither cultural identity nor cultural production can be pure or homogenous, Leslie Barnes initiates a new discourse on the French literary canon by examining the work of three iconic French writers with personal connections to Vietnam: André Malraux, Marguerite Duras, and Linda Lê. In a thorough investigation of the authors’ linguistic, metaphysical, and textual experiences of colonialism, Barnes articulates a new way of reading French literature: not as an inward-looking, homogenous, monolingual tradition, but rather as a tradition of intersecting and interdependent peoples, cultures, and experiences. One of the few books to focus on Vietnam’s position within francophone literary scholarship, Barnes challenges traditional concepts of French cultural identity and offers a new perspective on canonicity and the division between “French” and “francophone” literature.